A mental patient escapes from the looney bin in drag, robs a bank, and goes on the lam!
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This movie is the proof that the world is becoming a sick and dumb place
one of my absolute favorites!
Exactly the movie you think it is, but not the movie you want it to be.
This is a dark and sometimes deeply uncomfortable drama
Ed Wood's "I woke up early the day I died" is unbelievably impossible to get a hold of, since it has only ever been released on video in Germany, but once I got myself a copy and watched it, I was happy I did.As a die hard Ed Wood fan, I loved watching this film. In true Ed Wood film making fashion, they used cheesy props, a load of stock footage, and single takes, with continuity errors and dodgy editing.My only question now is: where can I get my hands on a copy of the soundtrack?The fact that this movie was even made and that so many random stars are in it just goes to show how much of an impact the "worst director of all times" had on the film industry and all that work in it!A must see for every Wood fan, and for anyone who likes weird and dodgy movies.
I am not a huge fan of camp kitsch and the "so bad it's good" type of viewing. However, I really like this film for its fun factor and - believe it or not - it's innovation.The whole thing has a ring of John Waters and is boundlessly enthusiastic, but with some superb actors and considered direction making the most of the slapstick and styalised movements. Billy Zane moves with incredible expression (see the scene on the bus for a text-book lesson in how to use movement) and is framed by some unexpected stars.You may not like this film, you may not enjoy it, but if you get the chance to watch it, then spare the time because chances are you will end the film with a confused smile on your face, and a new perspective on the sense of humour of some big stars. Highly reccomended.
Criticizing this film needn't go much beyond its premise - not that of the script, but the idea of producing a 'lost' Ed Wood script. Said script is a dialogue-free(!), surprisingly dark comedy about an asylum escapee, and in true Wood style it's a consummate triumph of imagination over any kind of narrative purpose or skill. Bright spots are Billy Zane's astonishing grasp of physical comedy, and some clever use of soundtrack, framing, jumpcuts and flashbacks. Still, it's unevenly paced and overlong, and neither slapstick nor camp-value can sustain it. The amazing supporting talent is unforgivably wasted. All up, a bold and fun experiment, but pointless.
This has to be one of the worst films of all time. It was unbearable sitting through it. I can't understand how and why so many talented actors became involved in this. The plot is thin, predictable, and boring. At the North American premier that I attended in Toronto, more than a few people walked out. There is no dialogue in this film so it is played as a slapstick "silent" film with a modern (and actually quite good) soundtrack. I could not help but be embarrassed for Mr. Zane, who was in the audience, while one gag after another fell flat. The film isn't even bad in a fun or campy way. It is dull and uninteresting. Not much more can be said.