Easily the biggest piece of Right wing non sense propaganda I ever saw.

It's a good bad... and worth a popcorn matinée. While it's easy to lament what could have been...

A movie that not only functions as a solid scarefest but a razor-sharp satire.

It’s sentimental, ridiculously long and only occasionally funny

Stan Laurel and Oliver Hardy are the most famous comedy duo in history, and deservedly so, so I am happy to see any of their films. Officers Stan and Ollie pull over to open up their police telephone and take out their lunch of sandwiches and milk bottles, and Stan manages to snap the phone cord. Just after tucking in, they get a radio report that some men (Bob Kortman and Charlie Hall) are trying to steal their spare tyre, so Stan gets out and chases these men away and threatening arrest next time he sees them. They mock him, so he throws a brick through their brick, and they it back through the back window of their car, hitting Ollie on the back of the head and cracking on open his milk bottle to squirt him in the face. Then the police radio reports a man trying to break into 24 Walnut Avenue, but they quickly forget this address when the car stalls, and with their phone cord broken Stan goes into the near jewellery store. He fails to notice the man inside trying to crack open a safe is a crook (Frank Terry) as he makes he phone call to get the address again, and when Ollie comes in the crook gets his gun out. The crook gets a ticket to appear in court at his convenience, and after making the phone call again with Stan losing half the address, the crook trying to steal their car is told to appear in court the next day, no excuses. So the boys get to the address reported, and they see a man (Frank Brownlee) banging on the windows and going down into the basement, while they follow him, the man has a word with his Butler (Al Corporal), as he is the owner of the house. The boys find he has locked the door to the basement, so after Ollie has a little tumble going up the wrong set of steps, they go outside to the front door. Stan suggests if they want to get through it they should step back ten paces, so as Ollie steps back he ends up in the near pond on step nine, and when he gets out soaked, he also gets squirted by his water filled gun. While Ollie and Stan grab and lift the near heavy bench, the house owner is getting dressed to investigate the noises outside, and the boys mess up swinging the bench into the door when Stan makes Ollie fall in the pond again, and Stan gets splashed too. After lifting up the bench which Ollie was trapped under in the pond, and taking a pond weed and fish out of their clothes, Stan and he have a quandary about which direction to swing and move the bench. After swapping ends of the bench, they count three and swing the bench forward, crashing through the door and going up a few stairs before the floor gives way, and they go into the basement landing in a barrel of sauerkraut. The house owner comes down with a long barrelled shot gun, and he also goes through the hole in the staircase landing in a wardrobe, and it is only when he is knocked on the head by a bottle that he is quiet. So Stan and Ollie take what they think is the criminal to headquarters, but everyone is shocked to see it is Police Chief Ramsbottom, and he has no hesitation to shoot the boys as they walk out, but is good enough to call the coroner. Filled with wonderful slapstick and all classic comedy you could want from a black and white film, it is an enjoyable film. Stan Laurel and Oliver Hardy were number 7 on The Comedians' Comedian. Good!

When I first started watching this short, I kept asking myself what type of police force is THAT stupid or short-sighted to give Laurel and Hardy jobs as cops?! Having the boys play policemen is a nice departure from the norm and it seems ironic that they played jailbirds in many more films! Regardless, the team behave much as you'd expect in this new role--they completely miss obvious crimes right in front of their faces but manage to apprehend the one person they meet who is actually minding his own business! Along the way, Stan and Ollie bumble and break stuff and act pretty much their usual selves. In a way, it's a real shame that aside from them being cops, this film is so very conventional and doesn't offer that many new ideas or gags. This isn't to say this is a bad film--just not anything extraordinarily different from the norm.

WARNING: REVIEW CONTAINS SPOILERS There are superb stunts, Stan pulling some of his most gormless expressions, and an absolutely hysterical brick throwing competition. There are also some surreal gags, like the police headquarters several blocks away radioing their car to tell them their spare tyre is being stolen.The timing of the duo is impeccable, and even the opening titles – the credits being swished from side to side by a car windscreen wiper as it races through city streets – are excellent. Perhaps the only sticking point is that, while usually more suited to the shorter length pictures, this Stan and Ollie film ends a little abruptly, with a rather sick ending that sees them being murdered. Still it's a minor issue, and doesn't really get in the way of what is tremendous fun.

A LAUREL & HARDY Comedy Short.Novice cops Stan & Ollie are THE MIDNIGHT PATROL, guardians of the night. Their complete incompetence dealing with crime, however, soon leaves a trail of chaos & destruction.A funny little film, although ending it with two murders is a bit much. Highlight: Ollie in the fishpond. That's Frank Brownlee as the Chief, Walter Plinge as the gentlemanly crook and Charlie Hall as one of the tire thieves.