Admirable film.

A story that's too fascinating to pass by...

The film never slows down or bores, plunging from one harrowing sequence to the next.

It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

This is my first "Nurses" movie, an unofficial series (without canon I mean, you can watch them any which way you want I suppose) from Roger Corman's New World Pictures, which started as... well, I'm sure there was some sort of idea from George Armitage and Corman originally, but how it got to Candy Stripe Nurses is mostly due, I'd assume, to economics: these movies made money, as far as they went, and this was one of the later ones. In a way I'm glad I started with this one since I'm sure that it can only go up from here, hopefully anyway, as far as the quality of the writing and acting. Of course, one would argue, I shouldn't expect much quality when it comes to that stuff. This is about young, teenaged-to-20-something aged women in uniforms getting into shenanigans, usually involving their breasts coming out of their outfits. There is some mild attention here to plot, actually three of them, almost with the kind of looseness I'd associate, of all things, with something like Car Wash (that might be due to the LA mid 70's shaggy period flavor): one girl, the Latina one, is brought on as a nurse as a way of curtailing possible juvenile dilenquency, and becomes involved with trying to hunt down the actual culprit of a convenience store robbery as the man who was shot and caught is in the hospital; another woman is (maybe?) attracted to a rock star who has, so to speak, lost his mojo; one last girl (who probably is the "better" actress of the bunch) hooks up with a college jock and helps him with his homework, despite the fact that she's still in high school.Again, it's all soft stuff, and that's fine, but I can't help but try and, you know, pay attention to things when I watch a film like, say, repetitive music or lazy/tired shot compositions, or that there is some acting (Maria Rojo as nurse Marisa Valdez) that would've needed work in a high school production. There's some fun to be had with the story involving the haggard/mojo-less rock star, since that actor seems to get what the context of everything is, and at first some of the music was alright. The rest of the time it felt like a movie that is, even as the first "nurse" movie I've watched, going through the motions of its plot almost exactly as you'd expect... well, maybe not entirely: there IS the part where the basketball jock is somehow allowed behind the wheel to go tearassing around town drunk at night with other nurses in the car with him because... well, the movie needs a climax, don't it?There's also the requisite number of breasts - some quite nice, actually - and, here and there, rapey vibes that perhaps can't be helped given the kind of sleaze we're accepting. I'm not sure what potential there was for this, but I think one legitimate criticism, past going after the performances or (for the most part) the filmmamking in general, is that we don't really get to see much of the girls even *in* the hospital as the nurses doing their work; that might be fine for others, but it seemed odd to have a movie with this title and about 10 minutes of it is spent with the girls actually seeing them do what they do (including, here and there, getting it on with other doctors/patients/etc). Point is, it seems like once I double back to Armitage and Jonathan Kaplan's films, I should likely expect... well, MORE of whatever it is.

Roger Cormans' wife Julie produced this final entry in his "Nurses" sex comedy series. It's actually got a decent enough, easy to follow story (by director Alan Holleb), and even though it might not be trashy enough for some people, it serves up the expected sex and nudity in adequate fashion. Certainly Holleb does a commendable job at following the established formula.Once again, the magic number of nurses whom we follow is three. Candice Rialson is Sandy, who is intrigued when an insufferable rock star (Kendrew Lascelles) is brought to the hospitals' sex clinic for some sort of dysfunction. Robin Mattson, sporting an appealing pixie cut, is Dianne, who is turned on by a jock (Rod Haase). And Maria Rojo is Marisa, a trouble making girl who's given a volunteer job as a candy stripe nurse to keep her occupied. Marisa is moved by a young man who is implicated in a service station robbery, and determines to clear him.Overall, not as memorable as earlier entries in the series, which had more developed social commentaries, but it's very easy to take, very sexy, (with an attractive female cast showing off the goods to great effect), and well paced, with Holleb cramming a fair amount of action and exposition into the final act.Rialson, Mattson, and Rojo are sufficiently appealing, and ably supported by a cast including some old pros (Bill Erwin, Don Keefer, and the great Dick Miller, who once again works his magic as a basketball spectator) and an up and comer (Sally Kirkland makes an appearance as a wife in a clinic).An entertaining romp, with bouncy music by Eron Tabor (the head rapist in the rape-revenge classic "Day of the Woman") & Ron Thompson, and slick photography by Colin Campbell.Seven out of 10.

This movie was yet another follow-up to the hit Roger Corman quickie The Student Nurses and went along similar lines, but had a completely different cast and no story carry-over. Instead of young professionals trying to succeed amid the temptations of the swinging early 70s, though, this time we have high school aged volunteers. The cast are all inexperienced unknowns (Candace Rialson went on to do a fair amount of TV work over the next few years), but the real problem is that while the advertising promises laughs, the script doesn't provide any. The box copy suggests a hospital romp along the lines of Carry On Doctor, but the movie just gives us 90 minutes of following the girls around in their silly peppermint striped uniforms, and then off to parties where they smoke dope, take off their tops and have sex. Tame sex. Nothing else of much interest happens. Unlike the first movie, where every major character had a proper character arc, there is little here in the way of character development. We just get a few familiar types (the rebel, the serious student who wants to be a doctor, the party girl) and some standard antagonists (insensitive sexist doctors, rigid administrators etc.) for them to conflict with. The result is more hospital soap than romp and not very interesting or entertaining. The girls are pretty hot, though, and this one isn't quite as insanely trashy as Private Duty Nurses, making it a little more watchable (or a little less watchable, depending on what you're looking for).

I was originally not planning to say much about this movie, pro or con, except to tell you what my only reason was for wanting to see it -- which I'll come back to later. My thinking was that it wouldn't be fair to pick on this movie for being merely a sophomoric sex comedy when it was never meant to be anything more. But there WAS an attempt to make it something more -- which succeeded only in making it something less. NURSES attempts to surgically graft two serious dramas onto the sex comedy, and IMHO, the graft didn't take. The end result doesn't even begin to qualify as serious drama, but has probably frustrated many folks who were looking for a sex comedy.To be fair, I should mention that the DVD edition includes an interview with Roger Corman, who produced the movie, in which he says NURSES was an experiment, and admits it might not have the same appeal as a movie that stuck strictly to formula. So if it was meant to be an experiment, I still shouldn't pick on it, but I have to say the experiment was a failure.Now, to get back to my reason for watching this movie, it seems there's a connection between NURSES and the controversial rape and revenge movie I SPIT ON YOUR GRAVE (a.k.a. DAY OF THE WOMAN). That connection is actor Eron Tabor, who played one of the four rapists (Johnny, the service station worker) from GRAVE, and co-wrote the rock music for NURSES. (My source is the feature-length commentary on the Millennium Edition DVD of GRAVE.) Unfortunately, there's no way to tell how much of the music was written by Tabor, because the opening credits attribute the music simply to `Thompson & Tabor.' There are a few vocal numbers, and I'm wondering if it could be Mr. Tabor singing.