Excellent adaptation.

A lot of perfectly good film show their cards early, establish a unique premise and let the audience explore a topic at a leisurely pace, without much in terms of surprise. this film is not one of those films.

By the time the dramatic fireworks start popping off, each one feels earned.

The movie really just wants to entertain people.

Billy Wilder clearly had a penchant for fairy stories and having fashioned Cinderella into Midnight he turned his attention to Snow White And The Seven Dwarfs a couple of years later and came up with Ball Of Fire in which the seven dwarfs were compiling a dictionary of Slang. Ball of Fire appeared in 1941 and Howard Hawks remade it seven years later with the dwarfs now engaged in compiling a history of Jazz complete with musical examples. For reasons mostly unfathomable Benny Goodman was given a speaking part as one of the Professors whilst the actors are supplemented by the likes of Charlie Barnet, Louis Armstrong, Tommy Dorsey, Mel Powell, Lionel Hampton and Buck and Bubbles. Whilst light years short of Wilder's script this does have the merit of the real jazz musicians to compensate for the acting of Danny Kaye, Virginia Mayo and Steve Cochran, woefully inadequate replacements for Gary Cooper, Barbara Stanwyck and Dana Andrews.

A decent Danny Kaye vehicle. The humor is delicate and the music is memorable. Kaye isn't as funny as Gary Cooper was in the original -- "Ball of Fire", also directed by Howard Hawks. I know that's hard to believe but the character of Professor Hobart Frisbee is supposed to be pawky, professionally precise, and socially clumsy. Kaye is his usual stuttering self, whereas Cooper WAS the character. And Virginia Mayo, delicious as she is, doesn't have the sassy talent of Barbara Stanwyk, who could throw away laugh lines and still get smiles. Mayo seems earnest as all get out.Still, nice technicolor photography, almost lurid. And the musicians do their thing, which is pretty good, in fact. How could they not? Tommy Dorsey, Satchmo, Lionel Hampton, Charlie Barnet, Mel Powell, and a supporting role for Benny Goodman. I don't know if you have to realize what a musical technician Goodman was to appreciate the scene in which, as a fuddy-duddy musicologist, he is invited to take a crack at playing swing music. I think there's a recording of his playing Mozart's clarinet quintet too. Many of those once-household names, I imagine, have already disappeared from popular consciousness. A good thing they didn't hire Charlie Parker or somebody. It wouldn't have a prayer of striking a resonant chord.

I fell in love with this movie first viewing it as a kid several years ago. I am surprised TCM does not air it more often. Danny Kaye plays a stuffed shirt music professor who lives with 5 other elder professors.Kaye sets out to document the history of Jazz music visiting clubs and inviting the musicians he has heard to several daily "jam" sessions to record music for a jazz library. He invites a lounge singer he meets,who is involved with a mob boss, and she winds up hiding out from the law at the professors house jamming with these musicians. This film is excellent for one good reason: the musicians invited are some of the best jazz players that ever lived. Clarinet player BennyGoodman, trombonist Tommy Dorsey, Vibraphonist Lionel Hampton, Pianist Mel Powell, and the great Louis Armstrong. There are also two vocal groups, guitarists and percussionists. If you ever had a dream group of musicians you wanted to see play together, you won't be disappointed with this film.One of the remarkable features of this film is not just that so many jazz greats were in it but that they were able to play together in the first place. This movie was made in 1948 when segregation was very much in force. Many of the great white jazz musicians of this time could not play on stage with the black musicians. The clubs white musicians played at did not allow blacks in them or they had to enter through the back door. Most of the time it simply was not allowed. So many great white jazz players who admired Armstrong and Hampton could never play with them because of this. Watch this film though, every jam session you see all the musicians present, black and white, are so engulfed in the music, no one even notices black, white or whatever. Just great music and a lot of fun! The back story is a little silly with Mayo on the lamb from the DA and hiding out at Kaye's residence. Kaye falls for her , playing naive and clueless to her motives. But of course they will wind up together in the end. Mayo looked beautiful in this film,great body! But the real draw is all the musicians. If you're a lover of jazz or even just music, this is a true gem to watch.

While there is a decent plot and Danny Kaye does a good job, the best parts are the music scenes with Benny Goodman, Lionel Hampton, Louis Armstrong, Tommy Dorsey and many others. It is a great collection of popular artists of the 40's and earlier.There are surprises in the plot, especially if you don't recognize some of the actors until they perform.Danny Kaye's form of humor is not fully appreciated now, but in his time he drew a large following. This movie is a good example of his artistry. His best movie was probably "Hans Christian Anderson." I watched it as a kid and I can still remember the song "Beautiful, Beautiful Copenhagen."