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Good Morning
A lighthearted take on director Yasujiro Ozu’s perennial theme of the challenges of intergenerational relationships, Good Morning tells the story of two young boys who stop speaking in protest after their parents refuse to buy a television set. Ozu weaves a wealth of subtle gags through a family portrait as rich as those of his dramatic films, mocking the foibles of the adult world through the eyes of his child protagonists. Shot in stunning color and set in a suburb of Tokyo where housewives gossip about the neighbors’ new washing machine and unemployed husbands look for work as door-to-door salesmen, this charming comedy refashions Ozu’s own silent classic I Was Born, But . . . to gently satirize consumerism in postwar Japan.
Still Walking
Twelve years after their beloved eldest son, Junpei, drowned while saving a stranger's life, Kyohei and Toshiko welcome their surviving children home for a family reunion. Younger son Ryota still feels that his parents resent that he isn't the one who died; his new wife, Yukari, is awkwardly meeting the rest of the family for the first time. Daughter Chinami strains to fill the uncomfortable pauses with forced cheer.
The Story of Lovers Rock
In the 70s and 80s Britain was rife with racial tension and police harassment particularly against black British youths. These youths were the rebel generation who were also searching for an identity. They created a music - a sub genre of reggae known as Lovers Rock. This music became a global brand through artists like UB40 and Maxi Priest. The music brought a level of intimacy between young people that was unique. It was also 'girl power' music that empowered a generation of young women. Through comedy, live performance, dance, interviews and archive the film takes you back to an untold era of British cultural, music and political history.
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