The Swinging Cheerleaders
September. 25,1974 RIn order to write an expose on how cheerleading demeans women, a reporter for a college newspaper infiltrates the cheerleading squad.
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Reviews
To me, this movie is perfection.
hyped garbage
A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.
Through painfully honest and emotional moments, the movie becomes irresistibly relatable
"The Swinging Cheerleaders" may not be one of cult filmmaker Jack Hills' best, but it's still a solidly engaging film of its type. It probably won't be nearly trashy enough for some people, but for others it should prove to be an agreeable way to spend just over an hour and a half.Hill and David Kidd wrote the story (using female pseudonyms), about the cheerleading squad for a college football team. Their newest recruit is an uptight gal named Kate (Jo Johnston), who initially is only becoming a cheerleader so she can get inside information for an expose that she wants to write. Among other story threads, the coach (Jack Denton), an alumnus (George Wallace), and a stats professor (Jason Sommers) are lured by the prospect of big winnings and begin to bet on the outcomes of the games.Once again, Hill does understand that there are requirements for this sort of entertainment, and some of the lovely young ladies do take off their tops. The yarn that he and Kidd spin here is actually pretty straightforward and enjoyable, and things never, ever get overly serious. Not that characters come out unscathed, however, as the virginal Andrea (ever adorable Cheryl "Rainbeaux" Smith) is taken advantage of by lowlife guys, to use one example.The performances are uniformly solid from the whole cast. Of the main cheerleader performers, sexy blonde Colleen Camp (playing the catty Mary Ann) went on to what is easily the most notable mainstream career of any of them. Future Playboy Playmate Rosanne Katon rounds out this foursome. Ron Hajak and Ric Carrott are fine as personable jocks Buck and Ross, Ian Sander is perfectly odious as creepy and arrogant campus radical Ron, John Quade and stunt coordinator Bob Minor are good as nasty security guards Belski and Ryan, and Mae Mercer is memorable as Professor Thorpes' scary wife.An amiable if somewhat mild example of 70s sleaze.Seven out of 10.
Okay, this is my second cheerleader movie in a row I'm reviewing having previously commented on The Cheerleaders. In this one, Jo Johnson is Kate, an aspiring reporter who joins the college cheer team to expose them for their sexual hijinks but ends up finding out about a corrupt fix involving the football games. Ms. Johnson is quite a sexy brunette here surrounded by a blonde Colleen Camp as Mary Ann, another blonde Cheryl "Rainbeaux" Smith as Andrea, and a female of color Rosanne Katon as Lisa. Yes, there's some sex scenes with the requisite nudity and some funny lines and sequences but there's also some nice dramatic ones concerning much of the plot I mentioned. If I hadn't read the credits on Wikipedia and this site, I would have been fooled this was actually written by two women but it's actually two men as one of them is really director Jack Hill (as "Jane Witherspoon"!). Still, it sometimes felt like there was a feminist spin in some of the scenes and I liked the way the tone changed partly on a dime. So on that note, I recommend The Swinging Cheerleaders.
A feminist type writer goes undercover to expose what goes on in the cheerleading squad, but ends up siding with the group.I didn't really like this movie. I didn't like the characters or the story. I think the one subplot that interested me was the student having an affair with a professor, but it got the least time.I did like the fact that the newspaper editor who was supposed to be progressive was actually slimy, while the football player who was supposed to be dumb was actually a nice guy. I don't really remember how it ended, but it probably had to do with the administrator and coach getting busted for trying to rig the big game for their own benefit.Uninteresting and forgettable. And the people in the movie were really ugly, too.
Remember when they used to show films like these late at night on cable in the eighties and it seemed so daring. High camp film that has now been put on the Tarentino pedestal of high art and I'm not arguing. Lots of sex, polyester, and actors you know are matrons who cringe when they look back at their youth.