Just perfect...

everything you have heard about this movie is true.

Although it has its amusing moments, in eneral the plot does not convince.

It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

The Hangman is directed by Michael Curtiz and written by Dudley Nichols and Luke Short. It stars Robert Taylor, Tina Louise, Fess Parker and Jack Lord. Music is by Harry Sukman and cinematography by Loyal Griggs.Marshal Bovard (Taylor) arrives in town to identify and arrest the last of four outlaws who robbed a Wells Fargo stage. Unfortunately for Bovard, the man he seeks is very popular with everyone in town and nobody is keen to help the Marshal do his job.It is thought, and on reflection it seems likely, that The Hangman is a caustic jab at grassers/finks, with the Hollywood Blacklist never far from the film makers thoughts. Bovard is a grumpy and rough fellow, a jobs-worth who has almost zero faith in the human race. He's confident that the people of this border town wont take much persuading to give up an outlaw, more so as he has money to offer as well. How wrong he is, and the rest of the film follows Bovard as he bangs his head against brick walls, until the banging stops and a light-bulb lights up over his head, perhaps not all people are bad?In truth not a lot happens, there's no action of note, this is more about morality, redemption, human foibles et al. Yet the literary aspects of the story hold tight, keeping the viewers engaged till the end. It's a very nice looking and sounding picture as well, the absence of airy vistas is not a hindrance as Curtiz and Griggs utilise the interiors for some psychological results that deftly suit the narrative's pointed edges. While the sound mix and musical accompaniments achieve the best results possible to aid the tale. It's a strange one in that it's more a film in a Western setting than being overtly a Western, it's also a little subversive. It even throws something of an annoying curve ball at the finale, though the makers were probably chuckling away to themselves about this as well. Great and sexy turns from the lead actors sees the material safely onto a healthy grazing pasture, to make it a recommended picture to fans of the stars and of literary Oaters. 7/10

The Hangman finds Robert Taylor as a relentless U.S. Marshal who pursues criminals with the zeal of Lieutenant Gerard when he was hunting for Richard Kimble in The Fugitive. Barry Morse's words from that show could equally have served as Taylor's bywords, "I don't philosophize, I hunt."Who he's hunting is the last man of a four man gang accused of a holdup where a death occurred. Two guys are already dead and one is sentenced to hang. But nobody knows who number four is or what he looks like.Taylor in his quest goes to an army post where he finds recent widow Tina Louise and he's authorized by Wells Fargo to offer a reward of $500.00 if she'll come to a town where he's reputed to be and point him out. When he arrives in town, the object of his quest who turns out to be Jack Lord is about the most popular fellow there. Why he didn't run for mayor or even for Fess Parker's job as sheriff is beyond me. But Taylor gets no help from anybody.The title derives from the nickname Taylor has acquired for his dogged dedication to duty. The Hangman is a western with very little action surprisingly, but it has a good character study by the mature Robert Taylor. It's a well rounded portrait of a man who'd like to leave the job he's in, but has grown used to it and it's the only living he's known for years.The Hangman was the first film Robert Taylor did outside MGM since Magnificent Obsession in the Thirties. He has a record, definitely unlikely to be broken now of the longest running studio contract in film history. The Hangman is a good, not great western besides those already mentioned I did enjoy Mabel Albertson's performance as a dotty old biddy who's eying Robert Taylor like a slab of romantic beef. Well he was one of the biggest screen heartthrobs ever. Personally, I think Taylor should have concentrated on westerns in his later years the same way Joel McCrea and Randolph Scott did. He liked making them and though he's not primarily known as a western star, films like Devil's Doorway, Saddle the Wind, The Last Hunt and The Law and Jake Wade hold up very well today. The Hangman's not as good as these I've mentioned, but it still has a fine performance from Robert Taylor and the rest of the cast.

I like this movie for a number of reasons. The first being it is a Robert Taylor western, which you can always count on to be a good movie.Taylor plays MacKenzie Bovard a feared marshall nicknamed the Hangman because he catches the bad guys and then "the law hangs them". He is after the last of a hold up gang, and this he says is his last job. He has missed out on life and wants to move to California to start again. He persuades Selah Jennison (Tina Louise) to come to town to identify Johnny Butterfield (Jack Lord). She is miserable and alone and eventually goes to town for the money. Bovard is disappointed that she arrives because when she did not show up immediately, he felt he had finally found someone who could not be bought. He treats her badly, but still feels something there. She is much younger in years but is loyal to Butterfield. When she goes to Johnny to warn him, Bovard follows her and a friend of Johnny's ambushes him, shooting him. Selah goes back to her room and is confronted by an angry Bovard, wounded and unhappy that he could have ever thought she was something different. She tries to make him believe that she is concerned only for him, but he rejects her. The next morning she awakes to find Bovard in her bed, and handcuffed to him. He tracks down Johnny with Selah still handcuffed to him, a good comic twist to a serious story. In the end Bovard shoots above Johnny's head and lets him escape. The sheriff, Fess Parker is in love with Selah and has asked her to marry him, but she rejects the proposal and goes to California with Bovard to start a new life. Taylor is great as the cynical lawman, who in the end finds that a young woman knows more of loyalty and love than he could have ever imagined. Tina Louise is good as the girl, and has some good scenes with Taylor, quite touching one minute and argumentative the next. Good western, and the first independent film Taylor made outside the MGM studio system.

The struggle between duty and compassion is the subject of this 1959 Western. Robert Taylor plays marshal Kinzie Beauvard who is known as the Hangman for his ability to arrest murderers. "I don't hang them", he says. "The judge does that."The marshal enlists the help of a witness named Celia(played by Tina Louise) to arrest hold up suspect Johnny Bishop (played by Jack Lord). The marshal is embittered after 20 years of apprehending "rats". "Everyone has a price", he says. He begins to mellow as his reluctant witness makes him wait and later tries to confuse him. She knows the suspect but warns him that Beauvard is in town to arrest him. The suspect actually participated in the hold up, but he was an unwitting dupe. "I was a fool", he tells Celia. "I should have asked more questions" (before taking fresh horses to a rendezvous point for the real hold up men). As the movie progresses Beauvard becomes increasingly certain that Johnny Bishop is his man, but everyone in town rallies behind the suspect. He finally finds someone else who can identify Bishop as the man he wants. Big Murph (played by Gene Evans) agrees to finger him for a share of the reward but double crosses Beauvard and tries to help Bishop escape instead. "Why does everyone in town try to help him?", Beauvard asks the town marshal (played by Fess Parker). "Because Johnny has done so much for them", the town marshal replies. Ultimately, Beauvard gets his man but lets him escape at the end. "You see", the town marshal says, "Johnny did something for you, too". "No, Celia did it", Beauvard replies. He and Celia board the stagecoach for a new life in California.On a technical level this black and white film offers little. It is not your typical Western. Outdoor sequences are few and there is little of the beautiful scenery we have come to expect from this genre. There is little action, but the good script and performances more than make up for it. There is a good blend of humor and serious dialogue. There is more than the usual depth to Marshal Beauvard's character. Beauvard is cynical and tough. He wanted to become a lawyer, he says, "but there was always one more rat to catch". This movie is about conscience. The struggle between duty and humanity is well told.I have watched this minor Western many times and have enjoyed it each time.