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Year
Movies
Stanislavski: Lust for Life
A story about Konstantin Sergeievich Stanislavski, a twentieth-century theatre genius. Owing to his powerful extraordinary talent he managed to stay a true artist and a free spirit within the harsh Soviet system. In the film contemporary theater and film directors (Kirill Serebrennikov, Katie Mitchell, Lev Dodin and others) show how Stanislavski's method affects their everyday work. Each of the directors finds his or her own reflection in the mirror of his genius. In search of an answer to the question whether modern theatre really needs Stanislavski they discover that art lacks its most essential part – the human being.
The Salt in Our Waters
Rudro, a young sculptor, moves to a remote Bangladeshi beach village after the death of his conservative father. At first he is welcomed by the locals, but after the fishing shoals they rely on start to disappear, Rudro is harassed by the village chairman's men and his progressive ideas are blamed.
Tell Her
What is to be a child to whom parents ask the same question every day: whom does he love more? Mom or dad? What should mom do if she madly loves her son, but circumstances force him to take the child away from his father? What should be done to dad if his son is taken to America forever, and he cannot imagine his life without him? This is a story of choice. When deciding for a child, a parent often does as he is comfortable with. The child agrees, afraid to hurt the parent, but time will pass, he will mature and at some point he will decide for himself. Only the parent from this will be much more painful.
Colors of Tobi
Tobi is a typical 16-year-old, desperate for the end of school and wondering what path in life to take. The hard-working people in Tobi’s tiny village struggle to make ends meet, while the kids can’t wait to escape to Budapest as soon as they turn 18. Against the challenges of an increasingly conservative Hungary, where trans rights are currently being stripped back, this insightful documentary generously shines a light on the journey of Tobi’s mother as much as Tobi themselves. Having come out once as male in his mid-teens, Tobi later shifts towards a non-binary identity. It’s a steep learning curve for the family to re-evaluate the deeply ingrained gender binary in this rural corner of Central Europe, but for this caring and communicative group, love wins the day.
Rehana Maryam Noor
An assistant professor at a medical college balances her roles as a professional, a mother and a teacher. Her life changes once she witnesses an unexpected incident involving a female student.
The Last Shelter
Deep in Mali, on the edge of the Sahel Desert, lies the peaceful city of Gao—a quiet way station for passersby with their eyes set on Europe in hopes of opportunity, safety and a better future.
The Conscience
Petrograd, Soviet Union, 1920s. Boris Letush, devastated by a personal tragedy, feels the need to put his conscience and his principles before the demands of the cruel system he serves, where law and justice are systematically ignored.
In the Billowing Night
Jean-René is a retired workman who has lived in Mâcon, France, since emigrating from Reunion Island at the age of 17. Today, for the first time ever, the quiet man recounts his story to his daughter. His journey is interspersed with enigmatic dreams and pains that are rooted in the wounds of the French colonial past.
70/30
In 2019, thousands of Danish children and youths took to the streets. They stayed away from school to demonstrate for the climate, mobilise their parents and grandparents, and demand action – now! When elections were called later the same year, it was clear that green climate policies attracted voters, and suddenly the climate was at the top of the political agenda. ‘70⁄30’ portrays the creation of one of the world’s most ambitious climate laws, with the goal of reducing Denmark’s CO2 emissions by 70% by 2030. But will the politicians, citizens and industry be able to come together to make Denmark a green pioneer? Or will the election promises and green ambitions crumble when the new climate law is faced with reality?
I've Been Trying to Tell You
Do you look back on the optimism of the 1997-2001 era as a lost golden age, or do you see it as a period of naïvety, delusion and folly? There’s a lot of nostalgia for the nineties at the moment, especially from people too young to remember it who see the decade as a simpler, pre-internet time. Modern nostalgia often draws on corporate American-90s mall culture, but what about British culture? With I’ve Been Trying To Tell You – made to accompany the Saint Etienne album of the same name – director Alasdair McLellan evokes the era through the fog of memory. The resulting film, shot in locations from Grangemouth to Portmeirion to Southampton, is both beautiful and enveloping.