Pretty Good

Just perfect...

Fun premise, good actors, bad writing. This film seemed to have potential at the beginning but it quickly devolves into a trite action film. Ultimately it's very boring.

One of the worst ways to make a cult movie is to set out to make a cult movie.

Alice McKinley (Alyson Stoner) has to move with her family, dad Ben (Luke Perry) and brother Lester (Lucas Grabeel), to a new town. Her mom's dead since she was 5. She is awkward and have imaginary fantasies. She gets put in with the stern Mrs. Plotkin (Penny Marshall) but she wants so much to be with the happy pretty Miss Cole. Elizabeth (Parker McKenna Posey) is the neighbor girl. Pamela (Bridgit Mendler) is the mean girl.The fantasies look weak and way too cutesy basically pinker with spotlights. Alyson Stoner is reasonably interesting as the gawky teen and she shows some acting range. It's not a bad kids movie but it's not particularly great either. Penny Marshall plays an interesting character. The mother's death provides some depth to the movie and there are some serious issues being dealt with here. It's OK for the genre but it does need better directions.

This is a little too lightweight to be of interest to most adults, but for what it is, it's done pretty well. Sure there are serious topics here, but they are not explored in any great depth or with any signs of real pain and suffering, so would be quite suitable for a younger audience, or for all the family to share in.Stoner is very cute here but she does look and act her real age (14) when she is supposed to be playing an 11 year old. That's a big age gap at that time of life, and for me her performance just doesn't work at that level, but that's not really to the detriment of the film as a whole. She is not the most talented actress by a long chalk, but she has a certain charm on screen that many young stars lack, and it is easily sufficient to carry a light movie like this.Grabeel is good and there is ample support from all the kids. Perry is Perry. Marshall is probably the best of the bunch, experience obviously telling. All in all the performances are competent and the characters sufficiently well rounded to make them interesting, even if the plot itself is a little weak.Few flaws here then, but don't expect to be wowed. One for a rainy day in with the kids.

A feature that is likely to be 'extremely okay family genre' for those who have not read the novel.The reviews to date say a positive and okay movie, just there are not so many reviews. They are also not by people who are fans of the novels, those are over in the message board.Once upon a time a writer called Phyllis Reynolds Naylor started what was to become a very approachable series of novels about a girl called Alice McKinley. They started in The Agony Of Alice as she was moving house and about to start year seven, the senior year of her close to Washington USA elementary school, no bigger and older ones in the school. From novel 3 she is at High School part 1, years 8 and 9. From novel 13 she is at High School part 2, years 10 plus. Some aspects of the schools seem more English than USA, which might be the author trying to make the series more accessible.I did not start reading them until the second novel and I was not expecting this feature to have much in common with the novels. For me it is a spur to go back to the first novel, then to the others, and it surprises me just how much of the feature actually is in the first novel. Not all, but a lot, though often changed in big ways. Looking at them afresh also shows me that there are many more novels available now, including prequels, ages 8, 9 and 10. This is a feature that makes me go and buy some paperbacks and by novel 16, Including Alice, they still seem really okay, just different as the storytelling changes as Alice gets older. Age 11, her world is different to age 16 and this series goes to age 18, maybe. That makes these very different to the London UK based Ally's World series of Karen McCombie, also very okay.The casting of Alyson Stoner as Alice. Camp Rock and Suite Life make me consider that to be an excellent choice. Apart from the music and dance skills. Except that the novels would need her to be closer to the age that she was in Suite Life. How rude of me to consider that to be a weak point of this adaptation, a class of fourteen year olds playacting as eleven year olds. For me, it gets in the way.Brother Lester, Lucas Grabeel, in the novels he is closer to Grabeel's own age. He also had lots of hair. For this 2007 movie the 22-ish year old Grabeel actually had to play a high school kid rather than a university student. The director even made him shear his head. Except, in some ways, the feature is nice for drawing out some aspects of Lester's character. I just accepted him and this feature does make me have to reconsider who the characters are, but the novels are not this Lester.Lots of detail is changed in a way capable of horrifying fans of the book. Dad, Aunt Sally, etc. At least that is not at the level of Harry Potter movies 4, 5 and 6 where the whole spirit feels inverted, it could easily have been a lot worse. This portrayal of Alice is not quite as upside down. The film-making destructors not as active as in the later Harry Potter novels, but much more active than in Philosopher's and Chamber.I still do not understand why so much detail was changed. Adaptations often make changes due to technical differences between book and film. A lot of the changes, here and in other adaptations, do not seem needed. For a series such as this the changes felt foul, lacking.This is a world where some forms of vandalism have become the norm. Considered laudable, in fact. Adaptations are said to be a gesture of respect for the original. If they turn the original on its head, one way of the destructors, then I do not consider it to be a gesture of respect.I experience this author and such as Rowling and McCombie to have a mature-ish approach to symbolism and characterisation. But many film type storytellers appear to be reactionaries, effective stories about scrambled people being given the hatchet.I tended to consider such vandalism as the prerogative of artists in England, but it is more widespread. Educators certainly tend to have a 'destructors' mode. Health care workers, those angels are maybe my biggest problem with England, just now.

I suspect it will be straight to DVD. And for good reason. It's choppy and the story line is empty. Why is there a problem with Lester and the young women in his lives? Nobody really knows. It's suddenly an issue. Why is it that Dad begins dating and suddenly stops? What really prompted the change? It would have made a good Disney channel series. Fluffy, not requiring any intelligence or thought. I wouldn't be surprised to see it on the fall lineup.The acting wasn't bad in the least. But the script was full of holes and not much character development. Every one of them was flat on both sides. The actors did a fine job and it was delightful seeing Penny Marshall on the big screen again. She reminded me of my fourth grade teacher, Mrs. Hustavet, in one segment. Creepy.Sandy Tung undoubtedly did the best he could. (He's cute, in that middle aged, slightly rumpled way so many women find attractive.) I just don't think there was much substance with which to work.