Admirable film.

In truth, there is barely enough story here to make a film.

The acting in this movie is really good.

While it is a pity that the story wasn't told with more visual finesse, this is trivial compared to our real-world problems. It takes a good movie to put that into perspective.

Herbert Lom recounts his tale in flashback as to how he has ended up scraping a living by sandwich boarding. He was once part of a headlining trapeze act in a circus owned by Ronald Frankau (Barney) performing in sunny Blackpool. His partner was his twin and his tale is one of tragedy. What happened to the twin? This film ends on a downbeat note but it is still entertaining thanks to the cast of villains and the central aspect of distinguishing the twins from one another. It is crucial to the plot and keeps you watching. Lom is very good in this dual role and the twins use their similarity to their advantage in a novel twist to a murder charge. I think justice was done.Phyllis Dexter (Penny) as the bad girl doesn't do any stripping. She should have, though, given that was her real-life business!

This is a very fine and interesting film noir — among the better films of post-war British cinema. The story with twin trapeze artists might be a bit far-fetched in some aspects, but the opening of the film is brilliant, as is the ending. The photography is in beautiful dark tones and the music accompanying the trapeze acts is excellent. Herbert Lom is convincing in the role of both twins. I think the merit of his subtle performance lies above all in not exaggerating too much the difference in character between the two twins. Extreme characterization is normally a much easier option for an actor or actress when one thinks of other famous stars playing twins, such as Bettie Davis, who did this twice in "Stolen Life" and "Dead Ringer", or Olivia de Havilland in "The Dark Mirror". This is an excellent British film noir which deserves to be much better-known. Apart from this, I have not seen any more films by Alfred Travers, who seems to be a totally forgotten director. Astonishingly, hardly anything seems to be known about his life and career (apart from the titles of the films he directed), not even the date of his death. This must surely have happened, as the only scant detail available about this director is that he was born in 1906, in Constantinople.

Dual Alibi is directed by Alfred Travers who also collectively adapts the screenplay with Stephen Clarkson and Vivienne Ades from a story written by Renalt Capes. It stars Herbert Lom, Phyllis Dixey, Terence De Marney and Ronald Frankau. Music is by Stanley Black and cinematography by James Wilson. Top French trapeze artists, the de Lisle twins (Lom), are hired by a British promoter to go work in Blackpool in the North West of England. Whilst in Blackpool one of the twins falls for an aspiring singer, causing tremors in the brother's relationship. But when news comes through that they have won the French lottery, the brothers unite in their good fortune. However, good fortune is not to last as their world comes crashing down in a ball of treachery, greed, the misfortunes of fate and murder! Moody monochrome, flashback structure, kilter circus atmosphere, femme fatale and a haunting musical score, welcome to the world of under seen British noir. The low budget is barely noticed as Travers and Wilson skilfully move the film at a good pace whilst draping it in shadows and murk, and the trick photography accomplishment that brings two Herbert Lom's together on screen brilliantly belies that this is a poverty row production. Lom is excellent in the dual role, giving each twin its own characteristic so the audience is never out of the loop. Yet he also deftly manages to ascertain a deep emotional bond between the two men, so when the darkness comes (the ending for instance is miserably non conformist) we feel the slap of film noir's hand. Around Lom are effective performances from Marney as the repugnant Mike Bergin and Dixey who slinks about with conviction as smouldering fatale Gloria Gregg (AKA: Penny). Highly recommended for anyone interested in British film noir. 8/10

I watched this one and was dead sure I had seen it before. Pretty sure at one hundred percent. Same atmosphere among a circus little world, starring Herbert Lom in both films, and also a crime drama topic, with our lead as the bad guy.The other film was actually DARK TOWER, shot in 1943, where Lom played a sort of evil hypnotist who wanted a young trapezist woman to be under his bad influence. A very good noir from UK too. And no user seem to have seen both. Or maybe they did not notice that further.So, I do. There are here two very similar features. And, I repeat, with the same actor playing very similar characters. Worth watching for both of them.