Excellent, Without a doubt!!

Don't Believe the Hype

This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

The joyful confection is coated in a sparkly gloss, bright enough to gleam from the darkest, most cynical corners.

It would be easy to take the first episode here in which Edmund Gwen walks out on a shrewish wife after years of nagging as a steal from Noel Coward's one-acter Fumed Oak but it would also be wrong. Coward wrote - and starred in - the nine (originally ten but one was dropped after one performance) that together comprised Tonight At 8.30 in 1936, close to a decade after Priestly wrote The Good Companions as a novel and some three years after the first film version was released. If we allow for the limitations that obtained in 1933 this is a charming and simplistic valentine to the Lost Empires that Priestly would write about decades later. Today the supporting players draw the eye, none more so than Mary Gwynne, now totally forgotten, whilst Jesse Matthews around whom the film is clearly built, appears mannered and OTT. It remains a charming curio.

They call em' the Dinky Doo's, and not as in Jimmy Durante's Inka Dinka Doo. They're a British vaudeville team traveling through the boon-docks and befriend a group of lonely people, including shy Mary Glynne, suave John Gielgud and aging Cecil Kellaway. While the first part of the story focuses mainly on Ms. Glynne (whose car has been mistaken for another one), the second half turns attention to the singing and dancing Jessie Matthews, England's answer to Eleanor Powell and equally adept in comedy and romance. Fans of the older Gielgud will marvel at seeing him much younger (and with hair!) and he is more than adequate in a romantic role, not at all pompous or uppity. It is thanks to Ms. Glynne that the troop's name changes to "The Good Companions" and focuses on the desire to get Ms. Matthews discovered by a major producer in London.While it is ironic that the song Ms. Matthews sings for the producer sounds very much like "If I Could Be With You", a standard heard in several Warner Brothers films of the same year, it is even more of a coincidence that the producer has an ear for "new" songs which he's heard before. There's a funny montage of "The Good Companions" touring and performing the same act to dwindling audiences because of the summer heat. While some Americans might be reluctant to watch because of a false sense that they'll understand the British humor, it is actually quite subtle and gives us Yanks an understanding of the British culture of the 1930's beyond what little material has been available to us.

I always preferred this film to the book – although Priestley was an accessible and clever writer his sub-Dickens style and standard left wing leanings (ie support of state capitalism and not socialism) put me off a little. And of course on a much more important if shallower level to me the 25 year old Jessie Matthews was the main thing in here!Four separate people in provincial Britain are on the tramp to somewhere after leaving their homes, jobs etc to search for life and adventure. They all converge at Rawsley in the Midlands on a jolly pierrot troupe on its last legs called the Dinky Doos, join them and eventually turn their fortunes around as The Good Companions … after it starts raining. There's an endless great British cast, most notably simple Jess Oakroyd from Bruddersford (surely Bradford/Huddersfield?) who was played by avuncular Edmund Gwenn with an OTT Yorkshire accent and talented Inigo Jollifant by angular John Geilgud with an OTT Cambridge accent. The rising star of the troupe Susie Dean was played by lovely Jessie Matthews who had two spellbinding songs, Three Wishes sung with Geilgud and a magically tear-struck Let Me Give My Happiness To You – the money shots are her close ups during this! There was a fine orchestral accompaniment throughout and with only occasionally hokey lapses the production was superb. The solitary message is plain: working together to overcome adversity for a common purpose - even though the ending is altered from the book the various outcomes are the same.Altogether a memorable film for the non-serious looking for innocuous entertainment from another world, the serious should stick to the book as Priestley's works are Art. Absolutely!

JB Priestley was arguably the finest popular novelist of the first half of the 20th century.Deeply affected by his experiences in the trenches during the 1914 - 18 war,he wrote with compassion about recognisable human beings in situations that struck a chord with the British reading public right up to his last great work "Lost Empires". After the war he went up to Trinity Hall,Cambridge,in whose library there is First Edition of "The Good Companions" accompanied by a letter in which he expresses bewilderment at the success of a work he felt was no better nor worse than his earlier output. Whatever the author felt,it was plain that commercially the book was hugely popular,going into dozens of editions and still in print 75 years later. With the passing of time the appeal of the lost world of concert parties ,runabouts ,charabancs cloche hats,Corner Houses and nicely mannered young men who could play the banjo but didn't has increased. The romance of the road has long gone,replaced by Motorway Madness,but the flickering black and white images of artillery - wheeled lorries grinding along the Great North Road evoke some sort of race - memory even amongst today's motorists. Watching the 1933 version of "The Good Companions" is a joyful experience.The innocence of it all,the joie de vivre,the excitement is a salutary lesson to the present cold - hearted calculating and faux wordly - wise generation of entertainers. What a great star Jessie Matthews was!It's pointless bemoaning the lack of her like today;simply put she was a product of her time the way Martine McCutcheon, say,is of hers. Edmund Gwenn and,perhaps surprisingly,John Geilgud,grab your attention from the start and hold onto it throughout the film. But principally this is an ensemble piece with every one of the Dinky Doos making a telling contribution. "The Good Companions" sends us a message from the depression - hit Britain of the early 1930s ,one that at least one mega - Corporation have taken on board....."!Just Do it".