Very well executed

Excellent but underrated film

It's entirely possible that sending the audience out feeling lousy was intentional

This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

There are some outstanding films that could be called fairy tales for adults, including: "Crouching Tiger, Hidden Dragon," "Wings of Desire," "Eraserhead," "Pan's Labyrinth," "The Night of the Hunter," "Donnie Darko," -- and also The Flaming Lips' 2008 film "Christmas on Mars." All of these films are dreamlike, filled with a childlike sense of awe and also a mature adult understanding of the brokenness & sorrow in the human condition. It's as if the adult filmmakers of these movies still retained the joy & wonder they knew from childhood, but they also developed a melancholy sense as adults of how tragic & challenging life can be. "Christmas on Mars" is filled with a sense of grandeur & beauty, but also of the dread & drudgery that human existence can include. During the film's story, which is set in the future, Mars has a space station but the space program has gone into decline and the people there are stranded. They're doing work on the spaceships that they used to get there. The space station has become shabby & disheveled in appearance. The scientists appear to be confident, but a heavy sense of pessimism pervades the mood. But, it's Christmas, and into this scene of defeat & peril enters a celestial being, played by singer/songwriter Wayne Coyne, who brings hope. "Christmas on Mars" has a refreshingly deadpan sense of humor, and a uniquely striking visual style, along with a thrilling symphonic rock soundtrack from The Flaming Lips reminiscent of their fantastic albums "The Soft Bulletin" (1999) and "Yoshimi Battles the Pink Robots" (2002). "Christmas on Mars" is a cinematic treat, made especially powerful through the effective demonstration of how blissfully valuable hope can be in a psychologically bleak & cold environment.

Christmas on Mars, the debut feature of Wayne Coyne and my beloved Flaming Lips, is just as psychotic, obtuse, and delightfully up its own ass as anyone familiar with the band might expect. The film is centered around a small human colony on Mars, its patrons just barely coping with existential despair in the face of vacuous space as Christmas approaches--of course. The medium offers mixed returns for the Lips: besides its obvious psychedelic opportunities, film allows Coyne and company to occasionally subvert cultural iconography and to deliver an endless barrage of vaginal imagery; the former visual tactic being arguably more artful. Film also means dialog, however, which isn't Coyne's strong suit: where his music often packs big ideas into few words, his sprawling drugisms have trouble supporting a narrative diegesis. If there's one thing that's truly excellent about the film, it's the trippy, operatic music--one wishes the Lips were approached for film scores more often. It is also buoyed by a few fun performances: guitarist Steven Drozd is charismatically subdued, and Mark DeGraffenried adds an essential sense of humor as the foul-mouthed Captain Icaria. I can't say how well this film will play to those uninitiated in the Flaming Lips' discography, but for those of us who are fans, there's a certain pleasure of recognition in seeing Wayne Coyne in green antennae inexplicably dropping out of space to don a Santa suit: it's completely unexpected, and that's just what we expect. -TK 9/21/10

The movie Christmas on Mars was a strange creative project from the group The Flaming Lips,whose music I quite enjoy; so I had a lot of curiosity how they were going to adapt their style to a film.The result is that,while I found this film moderately interesting,I also found it to be pretty disappointing.Christmas on Mars tries too hard to be a "cult film"...which is the main mistake from all the movies which try to be cult.I think that condition only comes when the film authentically deserves it (like,for example Donnie Darko or The Adventures of Buckaroo Banzai Across the 8th Dimension).On the contrary,making a movie intentionally bizarre or eccentric reveals some dishonesty which plays against the movie,as we can see on Christmas on Mars.If I had to make a short summary of this movie,I would say it is a combination of Eraserhead,The American Astronaut,Santa Claus Conquers the Martians,Forbidden Zone,Dark Star and 2001.On my case,that combination resulted to be moderately interesting but not very satisfactory after all.I can give a slight recommendation to this film because it has some good elements (specially,its very creative visual aesthetic),but I certainly expected more from Christmas on Mars.

i'm not talking about the movie... i'm talking about the other two commentors... i come here because i'm trying to get some sort of handle by which to navigate the corridors to the films that i might enjoy...stop me if this sounds familiar... and then i get to this place where people involved with the film aren't bright enough to at LEAST vary their blurb... their 'free advertising'/hype, as it were... am i the only one that thinks that the same references, referred to in slightly varied wordings, is more than a coincidence? or maybe these two had a latte after their film festival viewing and we're privy to their all too similar insights? what are the chances?can't we, the people who are tired of these cheeseballs, do some sort of aesthetic cleansing?