One of my all time favorites.

It's fun, it's light, [but] it has a hard time when its tries to get heavy.

The film makes a home in your brain and the only cure is to see it again.

Exactly the movie you think it is, but not the movie you want it to be.

The title "Naked Alibi" is a very strange one, as back in the day you'd never see naked people in mainstream Hollywood films and there is nothing naked whatsoever in the movie. Don't let that stop you from watching it, as it's an excellent and gritty film noir story.When the film begins, police captain Joe Conroy (Sterling Hayden) is investigating a case where a lieutenant was brutally murdered. He thinks Al Willis (Gene Barry) is responsible--after all, he's a HUGE hot-head and he had a grudge against this dead cop. Soon, two more cops are brutally murdered and Willis appears to be the likely suspect. But, when Conroy is fired for police brutality, he's determined to follow Willis into Mexico and prove he's a psycho killer. However, he's no longer a cop and has no jurisdiction...and Willis has a gang waiting for him. All Conroy has is a dame (Gloria Graham) and her kid!The film works well because Sterling Hayden (as usual) is excellent in these sorts of tough-guy roles. Additionally, Barry is very good as a scum-bag and the script keeps you on edge. Not a great film but certainly a good one worth your time.

****SPOILERS*** Being arrested and roughed up by the police especially after smashing Let. Park's, Casey Adams, face in with a coffee cup accused vagrant and drinking in public Al Willis, Gene Berry, is released due to lack of evidence. It's the next day that Parks is gunned down by an unknown assailant and a few days later two other cop are killed in a car bombing that has Willis, who claimed to get even with the police department for manhandled him, arrested as a suspect for all three murders. As we see Willis is as he always claims to be as innocent as the morning snow or is it dew but it's Chief of Detectives Joe Conroy, Sterling Hayden, who doesn't buy Willis' story.Going overboard in trying to arrest Willis for the murder of the three cops has Conroy suspended from the force and ordered to get a forced, by the department, psychological examination before he's allowed to get back to work. While on ice, or suspension, Conroy goes out on his own to get the goods on Willis whom he's sure is the one who murdered his three fellow policemen. This lead to this honky tonk town on the Mexican/USA border where Willis who works as a baker on the US side is the head mob boss there. There's also Willis' girlfriend Marianna, Gloria Grahame, who can't stand the guy but is terrified of leaving him in that if she did he'll murder her! ****SPOILERS*** Working behind the scenes, until he's discovered, Conroy gets to have Marianna, with a couple of free drinks, to talk about her boyfriend Willis' crimes including the one where he gunned down Let.Parks and even more important where he hid the murder weapon. Which is all the proof that Conroy needs to arrest him. Besides being a cold blooded murderer Willis isn't that bright either. Where he could have easily disposed of the gun he murdered Parks with he instead hid it in of all paces a local church! That Willis he attended not to pray but use as a alibi for where he was at the time that he in fact murdered Let. Parks. With the murder weapon recovered by Conroy Willis makes a run for it not on the street but on the neighbor rooftops where he's a perfect target for the perusing police. Gene Barry in one of the most craziest roles in his entire both film & TV career does a great job playing the Dr. Jekyll & Mister Hyde-like Al Willis who's so crazy it's a miracle that he can hold down two jobs, as a baker and mob boss, at the same time without anyone around, with the exception of the mentally and physically abused Marianna, noticing just who unstable he is. It's the suspended Chief of Detectives Joe Conroy who saw right from the start just how dangerous Wilis was and never stopped for a moment in trying to get the goods on him as well as have him arrested. That had the already not that on the ball, in his mental capacity, Willis crack and thus blow his cover as him being a perfectly normal and law abiding citizen which has him blown away at the end of the movie.

Naked Alibi is directed by Jerry Hopper and adapted to screenplay by Lawrence Roman from the story "Cry Copper" by Gladys Atwater and J. Robert Bren. It stars Sterling Hayden, Gloria Grahame, Gene Barry and Marcia Henderson. Music is by Joseph Gershenson and cinematography by Russell Metty.Urgh! It's one of those lesser grade film noir movies from the classic cycle that should have been super, but isn't. It's also a Sterling Hayden film that gives his knockers ammunition to call him wooden, yet the tedious direction of Hooper and all round over staging of the production is what's at fault here.Plot has Barry (over acting) as a suspected cop killer who walks free to apparently wreak more misery on the police force. Hayden's stoic and robust detective is not having a bit of it and becomes obsessed with bringing Barry's edgy character to justice. Grahame slinks into view in shapely fashion after half hour of film, to naturally stir the hornet's nest still further.The potential is there for a hot-to-trot noir of psychological substance, a peek under the skin of men teetering on the thin line separating good and bad. Sadly it's all so laborious and fake, the male actors indulging in what I call auto-cue acting as they act out badly staged scenes. Grahame comes out of it relatively unscathed, while Metty gives the production an atmosphere it doesn't deserve with some slats and shads dalliances. But really it's average at best and the cast are wasted. 5/10

The Naked Alibi wastes some potentially terrific talents by forcing them into last-ditch, half-hearted retreads of characters and situations that had already, by 1954 and halfway down the leeward slope of the noir cycle, been done to death – often, in fact, done by these very same actors. That Nordic giant Sterling Hayden, never easy to cast, gives a reprise of a role – the angry cop – that suited him so well he encored it several times, taking his final bow in 1972 in The Godfather. (And, as nasty cops go, maybe only Robert Ryan played it nastier.) Gloria Grahame's kittenish victim had become by this time a staple of the cycle, but it's almost always good to watch her anyway. But so hot on the heels of Fritz Lang's The Big Heat, her role in The Naked Alibi looks very much like the larcenous knock-off that it is, right down to the final, poignant fadeout (and it doesn't help when she makes her entrance – as a nightclub canary – using a dubbed voice).The plot, which loses more credibility every time it takes a new turn, concerns the murder of police officers a smallish California city. Hayden's prime suspect is Gene Barry, but this church-going baker with a submissive wifey fools everybody else. Dogging him relentlessly, Hayden gets thrown off the force and, free-lancing, follows Barry to a wide-open town on the Mexican border where the suspect leads a double life, involving Grahame. Inevitably, Hayden gets involved with her too. Barry finally flashes his true colors and he joins Hayden in pursuing their mutual vendetta. But the working out is perfunctory and predictable, and it goes to show that even marquee stars can't salvage a tired, derivative piece of filmmaking.