The Age of Commercialism

Don't Believe the Hype

Tells a fascinating and unsettling true story, and does so well, without pretending to have all the answers.

A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

The sloppiness I blame on the director. My friend said, "...who cares it was made for HBO...". I care and if it were my name associated with the movie I would at least make sure you couldn't see the harness cable behind the head of the man being hung. You could totally see it. They could have shot it from another angle and then we couldn't have seen it. Also in the scene in court they show women and a black man on the jury. Not even. In 1890 not even a state yet Wyoming no women were sitting on the jury. Anyway this movie is fraught with ill fitting scenes, motivations, and had lots of goofs. I saw John Cusack move his arm when they took him down from the gallows. There were many goofs. I would never put my name on something this sloppily made even if it were only for TV. I feel insulted when movies are this sloppily done.

if I could go 11 or 12 out of 10 I would. the summary says it all, best western in 30 or more years.. I have to go back in the time machine and pull out Hang Em High to get a decent picture, with the lone exception of Unforgiven of course. Hollywood doesn't seem to care about the western anymore, yeah there were 2 westerns I believe that were similar that came out a few years ago,, 310 to Yuma was one I believe.. which was good but not great. anyway, John Cusack gave the performance of a lifetime,, the storyline,, morals, everything in the movie is so engrossing,, John Goodman's character as the judge was very funny. I loved the scenery the great American west,, wide open plains, all in color too. the storyline was pretty simple straight forward and to the point, our main character is ripped off and he fights in what he believes in now matter what the personal sacrifice he has to make or what cost and risk to his family,, he is wronged pretty much by everyone he turns to,, this is a very sad story,, but a story with so much about morals and the right thing to do,, Hollywood does sorely need to make at least an attempt to do say like 3 westerns a year.. maybe one blockbuster,, one indie, and one just whatever,, so the genre stays alive,, I can't remember seeing 10 westerns since 1983 can you?

This is an HBO original movie, but let me assure you this is of the caliber to have been a theatrical release. This film makes a powerful statement about the importance of standing up for what you believe in and how you cannot just say what is right, but have the courage to take action when words fail you and see justice done, whatever the cost.The setting is the beautiful mountains and frontier country of pre-statehood Wyoming; the man is Merle Redding (John Cusack), a simple horse trainer just trying to earn a living for him and his family; the problem is a wealthy cattle rancher named Henry Ballard (L.Q. Jones) buying up all the land between the homesteads and the nearest town. Conflict arises when Merle is taking some of his horses to town to sell at the auction and needs to pass through Ballard's new spread of land—previously unowned—as it is the only way to make it to the auction on time. And that is all I will say so as to not spoil any critical elements of the movie. The first thing that stands out about the film is that the scenery is absolutely breathtaking. I could've done without the filters, but the sights are still something to behold. The actors are well-cast; John Cusack and John Goodman really shine in their respective roles. The screenplay (written by Dick Cusack, John Cusack's father) is well-thought out and succeeds in making the film come full circle. The characters are three-dimensional and the audience can easily relate to their individual struggles. As well, the parallel editing between Cusack's 'circumstance' and the parade for Wyoming's official statehood speaks volumes...very eloquent indeed.This film should be a lesson to all of us to remember what's important and fight for what we believe in. We cannot settle for simply saying what is right and what should be done, but stand behind what we say. It reminds us to fight for the little guy and that one person *can* make a difference.VERDICT: A moving film about true conviction of the heart; truly inspiring. Hands down one of the best westerns I've ever seen (which is a lot). On that note, if you don't like westerns, this probably isn't the film for you, but otherwise, it's a must-see.8.5 out of 10.0NOTE: To anyone who loves horses, this film will hit a particular soft spot in your heart—it certainly did for me

when you can see the actors participating as producers it usually means they wanted to make a movie no-one else did. after viewing this film i can conclude 'the jack bull' makes no exception to the rule. john badham is not a miracle maker, more a box-office director. this kind of a story would have needed something more, as this was obviously supposed to be a serious, credible film.the problem is simply direction. i know i shouldn't land it all on one guy, but just look at it! the goody good boy, the amazing wife, ordinary man, justified revenge...blah blah. the air shots from the ride to cheyenne with the cheesy music and background dialogue, the endless verbal attacks on billy but not on ollie shows the pathetic situation of american 'political correctness' a.k.a. neo-racism, and it's all filled with dramatic death scenes, at some points it's just a tiresome watch.so, every other scene is pretty much crap, but every other scene is not. regardless of the movies problems i did enjoy it, john cusack looks like a new yorker to me, but he is a good actor and he can somewhat pull it off anyway. the supporting cast is good all-around. i like the way the cities are portrayed as cold, dark and primitive places unlike in most westerns. the ending is good, although again too melodramatic. john goodman's character is useless, i didn't need to see mister righteous there to make me feel a little better. i just felt sick as i saw another cliche-bomb walking the streets of rawlins.it's worth a watch, no, infact it's okay, if you can just ignore the things i loathed. but it's not even close to the best westerns of the 1990's. plusses for acting and camera-work.