The Shape of Things to Come
August. 01,1979 PGPlanet Earth is a devastated wasteland, and what's left of humanity has colonized the Moon in domed cities. Humanity's continued survival depends on an anti-radiation drug only available on planet Delta Three, which has been taken over by Omus, a brilliant but mad mechanic who places no value on human life. Omus wants to come to the Moon to rule and intends to attack it by ramming robot-controlled spaceships into the domes. Dr. John Caball, his son Jason, Jason's friend, Kim, and a robot named Sparks embark on Caball's space battlecruiser on an unauthorized mission to Delta Three to stop Omus.
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Reviews
A Major Disappointment
It's complicated... I really like the directing, acting and writing but, there are issues with the way it's shot that I just can't deny. As much as I love the storytelling and the fantastic performance but, there are also certain scenes that didn't need to exist.
The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.
One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.
"The Shape of Things to Come" is the second screen adaptation of the H.G. Welles story, after the 1936 film "Things to Come". It stars a few veterans (Jack Palance, John Ireland, Barry Morse, Carol Lynley) and two Canadians who were then up-and-comers: Nicholas Campbell ('Da Vinci's Inquest') and Anne-Marie Martin ("Prom Night" 1980). Bright young Jason (Campbell) and his scientist father (Morse) venture into space with Kim (Martin), the daughter of a senator (Ireland), in a future setting where robot wars have decimated Planet Earth and humans live in colonies on the moon. Their self-appointed mission is to throw a monkey wrench into the plans of nefarious villain Omus (Palance), a power hungry would-be dictator who once studied under Morse.This one does seem to be mostly disliked, and the reason why is clear early on. This was obviously done on a limited budget, and the filmmaking (direction by Canadian born George McCowan, "Frogs") definitely lacks distinction. This is admittedly minor league fare with low grade effects, and is an unmemorable adaptation of the story, but this viewer found it impossible to actively hate it. It's all appealing enough, ultra cheap effects and all. Even the robot characters, as extremely clunky looking as they are, are endearing in a hearkening- back-to-sci fi-B-pictures-of-the-50s sort of way. The main robot character "Sparks", voiced by Greg Swanson and performed by Mark Parr, is endearing.Palance and Ireland are just picking up paychecks here. Both Lynley and Martin are simply gorgeous. Martin and Campbell are very sincere and likable. Morse has more to work with than his other veteran co-stars and gives the best performance in the movie.If you're a die hard science fiction buff, you may want to see it for completions' sake.Five out of 10.
If you were a kid in the seventies and loved Star Wars and the cheesy derivative clones it inspired, from 'Jason of Star Command' to 'Galactica', then this is for you. Of the bigger Star Wars-inspired space fantasies of the era, 'Shape of Things to Come' may have the most most in common with 1979-1981's 'Buck Rogers in the 25th Century' movie and TV series. Though Buck's budget had the advantage, the overall look is quite similar. The cheesy "futuristic" art design, materials and props that were available and may have looked 'far-out' to the 1980 eye are all in place. The lead actress has Erin Gray's 'Wilma Deering' hairdo, and, hey, there's Jack Palance, who played an evil villain in a Buck Rogers 2-parter, playing, well, a evil villain, in a, well, very similar costume. Having Barry Morse from the popular 70's British show 'Space:1999' also thrown in makes for good measure. There's the oh-so-imitated renegade robot, with his domed head and oddly 'Robby the Robot'-esquire body. He's the comic relief. Noting a theme? It's the era. Appreciation of this film is probably purely generational, because the movie is BAD. But it has immense charm. Watching this for the first time in 2009, at age 41, I felt as if I were watching a perfect spoof of the genre I am so nostalgic for.Brooke Ellis
As a film, is forgettable. But even the worst films leave in your memory some images. On this, is memorable the scene of Omus (Jack Palance) appearing as an giant hologram, looking at the void and turning round. The beauty of Anne Marie Martin is vanished by his awful role and same happens with Barry Morse. A tip of advice: look just only one time.
This film was released in Swiss theatres in 1979. It is probably the worst film I have ever seen in a movie theatre. Terrible story, bad acting, even worse special effects. I have voted on 1718 films in the IMDb and I have given TSoTtC a 2 out of 10 (there are worse films that have been released to video only, like OCTAMAN for example for which I voted with a straight 1 out of 10)