The pro-Palestinian, anti-capitalist, BDSM-provocative, techno-punk performance art ensemble Hatari unsurprisingly drew attention to themselves with their performance at the Icelandic qualifiers for the Eurovision Song Contest. So much so that they won and therefore were allowed to perform at the main event in Tel Aviv. But what now? Should they boycott the event, swallow their idealism, or use their airtime to criticise the host country for their illegal occupation of Palestine? The Icelandic director Anna Hildur joins the boys in the band all the way to the fateful final.
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Reviews
Redundant and unnecessary.
Entertaining from beginning to end, it maintains the spirit of the franchise while establishing it's own seal with a fun cast
This is a must-see and one of the best documentaries - and films - of this year.
The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;