It All Came True

April. 06,1940      
Rating:
6.6
Trailer Synopsis Cast

After crooked nightclub owner murders a police informant, he blackmails his piano player to allow him to stay at his eccentric mother's boarding house.

Ann Sheridan as  Sarah Jane Ryan
Jeffrey Lynn as  Tommy Taylor
Humphrey Bogart as  Grasselli ("Chips Maguire")
Zasu Pitts as  Miss Flint
Una O'Connor as  Maggie Ryan
Jessie Busley as  Mrs. Taylor
John Litel as  Mr. Roberts
Grant Mitchell as  Rene Salmon
Felix Bressart as  The Great Boldini
Charles Judels as  Henri Pepi de Bordeaux

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Reviews

Protraph
1940/04/06

Lack of good storyline.

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Dorathen
1940/04/07

Better Late Then Never

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Intcatinfo
1940/04/08

A Masterpiece!

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Allison Davies
1940/04/09

The film never slows down or bores, plunging from one harrowing sequence to the next.

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Alex da Silva
1940/04/10

Overbearingly annoying and motherly Jessie Busley (Nora) and irritatingly unfunny and blustering Una O'Connor (Maggie) run a boarding house of out of work people of no particular talent such as tiresome magician Felix Bressart (The Great Boldini) and his stupid dog that only seems to have one trick. I guess it's meant to be cute. That's already too many comedy characters for one film, but, regrettably there are more. Anyway, into this mix comes nightclub entertainer Ann Sheridan (Sarah Jane), who is also a pain in the arse with her energetic, whirlwind entrance into the film. Composer Jeffrey Lynn (Tommy) also rocks up at the house in order to shelter gangster Humphrey Bogart (Chips Maguire/Grasselli) and Lynn and Sheridan start to make sweet music together. Can they romance each other and get a happy ending? Bogart is the best thing about this film and he has genuinely funny moments that will get you laughing. Unfortunately, he is more than offset by several comedy characters that won't have you laughing. Shame. A scene that stands out is when the group of non-talented wannabes are giving a performance to the residents of the boarding-house and the poet recites his rubbish poem. Bogart's reactions are hilarious. As they are when he is introduced to his room full of stuffed animals. But goodness me, that motherly Busley woman is annoying. Will Bogart shoot her? Sheridan is okay, nothing special while Lynn is particularly unlikable. Will Bogart shoot him for being a bit of a dullard? The film contains some entertaining and some weird musical numbers which, along with Bogart's performance, elevate this film into the okay category. But all those blasted annoying characters and that terribly contrived ending………oh please……..corny stuff.

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MikeMagi
1940/04/11

"It All Came True" is about as dopey as anything Hollywood churned out in the early 1940s. But Humphrey Bogart and Ann Sheridan sail blithely through it as if the story makes sense. Bogart is a hood the cops want to put away for the next hundred years. As a hide-out, he picks a New York boarding house, run by two little old ladies, one the mother of Ann Sheridan who quit her chorus girl job to keep her status as a "good girl" (wink wink.) Things turn serious -- or seriously silly -- when the bank threatens to foreclose on the old dears and Bogart saves the day by turning their boarding house into a lavish night club with a gay nineties theme, a staff of about 100 singing waiters, two chorus lines (one young and lovely, the other geriatric) and hundreds of patrons crammed into what earlier appeared to be a very small dining room. Between Bogart's sly send-up of the ruthless gangster he more often played and Sheridan's brash bonhomie, it's easy to overlook the gaping holes in the plot. Zazu Pitts as a ditzy old maid and Felix Bressart as an inept magician add to the antics but Jeffrey Lynn as Sheridan's childhood chum (and would-be lover) seems to have wandered in from another movie.

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Neil Doyle
1940/04/12

IT ALL CAME TRUE is a strange mixture of comedy, drama and old-fashioned musical turns featuring Ann Sheridan and Jeffrey Lynn as two show biz sweethearts who get mixed up with a criminal (Humphrey Bogart) wanted by the police who takes shelter in a boarding house run by Lynn's eccentric mother (Una O'Connor) and another lady.Somehow, the mix of elements are strung together in a way that provides a number of charming moments, mostly involving Sheridan (who has a way with a zinger) and Bogart, who gets some gentle humor out of his gangster role and creates a likable enough character with ease. Lynn is good at portraying the nimble fingered piano player but is stiff when asked to perform as Sheridan's musical partner.Una O'Connor gets a number of good laughs out of her irate landlady role and Zasu Pitts is amusing as a paranoid woman who has read too many detective stories.None of it is memorable but it passes the time pleasantly enough. A talented cast overcomes a rather clumsy script that wanders all over the place. At least, it's unpredictable and good for a few laughs.

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classicsoncall
1940/04/13

File this one under films you probably never heard of, but once you've seen it, it occupies a nice warm place in your movie library to help remind you of a simpler time and place. The title comes from Mrs. Nora Taylor's (Jessie Busley) romantic dream of having her son return home as a rich man to marry his childhood girlfriend. The happy ever after ending takes some time getting there, but it's fun to see how things work out, especially since it's gangster Chips Maguire (Humphrey Bogart) who helps make it all come true.The movie gets it's energy from free spirited Sarah Jane Ryan (Ann Sheridan), displaying her usual sassiness and snappy banter - "Why I've been discovered so many times they call me Miss America". Like Tommy Taylor (Jeffrey Lynn), the breaks in life haven't come her way just yet, but there's always tomorrow. That break might become a reality when Maguire, on the run from the law at the Taylor/Ryan boarding house, gets a little bored and comes up with the idea of turning it into a 'Roaring 90's' style night club. Under cover as Graselli, the gangster ingratiates himself with the elderly ladies who operate the home, gradually coming out of his seclusion to become their angel in disguise (a tune by the way coming out of the film).The boarding house features it's own cast of memorable characters as well. There's The Great Baldini (Felix Bressart) doing magic assisted by Fanto the Wonder Dog, and Zasu Pitts, on the run from imaginary assailants who winds up smoking out Maguire after seeing his picture in a "Perfect Detective" magazine. You'll really sit up and take notice though when on opening night at the boarding house, a group of nine elderly ladies takes the stage and breaks into a spirited song and dance routine.Hey, remember that great old Warner Brothers cartoon that features Bugs Bunny and a whole bunch of musical numbers? - 'Rosie O'Grady', 'Pretty Baby', 'Oh You Beautiful Doll', 'Ain't We Got Fun', 'Just an Angel in Disguise' and 'When Irish Eyes are Smiling'. This has got to be the film that's being parodied. Even Bogey gets into the act with a few lines from 'Strolling Through the Park One Day'. Now I've got to get my hands on that cartoon again! Ultimately, Bogart's character is caught dead to rights, and does the honorable, if not realistic thing of giving himself up without any further ado. His earlier plan of fingering Tommy for a gambling murder goes by the wayside, under the spell cast by Sally/Sarah and the boarding house citizens. OK, so it's not an award winner, but there's enough entertainment here to brighten your day and provide an hour and a half of music and fun. Even if you have to force yourself through Salmon's poetry reading.

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