hyped garbage

The joyful confection is coated in a sparkly gloss, bright enough to gleam from the darkest, most cynical corners.

The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

It is encouraging that the film ends so strongly.Otherwise, it wouldn't have been a particularly memorable film

For my 10th anniversary on IMDb,I decided that I would celebrate the event by watching a "new" title from an auteur film maker who has been a major part of my film viewing over the last 10 years:Dario Aregento.Planning to watch The Card Player,my DVD player that it was far from happy with the hand that it had been dealt,by constantly jamming the DVD up! Frantically searching round,I spotted a TV movie by Argento,which I had been slightly uneasy over viewing,due to sadly not having seen that much of Alfred Hitchcock's work.With there being no other Argento titles in my sight,I decided to find out if you could still like the film,even without knowing Hitchcock.The plot:Taking a break from his film studying,student Julio opens the window of his flat and looks across the street.Appearing across the street like a dream,Julio spots a neighbour called Sasha undressing.Enjoying the rush of voyeurism,Julio starts to keep a close eye on Sasha,which leads to him seeing Sasha having an argument with her mum.Getting set to rent out a title from his friend Andrea's video store,Julio is caught by surprise,when he runs into Sasha at the store.Getting hold of the film Strangers on a Train just before a fellow sexy video customer, (what are the chances!) called Federica.As he leaves the shop,Julio notices Sasha & Federica deep in conversation.In the mood for a voyeurism hit later that night,Julio instead witnesses Sasha's mum getting brutally murdered by a black coat wearing stranger.As he calls the cops,Julio begins to fear that he is about to enter his own Hitchcock tale.View on the film:Originally designed to be the first episode of a 7 part Italian Thriller TV series, (which after the series budget was cut in half,led to this being the only filmed episode)co-writer/(along with Franco Ferrini) directing auteur Dario Argento & cinematographer Frederic Fasano open this stylish Giallo with a scene straight from a long forgotten Brothers Grimm story,which along with showing the beginning of Julio's voyeurism streak,also subtly recalls the witches from Argento's "three mothers" trilogy.Whilst he does include a handful of Hitchcock references,Argento gives this TV movie an eye-catching,feature film canvas.Argento scans the screen with ultra-stylised whip-pans showing Sasha's skin (played by an elegant Elisabetta Rocchetti,who also appears naked in the TV movie!)setting Julio's voyeurism weakness off.Along with the flesh & impressively blunt levels of blood,Argento also sinks the Giallo into a Film Noir atmosphere,with the use of water allowing Argento to rift on his past Deep Red,and to also scatter unrelenting rain across the screen,which builds up an excellent tense mood,as Julio tries to figure out which Hitchcock he is trapped in.Whilst the screenplay by Argento & Franco Ferrini is a little too focused on seeing how many homages it can include,the writers still make the Giallo mystery its own thing,thanks to flashbacks to Julio's childhood allowing the writers to make Julio's almost- stalker like obsessions block any attempt by Julio to get help in solving the murder.Entering the title looking like Harry Potter's geekier brother (is that even possible!) Elio Germano gives a wonderful performance as Julio,with Germano avoiding the easy sleaze-ball route that the character could have take,by giving Julio a real sincerity,and a real determination which heats up as Julio tries to find out how much the mysterious killer likes Hitchcock.

"Do you like Hitchcock" should be seen as tribute and parody of Argento's own work and Hitchcock classics. It is fun to watch and recognize the references. I am not going to mention them all since there are quite a lot. But the first one sets the tone and gives us a glimpse of what to come. In the introduction we see two older women in black acting strange. This curious boy (the lead character in his younger years) follows them where he sees them sacrificing a chicken in a very bloody manner. The boy cries and gets chased by these women. Luckily the boy can escape without being harmed. Of course the women are a reference to his supernatural thrillers like Suspiria and Inferno. Since it is obvious that the two women are supposed to be witches. The funny thing was that the introduction in itself had nothing to do with the main plot apart from showing that the main character is a voyeur and getting in trouble because of it. The main plot is completely in Hitchcock mode where enough fresh elements have been added to keep everything interesting. Viewers aren't required to have seen any of Hitchcock movies. But believe me when I tell you that it makes it more worth wile if you have. Personally I would have preferred a much darker ending where all the events of the movie would have tied in.(SPOILER SPOILER It would have been cool to see the main character finally get punished by the two women from the beginning after he realized that his voyeurism should stop. But maybe that would have been too dark for a light movie like this SPOILER SPOILER). Fun little movie!

Argento has obviously seen better days, but there are still traces of his genius in this slow-moving TV movie about a kid obsessed with the films of Hitchcock who thinks a neighbor living across from him may have been murdered by someone he knows. The murder itself is about the only gory moment in the movie, which will come as a disappointment to lovers of past Argento splatter classics like CRYSTAL PLUMAGE, TENEBRAE, DEEP RED, SUSPIRIA, THE PHANTOM and OPERA. The film pays homage to STRANGERS ON A TRAIN, PSYCHO, VERTIGO, DIAL M FOR MURDER and REAR WINDOW. Badly acted, and the stilted English spoken by the actors in an Italian setting makes it hard to watch at times. The killer's identity comes as no surprise in the end.

"This young Italian guy is starting to worry me".Dario Argento gained the attention of one of the biggest influences, maybe the biggest, in his career: Alfred Hitchcock. In his homage to the master of suspense, he practically returns to the basic murder-mystery story that itself have always the influence of Hitchcock. The main character of the story is Giulio (Elio Germano), a film student who lives alone in an apartment and spends his time with his girlfriend (Cristina Brondo), watching films, especially of the German Expressionist (Caligari, Nosferatu, Golem, etc), and making studies about them. As a film lover I always like a lot when in a film there are references to Cinema itself and in this case we all must find familiar those images in the DVD store looking out fore some new and interesting titles. The fact that the main character is making his thesis about the German Expressionist is perfect to put some images of "Nosferatu" and "The Golem" and also I like a lot how film posters looks on the screen, some of them in the film are the ones of "Vertigo", "Metropolis" and "Nosferatu", and are only details but I really like them. Returning to the story, we have that Giulio has been always an observer so now in his apartment he begins to spy his sexy neighbor Sasha (Elisabetta Rocchetti) and he see the bad relation between Sasha and her mother (Milvia Marigliano). The giallo begins when Sasha's mother is mysteriously murdered inside her own apartment. Giulio's fear and paranoia makes that he begins to build his own theory about the murdered having the Hitchcock film "Strangers on a Train" in mind (Sasha previously rented the DVD of that film and also talked about it with Federica) believing that Federica was the murderer of Sasha's mother so now he believes that Sasha is going to kill somebody related with Federica, of course like in the Hitchcock movie.The film runtime is only 90 minutes and definitely is a really good and fast-paced murder mystery film without a lot tension and gore scenes but is amazingly entertaining and really well acted. Being a Hitchcock homage of course there are many references to him part of having the common environment of a suspense film. The most notorious are the ones to "Rear Window", "Marnie", "Psycho" and of course to "Strangers on a Train".Cast: as I write the film is pretty well acted. Germano is really good for the main role, looking always insecure and sometimes unable to solve the mystery. The support cast is also good, with the sexy Elisabetta Rocchetti, and for me the character of Giulio's girlfriend is a little weak.Conclusion: A basic murder story but I really enjoyed this Argento film that was made for TV. For me is not one of the finest films of Dario but still is recommendable and really good. Just be careful with the things you see.Region 4 DVD: I realize about the existence of this film through this site and after reading what was about, I had lots of desires to watch it. It was just a complete surprise to find the Region 4 DVD of this film since I never imagine a release. The DVD is just good with the English language only and the TV spot as the unique extra.