Thanks for the memories!

This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

Great example of an old-fashioned, pure-at-heart escapist event movie that doesn't pretend to be anything that it's not and has boat loads of fun being its own ludicrous self.

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

A chain-smoking Huey P. Newton lights one cigarette after another, his mouth so dry that you can hear the sound of his tongue hitting the roof of his mouth. The film is one extended monologue of Huey's inner mind, concluding with an entrancing shadow boxing dance by Smith to Ballad of a Thin Man. Something really is happening, even if we don't know what it is. Identity and difference propel the "narrative," as per director Spike Lee's usual, given his desire to represent the real.To be sure information is imparted about Huey as if he were still alive, with allusions to President George W. Bush. Looking back, he passes judgment on Eric Clapton's '80s cover of Bob Marley's hit I Shot the Sheriff but today likes rap, and loves Vincent Price. With his thigh-shaking, cigarette-puffing manner, Smith cultivates Dr. Huey P. Newton who wrote his doctoral thesis on the Black Panthers at UC Santa Cruz and was killed in 1989. It's helmed by the first filmmaker that would come to anyone's mind to direct this material, Lee, the relentlessly socially conscious filmmaker known for tackling issues of Black American identity and racial politics as well as autobiographical themes. But in the grouping of New Territories, the film's well-placed in terms of subject but as a film it's a filmed staged production and fails to be ground-breaking.Were we fearful of having our bourgeois advantages taken away? Was it unfounded fear? Were they gun-toting terrorists or just one of several collective, anti-capitalist, anti-racist movements? Or was the left-wing politics simply window dressing for a colossal, radical trend-propelled deception? Well, you won't hit upon resolutions to many of these questions in this TV adaptation of Smith's one-man show, but you will get an impressive illustration of a man every trace as complicated and multifaceted as the movement he co-established. As depicted by Smith, Newton is at first withdrawn and tenderly soft-spoken. But as he loosens up, the words come out in a hurried, capriciously connected deluge. Newton seems incapable of standing from his chair, but he's like a restless child and can hardly stay seated. Assured in his cleverness and with a flair for poetry, he's inclined to overstatement and blatant BS, using to excess and squandering terms like "existentialism," trying to make an impression, sweet-talk or alarm his audience into worshipping him, then slipping into bizarre, droll asides on race, politics, philosophy, Shakespeare, mythology and music.Researchers have found that TV programs that feature black characters can influence both how young black viewers see themselves and how others view them. And Huey's clever, time and again rather uncanny, and undoubtedly distressed. He's somewhere between the most profoundly sharp underachiever you've ever met and that guy talking to himself at the bus stop. Smith gives an extremely impressive, tremendously physical performance entailing the severest, most persistent cigarette smoking I've ever seen.Regardless, Spike Lee uses whatever tools he can to make this more than a plain transcript of a stage play, including blue screen effects and documentary footage. The prison-like set further underscores the acute remoteness of Huey Newton, who spent years in solitary confinement. In contrast, Lee's tendency for extreme close-ups that cut off parts of his subject's face and body merely functions to dissociates us from this enigmatic character. In the end, I'm not sure I know where the stage ends and the real Newton begins. But maybe that's the point.

this is an incredible piece. roger g. smith's writing and performance are mesmerizing, brilliant. i so admire the talent and intellect that produced this film. there are other one person performances i enjoy but this one tops them all.furthermore, the film provides education and insight into our recent history and that makes it a must see for all American high schoolers. there are endless social and political references woven into what seems to be newton's extemporaneous thoughts, stream of consciousness, as they say. these could be mined for further study and investigation by students. i have certainly used it to teach my children about those times.

The most enlightening work I have ever seen on the era. I now have insight into the revolution. Never before did I even come close to understanding the dynamics of the conflict or the leader of the Black Panthers. Every american must see this to begin to understand one of the most major problems this country has. I could not peel my eyes from the screen. Unbelievable performance by Roger Smith. Spike Lee has a knack for finding these incredibly draining performances and bringing them to you in a way that makes you run the gamet of emotion as well. This as well as FREAK! by John Leguizamo, both present two VERY different performances with VERY different meanings, both pull you through a full gauntlet of emotion. Incredible works.Do the tighten-up Make it mellow

Roger G. Smith's Huey grabs you by the throat and won't let go. A complex one-man play -- flawlessly executed -- that would challenge the talents of the Theatre's best. Ninety minutes of stunning, nonstop diversity, conflict, and maddening contradiction that made Newton one of the most notorious yet enigmatic personalities of America's tumultuous 60's. Smith is surely the actor to watch in 2002 after a performance of such magnitude. Truly hypnotic.