That was an excellent one.

The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

Exactly the movie you think it is, but not the movie you want it to be.

The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

I'd never heard of this movie until I read web-site article about Dwight Yoakam, which included an interview. Dwight gave this movie a big shout out, saying it was highly unconventional, yet quite likable. And since I've pretty much liked Paul Newman and Lee Marvin in almost everything they've been in, I took a chance. Let's just say that I'm still on board with Dwight the musician, but I've got a big thumbs down to Dwight the movie critic.I'm going to be brief, as I don't want to rain on Terence Malick's script and Stuart Rosenberg's direction too hard. But this movie just never got going AT ALL. It just seemed like the boys from "Cool Hand Luke" (Newman, Strother Martin & Wayne Rogers, along with Rosenberg) decided to put the band back together again, but forgot to include a REAL STORY.Instead, we get Newman as a broke cattleman, bumbling around South of the Border negotiating cattle prices with stubborn Mexican ranchers. Where's the humor and/or intrigue with that plot line? When the only (semi) interesting part of the film is Elizondo & Sierra, two US citizens of Puerto Rican descent, playing smarmy Mexicans, you've got real problems in a movie with 2 stars as big as Newman and Marvin. Stay away from this one unless you're a Newman "completest"!

Stuart Rosenberg directed this meandering film that stars Paul Newman as Jim Kane, a near-broke cowboy who is approached by a shady rancher(played by Strother Martin) to go into Mexico to buy him some cattle and bring it back. Though suspicious, Jim needs the money, so takes a chance and accepts the job. While there, he meets up with old friend Leonard(played by Lee Marvin) who is also in need of money, so they team up to collect the cattle, but their suspicions are confirmed when the deal goes awry, placing them in a tough situation... Thoroughly blah film coasts along on its star power, which is considerable, though film never amounts to much and is largely unmemorable.

Seems like a lot of wasted potential. Paul Newman and Lee Marvin have some decent chemistry between their characters, and Strother Martin and Wayne Rogers are OK. A young Hector Elizondo is a long way from the manager of the Beverly Wilshire Regency. Carole King does nice work on the theme song. The cinematography looks very nice, and the direction is unobtrusive. But there is simply no there there. The film has a plot that seems to be heading somewhere, but just sort of fizzles out with no closure, no climax, and no denouement. I wonder if the source novel was this unsatisfying. It would be really hard to recommend anyone to watch this film.

Jim Kane is broke and in debt, he seems to permanently be chasing the dollar. He gets an opportunity to earn some cash by collecting some Rodeo Cattle from Mexico for shady rancher Bill Garrett, he grabs his old pal Leonard, and they set about delivering the goods without incident, but all roads are not as straight forward as they had hoped.It's something of a dream pairing, dashing blue eyed Paul Newman and gritty grizzled Lee Marvin together in an off kilter Western, sounds just delightful, but sadly the film doesn't meet the expectations of the two stars blustering reputations. But that doesn't mean the film is a total washout, because it isn't, it's got a charm and gentile comedy riff to it that makes it enjoyable to those prepared for something, well, off kilter. Based on the J.P.S. Brown novel titled Jim Kane, Pocket Money finds Newman playing against type, his Jim Kane is a simple minded {but top line honest} fella, he bumbles his way thru life seemingly unable to halt the misfortunes that come his way. Lee Marvin also plays against the roles he is known for, his Leonard here is shifty and sweet, nervously twitchy with a misadventure glint in his eye, and certainly comical and vociferous in equal measure. Both Jim & Leonard on the surface seem to be a very odd couple, but they really compliment each other, be it good or bad, they are like two peas in a pod.There some lovely shots in here to enjoy, director Stuart Rosenberg (Cool Hand Luke) nicely portrays perhaps the soon to be dying art of cattle driving across the vast plains, the closing shot is particularly fabulous and a fitting closure. The supporting actors work tremendously hard to keep the movie afloat. Strother Martin is sadly under used as the sleazy Garrett, but his time on screen isn't wasted in the slightest, Wayne Rogers as Garrett's right hand man, Stretch Russell, almost steals the film with attention holding scenes, whilst Hector Elizondo as usual does the solid work that was his trait.Pocket Money is in the main forgettable once viewed, but for me it never felt like it had wasted my time, and I personally got the feeling that both Newman & Marvin enjoyed working on the picture, they had fun, and so should the majority of the viewers if slipping into a quirky mindset. 6/10