Best movie of this year hands down!

If you don't like this, we can't be friends.

Excellent adaptation.

A clunky actioner with a handful of cool moments.

After the death of her son, a woman leaves her husband to go to the big city. There, she gets involved with an accountant (Kent Smith) and two mobsters (David Brian, Steve Cochran). As is often the case in her later movies, Joan is playing a character much younger than her actual age and it's very unconvincing. It's also one of those movies where all the men seem to think she's just the most stunning beauty ever and that will cause you some strain from all the eye-rolling.A blend of film noir and one of the many melodramas Joan made at MGM in the '30s, this just doesn't do a lot for me. I was bored most of the time. It's obvious from these leading men that Warner Bros. was in dire trouble in the '50s. When Kent Smith is the most charismatic actor in the movie you are making a snoozer for sure.

With its attention-grabbing title and a rags-to-riches story that would obviously appeal to Joan Crawford fans, it's no surprise that "The Damned Don't Cry!" was a great box office success. It was based on Gertrude Walker's "Case History" which was inspired by the real-life story of Virginia Hill who'd had a relationship with Bugsy Siegel and interestingly, its tale of a woman who rises from very humble beginnings to great success, reflected (in some ways) Crawford's own history. Murder, double-crosses and ruthless ambition are key components of the plot and its fast pace and sharp dialogue ensure that the audience's interest is kept at a high level throughout.The discovery of a murdered West Coast gangster near a desert road triggers a police investigation that reveals that his circle of friends included a well known socialite who can't be traced and could also have been murdered. From further checks, it soon becomes apparent that finding her will be difficult because she was clearly operating under a false identity. The woman in question is actually Ethel Whitehead (Joan Crawford) and her story is told in flashback as she recalls her miserable working-class life in a Texas oil town and the tragic accident in which her son was killed. This event made her determined to leave her husband and her poverty behind in order to seek a better life somewhere else.In New York, Ethel works as a cigar store assistant and then a model for a clothing wholesaler where she makes extra money at night by entertaining the firm's out-of-town customers and taking them to an illegal gambling haunt. When she meets a very talented but rather diffident accountant called Martin Blankford (Kent Smith) and convinces a local restaurateur to employ him, the arrangement works out well for the two men who are both very grateful to Ethel. As a result of his brilliant work for his new employer, Martin is soon taken on by crime syndicate boss George Castleman (David Brian) who uses him as a bookkeeper for his gambling racket. Martin is not entirely happy with the criminal nature of his new role but is in love with Ethel and so is easily persuaded not to leave.Ethel enjoys being a part of Castleman's set up and attracted by his power and wealth, promptly dumps Martin to become Castleman's mistress. Castleman employs a lady to train Ethel to be able to give the impression that she's more sophisticated and cultured than she actually is and as part of her transformation, Ethel changes her name to Lorna Hansen Forbes. When Castleman starts to doubt the loyalty of the man in charge of his Palm Springs operation, he persuades Lorna to ingratiate herself to Nick Prenta (Steve Cochran) and do whatever's necessary to find out what he's planning. Complications arise when Lorna falls in love with Prenta and fails to report back to Castleman. A whole series of violent events follow which involve double-crosses, betrayal and revenge before the story finally reaches its dramatic conclusion.Joan Crawford, in a strong performance, very effectively shows the intensity of Ethel's ambition as she becomes ever more manipulative, duplicitous and immoral in order to achieve the wealth and power that she so desperately wants. Similarly, she's also very convincing in showing the transformations that Ethel makes as she becomes more tough-talking when she moves to New York and then more dignified when she poses as a wealthy Texan socialite. Kent Smith, David Brian and Steve Cochran are also superb in their important supporting roles."The Damned Don't Cry!" is a movie that really seems to get an awful lot of story into its running time and remains thoroughly enjoyable from start to finish.

The Damned Don't Cry! Is directed by Vincent Sherman and collectively written by Gertrude Walker, Harold Medford and Jerome Weidman. It stars Joan Crawford, David Brian, Steve Cochran and Kent Smith. Music is by Daniele Amfitheatrof and cinematography by Ted McCord.Loosely based on the relationship between Bugsy Siegel and Virginia Hill, story has Crawford as Ethel Whitehead, a weary housewife who decides to break off from her hum-drum existence to climb the social ladder: But at what consequence?Part gangster's moll tale, part lady led melodrama, The Damned Don't Cry! Is enjoyable enough entertainment as a Crawford vehicle. At 45 years of age when she made this, some scenes, such as her doing some slinky modelling work, just don't sit right and stretch credulity, but she commands the screen like an ageless swan hiding a dark seductive heart. The film as a whole is a bit hit and miss, with its themes of disillusionment, morality and social standings jostling for attention in the narrative, while the reliance on clichés and parody for parody's sake irks a touch, but it's good and solid black and white fun. Especially if you happen to be a Joan Crawford fan. 6.5/10

...So announces Joan Crawford, as Ethel Whitehead, or is it Lorna Forbes? to gentleman no 1, who then dies mysteriously in a car accident. Her new suitor, played by David Brian is head of a racket involving gambling, vice and narcotics and who's fortune is in oil. Then, she gets involved in a conspiracy to eliminate him....Will Steve Cochran, as Nick Prenta become gentleman No.3?This greatly-titled melodrama's story falls a little short of that dramatic title, though. The often cliché-ridden rags-to-riches theme is a Hollywood stalwart that can get predictable, unless there's a knockout performance or other redeeming feature.Joan Crawford IS that redeeming feature. She's the woman on the way to the top, though the top of what is the question. Utilising her sexuality she uses men who are easily swayed, men who are on the shady side of virtuous. These men are portrayed as humourless puppy dogs that moodily and meanly leave their lines in Ms Crawford's lap. Only she gets to smile, laugh, cry and dominate the picture. Meanwhile director Vincent Sherman does a steady job with both cast and camera.For lovers of Joan Crawford, this is an absolute must. For the rest of us, it's not as good as her best - Mildred Pierce and Grand Hotel; not by quite a margin. Hence my 7 instead of 8 or even 9/10. I watched the DVD as part of the 5 disc Joan Crawford Collection. Other films included in that are: Mildred Pierce, Possessed, Humoresque and Grand Hotel.