This is a tender, generous movie that likes its characters and presents them as real people, full of flaws and strengths.

Fun premise, good actors, bad writing. This film seemed to have potential at the beginning but it quickly devolves into a trite action film. Ultimately it's very boring.

Not sure how, but this is easily one of the best movies all summer. Multiple levels of funny, never takes itself seriously, super colorful, and creative.

It's easily one of the freshest, sharpest and most enjoyable films of this year.

I tracked this movie down purely to watch Shel Silverstein performing. The first time I watched this movie I saw right away that it was the basis for Fight Club. Don't know why nobody else sees it... the Fight Club wiki doesn't reference this movie or the book it is based upon. I guess the first rule of Fight Club is: "Don't talk about 'Who Is Harry Kellerman and Why Is He Saying All Of Those Terrible Things About Me?'"! That's all. Give credit where credit is due!

Sometimes I am just sooooooo out of step with conventional movie wisdom. This is one of those movies that gets trounced every time it is mentioned by a critic or reviewer. But why??? It is funny, well-acted, moving, bizarre and the music kicks ass. Dustin Hoffman plays Georgie Solloway, a super-successful Bob Dylan-ish rock star who is going thru something of a mid-life crisis. A mysterious figure known as Harry Kellerman is spreading false rumours about him, sabotaging his personal and professional life. Solloway has no friends to talk to... just a shrink and, when he gets really desperate, his accountant (great scene with Dom DeLuise!) Okay, so maybe you hate Dustin Hoffman... or Bob Dylan... or movies about the problems of rich, successful people in general... how can you not love the heartbreaking performance by Barbara Harris? She was nominated for an Oscar for crying out loud (and it was a crime she didn't win, I tell ya). Don't listen to the nay-sayers... check out this wild and wonderful film!

Labeling this movie as ahead of its time would be a bit too generous. In truth, it was ahead of its time but missed the mark. With lots of cuts between fantasy and what is probably reality, the movie does take you into the head of a disconnected music star. The only trouble is that once we're there, ... then what? In this case, nothing much, and that's a shame. At one point Hoffman's character meets a woman more screwed up than he is, and he sets about to help her a bit. Their interaction is poignant, but the movie is mostly devoid of emotion. It's nice enough to watch Hoffman walk through this movie, but i really can't recommend it for much else.

Potentially brilliant character study misses the mark as Hoffman plays a successful singer/songwriter who ends up badly tormented. Excessive smugness permeates a otherwise well crafted, well mounted production. Clearly the filmmakers thought they had a important "statement" picture. Unfortunately the statement becomes evasive and eventually muddled. Worth seeing just for Hoffman, who gives one of his best performances