Although it has its amusing moments, in eneral the plot does not convince.

it is finally so absorbing because it plays like a lyrical road odyssey that’s also a detective story.

Ok... Let's be honest. It cannot be the best movie but is quite enjoyable. The movie has the potential to develop a great plot for future movies

The storyline feels a little thin and moth-eaten in parts but this sequel is plenty of fun.

This doesn't quite work on any level with an eclectic cast shoehorned together and giving the impression that all they want to do is get it over with, pick up their wedge and go home. The only thing that could induce me to sit through a schmaltz fest like this was Celia Johnson in the lead role. Clearly Reed had seen her as Ethel Gibbon in Coward's superb This Happy Breed and noted how well she was able to bring off a cockney despite being one of nature's aristocrats. What Reed overlooked, of course, was that he is no David Lean and Mankowitz is no Coward so that poor Miss Johnson is left floundering. What Diana Dors is doing in the same film as Celia Johnson we'll never know. Even badly miscast Celia Johnson is value for money but that's the only thing this has going for it.

Young Joe is constantly enthralled by tales of a Unicorn, told to him by Kadinsky the tailor, he is mesmerised by the notion that a Unicorn can make wishes come true. Whilst roaming the market he happens upon a seller who has a one horned Goat for sale, believing it to be a Unicorn, Joe barters for the Goat and begins to see little miracles happening to the folk around the area.This is a positively delightful film, based on the novel by Wolf Mankowitz, this is the first colour film from acclaimed director Carol Reed. A Kid For Two Farthings plays out the innocence of youth amongst a backdrop of working class trades folk in London's Petticoat Lane, young Joe, believing the Unicorn has mystical powers, starts asking for little miracles to happen to those around him, low and behold fortunes start to take an upturn. That the miracles are easily explained is of no importance in the picture, it's the belief system that this one horned Goat, via Joe's prompting, instills in everyone, a hark back to the time in us all when we believed in magic and miracles.The cast list boasts Celia Johnson {sadly underused}, Diana Dors, David Kossoff, Brenda de Banzie, Primo Carnera {perfectly cast as a hulking bully of a wrestler} and Sid James. Reed should take a lot of credit for getting such a joyous performance from Jonathan Ashmore as Joe, it's a lovely turn that has sweet innocence seeping from every frame. The film culminates in a well staged wrestling match that ups the tempo considerably, and then the film closes with a truly wonderful final shot that left this particular viewer feeling all the more richer for having just watched this picture. 8/10

A minor item in the Carol Reed oeuvre,"A kid for two farthings" falls somewhere between "It always rains on Sundays" and "Expresso Bongo" - also written by Wolf Mankowitz - in following the path beaten by Gerald Kersh as the principal chronicler of post - war street life in London. Set in Middlesex St - popularly known as Petticoat Lane - it tells the story of a small boy entranced by tales of the magic properties of unicorns who mistakes a young goat with a single horn for such a creature and attributes it with miraculous powers.Having an absent father the boy relies heavily on the guidance of wise Jewish tailor Mr D.Kossof who is also his mother's landlord.The mother (Miss C.Johnson distinctly uncomfortable and,frankly,a bit too old)is apparently receiving letters from her husband who is trying to make his fortune in the rapidly - dwindling colonies,but the inference is that he has just walked out on her and the boy. Working in the tailor's shop is Sam - a narcissistic bodybuilder who has been engaged to Miss D.Dors for four years.It is clear that ,as was the way at the time,that they are not having a sexual relationship and both Miss Dors and Mr J.Robinson as Sam are rather touching as the not - quite lovers,a more serious equivalent of Ron and Eth in "The Glums", from "Take it from here",a radio show popular at the time. Like "Night and the city",Jules Dassin's earlier take of the Kersh novel of the same name "A kid for two farthings" centres round professional wrestling.Mr P.Carnera,formerly World Heavyweight Boxing Champion,and allegedly the model for Mountain Rivera in "Requiem for a Heavyweight" plays "The Python",an ageing but rather frightening wrestler whose jibes provoke Sam into abandoning his principles as a "pure" bodybuilder to enter the wrestling ring for that Godsend for the Promoter the "Grudge Match". Buoyed up by the burning faith of the boy in his unicorn Sam eventually defeats the Python,Miss Dors gets her ring and Mr Kossof a new steam press from the winnings and Sam a partnership in the tailor's business. Presumably exhausted by its efforts the unicorn dies and is buried by Mr Kossof,singing a Jerwish lament over its body.Against all the odds this turns out to be moving rather than corny. There are small parts for Mr S.James,Miss I.Handl,Mr H.Behrens and Mr D.Green.Mr S.Tafler and Miss B.de Banzie feature rather more strongly. Miss Dors wisely does not attempt a cockney accent in such august company. "A kid for two farthings" is certainly a rose - coloured picture of East End life in the 1950s,but then it is a fable rather than a straightforward account.I doubt if anybody took it as a serious bit of film making when it was first released and certainly fifty years on it hardly seems cutting - edge but British film lovers of a certain age may well regard it as a treasure house . It is the world of Harrison Marks,pencil skirts and jiving in the street.When Joe and The Python brawl ,just the sight of a Bobby stops them in their tracks,day-old chicks and cute puppies are sold on market stalls.This may be a lost London,but "A kid for two farthings" ensures that it is not a forgotten one.

I thought Primo Carnera did a good job here. His English is very good and he finally has a chance to do some acting. Probably the only chance to see Carnera, in color, as a normal person, and not as some freak of nature playing some other freak of nature.