I love this movie so much

Good story, Not enough for a whole film

A Major Disappointment

The movie is surprisingly subdued in its pacing, its characterizations, and its go-for-broke sensibilities.

As we all know, ABC-TV commissioned the Japanese original in 1958, but pulled out of the deal. Toho went ahead and made it anyway, although, since it was geared towards American audiences, it never caught on in the Land of the Rising Sun (in fact, the monster only shows up for Toho once more, for a few seconds in "Destroy All Monsters"). In 1961, smalltime producer Jerry A. Baerwitz ("Fright Night") bought the American rights and came up with a hatchet job that tried to emulate Raymond Burr's version of "Godzilla" but failed miserably.In the original, a butterfly scientist (Kozo Nomura) and a reporter (Ayumi Sonoda) break a village's religious taboo to save a kid and they accidentally rouse Baradagi, a species of dinosaur known as a Varanopod (or Varan, for short). The monster shrugs off a massive Army attack and flies out of northern Japan heading for Tokyo. Huge air and naval battles ensue.In this Americanized version, we get TV western heavy Myron Healey ("The Gene Autry Show," "The Roy Rogers Show," "Wagon Train," "Annie Oakley") as Cdr. James Bradley. Instead of northern Japan, he is near a lake supposedly on an island near Okinawa. He is conducting desalinization tests on the lake and he kills a lot of fish, which angers the local villagers. I'm not sure why Baerwitz made him such a callous character. America comes off pretty rude and vain in this film. Tsuruko Kobayashi plays his wife Anna and Clifford Kawada plays military liaison Capt. Kishi, in a role clearly meant to emulate Frank Iwanaga's sidekick role to Raymond Burr in "Godzilla." Nomura's Kenji and Sonoda's reporter are strangely referred to as scientists named Paul and Shidori Isoh, who are working with Bradley. Unlike "Godzilla," there are no stand-ins to try to make it seem like Bradley knows them intimately.The American version cuts the length from 90 minutes to 70. Many action scenes are cut, including the infamous Varan flying scene. The creature is called "Obaki," not "Baradagi." Instead of heading for Tokyo, Varan is said to be heading for Naha, Okinawa's largest city.The worst part was that Baerwitz went even cheaper in the editing department. Terry Morse was able to use sound stages and outdoor shots to make it seem like Burr was interacting with the "Gojira" cast. Here, Healey, Kobayashi and Kawada either stay in a flimsy tent or drive around in a jeep. In fact, the trio had to eat up 10 minutes pretending like their jeep wouldn't run and they're scrambling to fix it so they can tell the Japanese military how to kill Varan. The trio look up off-screen as if looking at Varan, but they're still in daylight while Varan is attacking at night. Much of the film was done in Bronson Canyon (yes, the same one seen in the likes of "Robot Monster," "Monster From Green Hell," "Night of the Blood Beast" and "It Conquered the World"). In fact, in one scene, the trio hides in a deep cave and tries to avoid the long raking claw of Varan. In long distance shots, though, they're actually in a shallow cave trying to avoid being hit by daylight.Healey barks commands to Capt. Kishi who relays them by radio to the same Japanese radioman throughout the entire film. He even suggests using the desalinization chemicals as a way of killing Varan, thus cutting out the actual ending of the Japanese original, which was spectacular. The new cut makes it seem like Healey, whose character started the whole thing, singlehandedly saves the day. Hooray for the U.S. Navy!It really will seem like two different films here. No interaction between casts. Completely different scenery. Two-dimensional characters. Myron Healey at least seems like he relishes the role, although he probably knew it wouldn't get him off TV and onto the big screen permanently. As Healey himself later lamented, his version of "Varan" makes you wish that ABC had stuck with the original production.Trivia: Healey did recurring roles with Raymond Burr on "Perry Mason" and "Ironsides." He lamented to Burr that Raymond got to spend two wonderful months in Japan making "Godzilla," while he was stuck in the broiling heat of Bronson Canyon. Burr's inserts were so convincing Healey thought Raymond had actually been in Japan.Also, most of Akira Ifukube's score is left out of the American version. Instead, Baerwitz casually borrowed the score from friend Bert I. Gordon's "Amazing Colossal Man." Finally, this travesty would not be the last hatchet job America would do on a Japanese monster movie. Check out John Carradine in "Half Human" and, later, "Godzilla 1985" with an embarrassed Raymond Burr. These wrecks are why Japan decided to go with atrocious dubbing effects.

I hate this terrible version of a pretty good kaiju movie. It is just pathetic and boring. Uninteresting and a waste of time. It's so bad it's hard to find and purchase and it's not even worth that. It's THAT bad.There are several reasons to why this version is bad. First of all, the plot has been changed badly and once again, American actors and cast are cut in. And most of them don't even have any good acting talents at all. Myron Healy was the only good one. The others were lame.And here's a big thing. Why is the title called 'VARAN THE UNBELIEVABLE' when the monster is never called by that name. The only thing he's ever called is 'Obaki.' His true name is never mentioned.The other actors in the film are pretty bland and uninteresting at all. Captain Kishi was pretty annoying throughout the movie and he repeatedly called Varan "the beast". In just about every line. "The beast is at Oneda" "Do you think the flares distracted the beast?" "The chemical stopped the beast."....and so on. Oh, and by the way, that footage of the soldier speaking into the radio was used over and over and over and over again.Not only was Varan ruined in this movie by having his name changed to 'Obaki', but they ruined his voice. In the original version, Varan sounded kind of like a cross between Rodan and Baragon and sometimes also kind of like Godzilla. But in this terrible wasted version, he sounds like a tire rubbing across the ground.My advice is to order the original version on DVD, now that it's available. Note, it's also titled 'VARAN THE UNBELIEVABLE', but you can tell it's the Japanese version because it has a yellowish picture with an image of Varan towering over a group of people. The DVD cover for this terrible version has Varan's head appearing out of a lake.

I thought this movie was going to feature the great Japanese monster Varan, as he flies and attacks a city, with a good and powerful plot. After sitting through this travesty, I learned that this is a highly edited American version of the Japanese classic. This version was butchered so badly that you hardly see any of the original Japanese cast and the soundtrack for Varan's roar sounded like somebody with a cold. The monster scenes were edited poorly and the story changes significantly from the original. From this database, I discovered that Akira Ifukube actually scored this movie. I only heard one small verse of Akira Ifukube's music in the movie. The rest of his music were replaced by stock music. The American version tag-line for this movie is "Move over Godzilla! Varan is coming!" From the way Varan was executed out in this movie version, Varan wouldn't stand a chance against Godzilla. In addition, the acting was pretty dull and boring, which created an overall dreary picture. Therefore, I recommend you let this video, if you have it, gather dust and try to find the original version, titled "Giant Monster Baran." I haven't seen it by the time of this review, but I heard it is much better than this butchered version; for starters, you can see more of the monster in that version. I can't wait to see the original.Grade D--

They took a perfectly good Japanese monster movie -- one that was apparently begun for US television anyway -- and ruined it. They excerpted a few minutes of monster footage and used it to pad out their own, utterly different movie, featuring a cast of non-actors and a script that treats the Japanese people as something less than human. To be avoided at all costs.