It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

It is neither dumb nor smart enough to be fun, and spends way too much time with its boring human characters.

It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

With all the colorful costumes and sensational outdoor cinematography, we never do get around to the 'pink tights' of the title, a bit of misdirection there I'd say with Sophia Loren in the cast. Actually, I find it difficult to pin down who this film might have been meant to appeal to. Nominally a Western, it really doesn't satisfy in terms of an adventure film and most of the scenes plod along waiting for things to happen. It was a bit visually jarring too, to see Sophia Loren as a blonde, although an early scene with Anthony Quinn introducing the characters lent new meaning to the definition of having an hourglass figure. Whatever tension there is, is provided by the subtext of Clint Mabry (Steve Forrest) fulfilling a contract for Bonanza town villain De Leon (Ramon Novarro), while trying to avoid getting greased himself by the bad guy's double cross. His play for Angela Rossini (Loren) basically went nowhere, and if you want to believe he collected on the poker bet with the actress, you have to fill in the blanks yourself. However he does have that exciting exit from the theater stage to help set up the finale, with a happily ever after ending for Quinn's Tom Healy and the beautiful Angie Rossini, something neither one was really counting on when the story started.

Heller in Pink Tights is directed by George Cukor and adapted to screenplay by Walter Bernstein from the novel "Heller With a Gun" written by Louis L'Amour. It stars Sophia Loren, Anthony Quinn, Margaret O'Brien, Steve Forrest, Eileen Heckart and Ramon Novarro. Music is by Daniele Amfitheatrof and cinematography by Harold Lipstein.In simple terms this is Cukor trying to be clever whilst doing his only Western film. Plot basically follows The Great Healy Dramatic and Concert Company as they represent civilisation and culture coming to the Wild West. It's part spoof, part period farce but always narratively shallow. The costuming and colour lensing are sublime, undeniably, but these can't compensate for such a turgid story being performed by miscast stars.Quinn called the picture unfortunate, Loren (looking painfully thin and sporting an unfortunate blonde mop on her head) was unhappy with the direction she received and serves solely as a clothes horse, while Cukor himself bemoaned cuts made by Paramount that further damaged what he thought was already a weak story. Receiving mixed reviews upon release, "Heller" was a box office flop, and really it's not hard to see why. Even if there's some value for Loren and Edith Head (costumes) fans. 4/10

The film is the story of an acting troupe (Anthony Quinn, Sophia Loren, Eileen Heckart, Margaret O'Brien) who run into various monetary and Indian problems as they travel across the Western United States.George Cukor, who directed this film, supposedly never liked how the usual western looked. They lacked color, according to him, and in "Heller in Pink Tights," Cukor set out to remedy that. The film is full of vivacious color. From Eileen Heckart's orange hair to Sophia Loren's platinum blonde wig and the various pieces of clothing that they wear. Visually the film is quite arresting. It mixes such loud, bright colors with the colors of such a rigid and tough landscape.While the use of color is certainly interesting, the film never gets quite as far. The story is entertaining, but in a silly way. The chemistry between Loren and her two love interests (Quinn and Steve Forrest) is non-existent. She also looks totally uncomfortable with the blonde wig she is saddled with. Eileen Heckart is fun as the loudmouth actress/stage mother to O'Brien's character, and Anthony Quinn is his usual "dramatic" self."Heller in Pink Tights" certainly is a different kind of Western. I just only wish the film's story would have been as interesting as its use of color.

For the only western in the film credits of George Cukor he sure couldn't be faulted for the source of his material. This film is taken from one of the books by the great western novelist Louis L'Amour. It concerns the escapades of a traveling theatrical troupe in the west headed by Anthony Quinn with the leading lady being Sophia Loren. This was her only trip to the American west on film also.Theatrical people did not exactly have the same kind of prestige back in those days as they do now. We first meet our players fleeing across the state/territorial boundaries of Nebraska and Wyoming evading a sheriff with a writ. They arrive in Cheyenne and get themselves involved with the villainous doings of Ramon Novarro and his hired gunman Steve Forrest. After Forrest does a couple of jobs for him, Novarro tries a doublecross maneuver similar to the one Laird Cregar tried on Alan Ladd in This Gun For Hire with the same sorry results. Forrest of necessity joins the theatrical troupe and both get an opportunity to use their respective skills to help each other out of some tight spots.This film had potential to be better. Maybe in the hands of someone like George Marshall or John Ford it might even have become a classic. George Cukor was not the director for it. The film marked the last feature film appearance of both Ramon Novarro and Edmund Lowe. Novarro did do some television work until his tragic murder in 1968. Here he's a smooth and polished villain. Edmund Lowe does quite well as an old ham actor which at that point in his life was I'm sure one easy role for him.Heller in Pink Tights is enjoyable enough, but no classic.