For all the hype it got I was expecting a lot more!

Excellent characters with emotional depth. My wife, daughter and granddaughter all enjoyed it...and me, too! Very good movie! You won't be disappointed.

Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.

I didn’t really have many expectations going into the movie (good or bad), but I actually really enjoyed it. I really liked the characters and the banter between them.

~Spoiler~ I couldn't help getting a little bit excited for Trapped Ashes. It was an anthology horror film bringing the likes of Joe Dante (The Howling), Ken Russell (Altered States), and Sean S. Cunningham (Friday the 13th) together. But something told me not to get too excited because it would only lead to disappointment. Disappointment does not even cover the feeling. Trapped Ashes was a complete waste of time and talent. Really, is this the best they had to offer? Stories about vampire breasts, Asian sex demons, and a little girl that hordes food? The script is terrible and I can't understand what drew these once great directors to this project. Actually, the same can be said after watching Masters of Horror season 2 and Fear Itself. I know there are short stories out there begging to be filmed, but I think the horror anthology might be a hard sell in the future. I can't urge you enough not to see this film.

Wow. Where to begin? This anthology offers a whirlwind of styles, moods and horrific situations. I found some of it to be deeply unsettling: scenes & moments stayed with me for days (vampire breasts = more disturbing than you may think; rotting corpse lovers; nightmarish "womb with a view" recollections).The talent on display is simply amazing. Ken (TOMMY, LAIR OF THE WHITE WORM) Russell, Sean (FRIDAY THE 13TH) Cunningham, Monte (TWO LANE BLACKTOP) Hellman (name checked in an REM song too!), John (THE MATRIX Trology SFX supervisor) and lastly but not leastly, Joe (GREMLINS) Dante.I've seen a few message board comments trashing this movie, but let me tell you an opposing POV. This movie reflects the talents of the directors who took the time to make it. This is not SCREAM or THE RING (US) or THE EXORCISM OF EMILY ROSE. TRAPPED ASHES goes down it's own odd and disquieting pathway to hell. It has a decidedly literary flavor, although its shocks are as unpleasant & visceral as any classic horror film.There's some cool acting talent along for the ride; Henry Gibson plays a man with a venomous secret; John Saxon plays a man haunted by the specter of long lost lust; Tahmoh Penikett, who plays Helo on SciFi Channel's amazing BATTLESTAR GALACTICA series, plays Saxon's younger self, a man who lets a succubus destroy a friendship and a life; even director Ken Russell gets in a hilariously strange cameo role.Check your expectations at the door. TRAPPED ASHES is a horror movie unlike most you may have seen. It's an absolute MUST for hard core fans of the genre...

Remember all those British-produced anthology horror films that sometimes made it to US theaters back in the 70s, but were more often screened on Saturday late night or Sunday afternoon television? Stuff like THE VAULT OF HORROR or TORTURE GARDEN or FROM BEYOND THE GRAVE (or TALES FROM THE CRYPT or TALES THAT WITNESS MADNESS and on and on)? TRAPPED ASHES is a heartfelt and enthusiastic (and largely successful) attempt to revisit that kind of sometimes-serious, sometimes-funny, sometimes-trashy scare flick.Encompassing four short episodes and a wrap-around set in a deserted Hollywood studio tour's "haunted house," TRAPPED ASHES explores vampiric breast implants, horny spirits of suicidal Japanese monks, tapeworm twins, and the soul-sucking girlfriend of Stanley Kubrick. Some of the episodes are more successful than others, with the most confident probably being the "Stanley's Girlfriend" one, directed by the most decidedly NON-genre vet Monte Hellman. It's a really touching, elegiac little piece, full of imagination and a genuine love for the world of film. The other three stories - and the wraparound - are more traditionally horrific, but also very inspired in their mixture of sex, horror and a warped approach to the genre. The Ken Russell segment in particular, "The Girl with the Golden Breasts," had the audience in Toronto alternately laughing with glee or squirming in discomfort, leading to three audience casualties!TRAPPED ASHES will appeal most to horror fans who are looking for a sometimes familiar, but definitely unique and twisted type of anthology genre film. Full of breasts, blood, great special effects, appearances by older actors like Henry Gibson, John Saxon, and a cool, "blink and you'll miss him!" cameo by none other than Dick Miller, it's a wonderful horror-movie debut for screenwriter Dennis Bartok and a great turn by all the veteran directors (and new director/vet f/x guy John Gaeta).Highly recommended for a fun and old-fashioned-style scary time at the movies.

Anthology films rarely work for me. Most of them are as uneven as twenty miles of bad road. TRAPPED ASHES was yet another bumpy ride.Six people are trapped in a room and must relate terrible things that they've had happen to them to their host (Henry Gibson). What follows are four segments directed by auteurs not necessarily known for their horror chops (with the possible exception of Sean S. Cunningham). Each segment prominently features the ties between sex and death so prevalent in horror films. One features a woman with vampiric breasts whose lamprey mouthed nipples sucks the blood of her lovers. Another woman falls for a corpse who whisks her away to hell while on Japanese holiday. A succubus falls for Stanley Kubrick. And the last, poor woman shares the insatiable hunger of her fraternal twin, a tapeworm.The first segment sets up expectations that TRAPPED ASHES will be a much more lighthearted film. Surprisingly, this segment was directed by Ken Russell though it felt like something from Joe Dante or Paul Bartel (it was especially reminiscent of Irvin Kershner's "Hell Toupee" episode of "Amazing Stories"). The Sean S. Cunningham sequence felt like a pail gaijin aping of Hideo Nakata (THE RING) and John Gaeta's just didn't work at all. I enjoyed the Kubrick bit, courtesy of Monte Hellman - a perennial Cashiers du Cinemart fave - except that the horror element seemed like an afterthought.Surprised that this wasn't called TALES FROM THE CRYPT: TRAPPED ASHES, this is one that can be missed by all except die hard John Saxon fans.