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Year
Movies
Glass Life
A dynamic configuration of images and videos overlaid with musings on human existence.
The Cat, The Reverend and The Slave
Markus is a furry: the animal that lies dormant within him is a cat. Benjamin is a modern minister: he preaches sermons in a virtual church. Kris is a Gorean Master: he controls his slaves' sex lives from his bedroom... A documentary about three emblematic Second Life communities.
Aidez l'Espagne
The Colegio de Arquitectos de Catalunya commissioned Pere Portabella to make this film for the Joan Miró retrospective exhibit in 1969. There were heated discussions on whether it would be prudent to screen the film during the exhibit. Portabella took the following stance: "either both films are screened or they don't screen any" and, finally, both Miro l'Altre and Aidez l'Espagne were shown. The film was made by combining newsreels and film material from the Spanish Civil War with prints by Miró from the series "Barcelona" (1939-1944). The film ends with the painter's "pochoir" known as Aidez l'Espagne.
Le Sabotier du Val de Loire
This is October 1955. The place is a village in Loire-Atlantique, La Chapelle-Basse-Mer, where an old clog-maker works and lives with his wife and their adopted son. The clog-maker's meticulous craft is described with love and close attention to detail. On the other hand, forthcoming death pervades the quiet everyday life of the elderly couple.
IWOW: I Walk on Water
At night, the streets of Harlem are haunted by lost souls. Bodies that drift around in the darkness and bear the weight of the past on their shoulders. The Haitian man Frenchie is one of them, and his accentuated stutter bears witness to exile and years of abuse. But he is more than just that in Khalik Allah's new, hypnotic film opus, which turns the American tradition of social realist street photography into its own art form.
Apiyemiyekî?
Apiyemiyekî? addresses the genocide of the Waimiri-Atroari people in 1970s, when during the Brazilian dictatorship indigenous lands in the mid-west were invaded for the construction of the national road BR-174 and the installation of a mining company. Illustrations about the period, created by the indigenous population, including children, reveal a traumatic history, referring us to the present day.
Jeny303
A site of activism and bloodshed, Building 303 was an icon of Bogotà. Now demolished, the university—and its political graffiti—haunts this spectral short, intruding on a portrait of a recovering addict. Laura Huertas Millán’s film is one of ruin and survival, inspired by its “living works of art.”
The Absent Stone
In 1964 a colossal pre-Hispanic monolith was taken from the town of San Miguel Coatlinchan in the state of Mexico and brought to the National Museum of Anthropology in Mexico City. Since then, the absence of the monolith has been present in the memories of the inhabitants, as well as in endless reproductions and ripostes.
A Storm Was Coming
Ësáasi Eweera, one of the last kings of the Bubi people of Equatorial Guinea and a threat to Spanish colonial rule, died in suspicious circumstances. A century later, the case is reopened: a formalist detective story and an indictment of colonialism.
Bom
Malana, a remote village in the Himalayas, isolated from outside civilization for thousands of years has been fostering a primitive existence in harmony with nature and a unique model of democracy of consensus. They have also been producing some of the best quality hashish in the world. A real life story of transition, this ancient civilization being invaded and obliterated by the modern democracy. Narrated in an epic structure, a visual essay from the edge of the world with a message of trust, peace and eternal unity.