Best movie of this year hands down!

Wow! Such a good movie.

Thanks for the memories!

One of the most extraordinary films you will see this year. Take that as you want.

"Shakedown" seems to fancy itself a buddy movie even though its public defender and police officer heroes work separately for most of it. And it dances between courtroom drama and cop action movie (with an emphasis on eyebrow-raising stunts), so tonally it's kind of all over the place. Yet, in the grand scheme of things, that ends up working for this movie because I liked the two leads. Peter Weller's legal angst, the overall '80s-ness and all of the macho dialogue come together into an entertaining movie. And it's a New York that you can almost feel, from the fashionable end to the Times Square cesspool. 7/10

I purchased this film under the title "Blue Jean Cop" and the police corruption storyline is a genre that interests me particularly in the film Q&A and countless others.Peter Weller stars as a defence attorney with idealistic values defending a drug dealer who killed an undercover cop in self-defence. The victim happened to be a "blue jean cop" - an apparent corrupt policeman who makes dirty money by stealing from drug dealers. This opens a can of worms when investigated further by Weller and he teams up with veteran cop Sam Elliott to bust the corruption and win his case.It all sounds interesting in theory but the way the film was delivered was all over the place. Side stories includes Weller being on his last case before a move upwards on his career in his father-in-law to be's firm. Then there's the old girlfriend scenario with the prosecutor, having an affair despite having a fiancée and looking for a new house blah blah blah. It was like an over-the-top soap opera with swearing.And add to this the corrupt cops and their shenanigans working with the local crime boss to prevent cover-up being blown. These scenes were like bad comedy especially with the over-the-top vulgarness to demonstrate that these guys were "bad".I'm a sort of man who usually watches the film in its entirety even if I feel it's a bit rotten. Despite it being only 90 minutes long the last half hour drags on and ironically has a very brief epilogue to counteract it.I would avoid this unless you have company and fancy a cheap laugh at the film's 1980s tackiness with mullet hairstyles and noisy ghetto-blasters amongst the so-called drama.

It starts off with an interesting if already familiar problem: How do we dig out corruption in the NYPD when there is so much crack money floating around? In "Serpico" a Brooklyn narc hijacks the hero off the street and threatens him, saying, "This is serious money." That's the milieu we find ourselves in here.Peter Weller is a nobody Legal Aid lawyer trying to get his drug-dealing client off because the suspect actually killed in self defense. An undercover cop tried to rip off his drugs and cash in Central Park, shooting him in the process. The opposing prosecutor is Weller's ex-lover, Patricia Charbonneau. Weller enlists the aid of an undercover friend of his, Sam Elliot, in trying to uncover the truth.The questions addressed are important, and the script sounds literate for the first half hour. Someone went to the trouble of ferreting out apt quotes about justice from the New Testament. But after that it goes downhill fast. It's as if somebody had handed in a decent and thoughtful script about the characters, then another party had taken the script and doctored it, putting in a quote from Dirty Harry (twice), a shootout in what looks like Times Square, a funny car chase through the streets of New York (twice), wisecracks in times of mortal danger ("You drive, I'll shoot."), and finally a rip off of a physically impossible feat from Schwarzenegger's "Commando." Too bad. Charbonneau and Weller are well matched, each with prominent bony facial features. Charbonneau sounds like Sondra Locke if you close your eyes. Sam Elliot is reliable too, and he demonstrates his range here. At one end, he can lower his face then cock it over his shoulder at someone and offer sage advice with a smirk and a baritone. At the other end, he can chuckle. Peter Weller I've always liked, though he shows his limitations as an actor here. Whatever prompted him to pursue a Master's degree in, what?, Ancient Civilizations? And then look for positions as Adjunct Professor at places like Franklin and Marshall and Syracuse University? (I've got it. He needed the money a part-time teacher makes!) Whatever his motives, I admire him for his intellectual curiosity. Weller's character is no invincible superhero either. When somebody holds a gun to his head he's scared to death and tells them what they want to know.Notwithstanding all that, this isn't a movie designed to appeal to grown ups. There's no point in listing the plot loopholes or loose ends. The evil people are plain evil. The good people are plain good. There's none of the ambiguity of real life. One can only wonder what a yeoman director like Don Seagal or Sidney Lumet might have done with material like this.

Director James Glickenhaus (The Soldiers, The Exterminator, McBain) has composed a reasonably well constructed thriller with the usual spectacular action sequences and an interesting plot. This time though, the strong performances from the lead stars help propel Shakedown above the usual mundane low budget films. Peter Weller (Robocop, Screamers) is excellent as Roland Dalton, a frustrated attorney who must help defend a troubled youth who has been accused of murdering a police officer. However, there is more to the scene of the crime than meets the eye...Sam Elliot (Road House) is grand as Richie Marks, a rogue police officer who is always at the wrong place at the right time. Marks and Dalton happen to form a "buddy-buddy" type bonding, and their investigation eventually leads knee deep into a conspiracy of corruption, deceit, and murder...Shakedown is a decent action flick with an intriguing plot with enthralling plot twists and top notch action sequences. The fist fight aboard a moving roller coaster is a highlight and the extended vehicle chase through the streets of Manhattan is another highlight.What makes Shakedown an exceptional thriller though, is the three dimensional performances. Peter Weller is definitely the performer worth watching in Shakedown. His convincing portrayal as a tough lawyer adds an extra depth of integrity to an otherwise standard "kill or be killed" actioner. Sam Elliot has his moments too as a cynical renegade cop who helps Weller expose corruption in the police department.Shakedown is worth watching just for the high caliber performances from both Weller and Elliot. The action scenes are worthwhile as well. The only setback though is these action sequences are used a little too sparesly. The lack of a breathtaking pace destroys an almost superior thriller. Otherwise, Shakedown is an adequate film. This movie would benefit greatly with a faster pace, but the acting from stars Weller and Elliot make Shakedown a film worth a look.RATING: **1/2 out of ****.