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Year
Movies
Burning Man: Voyage in Utopia
With a strong emphasis on founder Larry Harvey and temple artist David Best, this video expresses the scale and power of the Burning Man experience. Superb cinematography and editing are combined to make this is one of the most moving Burning Man videos ever produced.
Bye Bye Africa
A Chadian film director who lives and works in France (Haroun) returns home upon the death of his mother. He is shocked at the degraded state of the country and the national cinema. The filmmaker decides to make a film dedicated to his mother.
Dear Babylon
The future of social housing is threatened by the AC30 Housing Bill. Set in London's East End, a trio of art students are eager to raise awareness about their neighbourhood especially the lives of tenants and people who work on the estate.
Lek and the Dogs
An adaptation of Hattie Naylor's play, Ivan and the Dogs, which follows the true story of Ivan Mishukov, who walked out of his Moscow apartment at the age of four and spent two years living on the city streets where he was adopted by a pack of wild dogs.
Play It Safe
Coaxed into playing a racial typecast in a fellow student’s play, Black drama student Jonathan is faced with all too familiar decision: to challenge prejudice, or play it safe.
Mobilize
A journey by canoe into the city creates a dynamic interconnection between natural and urban spaces, in this evocative short set to a hypnotizing soundtrack by Inuk artist Tanya Taqaq.
Out of Thin Air
The Ladakh Vision Group is shooting a new film: Las-Del (Karmic Connection). The film director is a Buddhist monk while local housewives, policemen and taxi drivers play heroes and villains.
Kokutai
Literalising the titular term roughly translatable as 'body politic', Kokutai explores the fascist aesthetics of Japan's biannual national high school baseball tournaments.
Papirosen
A portrait of Argentine director Gastón Solnicki's family over the course of the second half of the 20th century, Papirosen follows four generations still troubled by a war that’s never spoken of. The film juxtaposes different periods with their native image formats, along with landscapes, characters and international political events, as it focuses on a singular decade of a nouveau riche Argentine Jewish family, and the new generation’s introduction into familiar traumas and vitality.
Glass Life
A dynamic configuration of images and videos overlaid with musings on human existence.
The Cat, The Reverend and The Slave
Markus is a furry: the animal that lies dormant within him is a cat. Benjamin is a modern minister: he preaches sermons in a virtual church. Kris is a Gorean Master: he controls his slaves' sex lives from his bedroom... A documentary about three emblematic Second Life communities.
Aidez l'Espagne
The Colegio de Arquitectos de Catalunya commissioned Pere Portabella to make this film for the Joan Miró retrospective exhibit in 1969. There were heated discussions on whether it would be prudent to screen the film during the exhibit. Portabella took the following stance: "either both films are screened or they don't screen any" and, finally, both Miro l'Altre and Aidez l'Espagne were shown. The film was made by combining newsreels and film material from the Spanish Civil War with prints by Miró from the series "Barcelona" (1939-1944). The film ends with the painter's "pochoir" known as Aidez l'Espagne.
Le Sabotier du Val de Loire
This is October 1955. The place is a village in Loire-Atlantique, La Chapelle-Basse-Mer, where an old clog-maker works and lives with his wife and their adopted son. The clog-maker's meticulous craft is described with love and close attention to detail. On the other hand, forthcoming death pervades the quiet everyday life of the elderly couple.
IWOW: I Walk on Water
At night, the streets of Harlem are haunted by lost souls. Bodies that drift around in the darkness and bear the weight of the past on their shoulders. The Haitian man Frenchie is one of them, and his accentuated stutter bears witness to exile and years of abuse. But he is more than just that in Khalik Allah's new, hypnotic film opus, which turns the American tradition of social realist street photography into its own art form.
Apiyemiyekî?
Apiyemiyekî? addresses the genocide of the Waimiri-Atroari people in 1970s, when during the Brazilian dictatorship indigenous lands in the mid-west were invaded for the construction of the national road BR-174 and the installation of a mining company. Illustrations about the period, created by the indigenous population, including children, reveal a traumatic history, referring us to the present day.
Jeny303
A site of activism and bloodshed, Building 303 was an icon of Bogotà. Now demolished, the university—and its political graffiti—haunts this spectral short, intruding on a portrait of a recovering addict. Laura Huertas Millán’s film is one of ruin and survival, inspired by its “living works of art.”
The Absent Stone
In 1964 a colossal pre-Hispanic monolith was taken from the town of San Miguel Coatlinchan in the state of Mexico and brought to the National Museum of Anthropology in Mexico City. Since then, the absence of the monolith has been present in the memories of the inhabitants, as well as in endless reproductions and ripostes.
A Storm Was Coming
Ësáasi Eweera, one of the last kings of the Bubi people of Equatorial Guinea and a threat to Spanish colonial rule, died in suspicious circumstances. A century later, the case is reopened: a formalist detective story and an indictment of colonialism.
Bom
Malana, a remote village in the Himalayas, isolated from outside civilization for thousands of years has been fostering a primitive existence in harmony with nature and a unique model of democracy of consensus. They have also been producing some of the best quality hashish in the world. A real life story of transition, this ancient civilization being invaded and obliterated by the modern democracy. Narrated in an epic structure, a visual essay from the edge of the world with a message of trust, peace and eternal unity.