Holocaust 2000

April. 19,1978      R
Rating:
5.5
Trailer Synopsis Cast

An executive in charge of a nuclear power plant in the Mid-East must stop his son-- who turns out to be the Anti Christ -- from blowing it up.

Kirk Douglas as  Robert Caine
Agostina Belli as  Sara Golan
Simon Ward as  Angel Caine
Anthony Quayle as  Professor Griffith
Adolfo Celi as  Dr. Kerouac
Romolo Valli as  Charrier
Ivo Garrani as  Prime Minister
Spiros Focás as  Harbin
Massimo Foschi as  Young Arab
Virginia McKenna as  Eva Caine

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Reviews

Alicia
1978/04/19

I love this movie so much

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Scanialara
1978/04/20

You won't be disappointed!

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Pluskylang
1978/04/21

Great Film overall

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Aubrey Hackett
1978/04/22

While it is a pity that the story wasn't told with more visual finesse, this is trivial compared to our real-world problems. It takes a good movie to put that into perspective.

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Bezenby
1978/04/23

I'd only just heard of this one when it popped up on the Horror Channel, but knowing it was an Italian Omen rip-off I just had to watch it. It's got Kirk Douglas in it, and knowing how well he faired in the brilliant Master Touch, I had to see how things worked out for him in an Italian horror. After a title sequence full of real footage of starving and sick children (thanks, Alberto De Martino!), we find Kirk playing a businessman working on a project to build some sort of thermonuclear reactor in some unknown North African country. Before he starts blowing things up to level the ground, he finds a cave with the word IESUS written on it, but then blows it up anyway. So starts a change of events that manages to be slightly scary, daft, and hilarious all at the same time. Some guy turns up at a dinner party and tries to kill Kirk, but his son Angel grapples with the fella and his wife, who was against the project, gets a knife in the guts instead. You know how in the Omen folks who twigged what was going on ended up getting killed? Well, the happens here too. Kirk ends up visiting the stabby guy at an asylum which leads to a punch up between the inmates and the staff (brilliant), and then learns that the new Prime Minister of the country his project is in is against the project. Don't worry about him though, for he's about to lose the top of his head to a helicopter. Kirk has his own revelation between the image of a six-headed hydra and the six domes of his reactor which goes on for so long we were howling with laughter. Add to that the IESUS turning up as SUSEI and becoming a mathematical formula that relates to the medical records of a character and the film zooms off into ridiculous country. By this time folks are practically running up to Kirk and shouting "Stop the project! Antichrist! Six heads etc" while Kirk meets a priest who tells him that his second child is the antichrist, but is that his unborn child or his son Angel, who had a twin that died in the womb? Kirk eventually twigs after we see him have a dream where he's running around in the scud while the 'six heads – six reactors' thing starts again, which leads to another punch up in the loony bin (and someone getting their head caved in). Will evil win or will Kirk triumph? The film's cop out non-ending is a bit of a downer, but if you've seen any of Alberto De Martino's other films (like Blancheville Monster or Crime Boss) you'll know that Alberto is never in a hurry to get to the good stuff. This film was a good laugh, and beautiful to look at, but it was more funny than scary. You also get to see Kirk's arse, if that's your thing. Also - great Ennio Morricone soundtrack.

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bkoganbing
1978/04/24

Holocaust 2000 is not Kirk Douglas's way of cashing in on the market created for apocalypse films like The Omen. Watching it today it's more like one of those Christian end time films like The Omega Code. Still the film will both have biblical scholars gasping and Kirk's many fans shaking their heads.Kirk's the CEO of a multi-national concern that is building a mega nuclear type plant in Israel close to the projected site of Armegeddon. In fact while exploring some nearby caves, Kirk finds some ancient drawings depicting a beast described in Revelations that looks like the projected power plant.It's off to the ancient texts and it turns out that Mr. Scratch may have been diddling with Kirk's wife Virginia McKenna and their son Simon Ward may not be what he seems.One part that was of interest to me is that Kirk Douglas has an affair with beautiful young photojournalist Agostina Belli and she gets pregnant. When he thinks that that child is the devil's spawn, he's quite ready, willing and eager for an abortion. To those who hold right to life beliefs, that would have been quite the conundrum.Holocaust 2000 was 30 years ahead of its time, that's not necessarily a good thing, just that these kind of films were coming into vogue via the Christian film industry. This one's not as good as some of them. Still Kirk and the cast play it the best they can. Capable players like Anthony Quayle and Alexander Knox look like they'd rather be anywhere else.

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The_Void
1978/04/25

Italian filmmakers in the seventies weren't exactly slow when it came to ripping off successful films, and indeed it didn't take long for Alberto De Martino to deliver this obvious Omen rip-off just one year after the release of Richard Donner's successful film in 1976. The title suggests that the film will put something of a modern spin on the story, and indeed it has as in this tale of the Antichrist living among us humans, there is a nuclear power station at the centre. Kirk Douglas plays Robert Caine, an executive in charge of a Middle Eastern nuclear power plant. One of his main backers is his son, Angelo, but Angelo's reasons for wanting the power plant built are far more sinister than anything Robert would have expected. After a series of events, it becomes apparent to Robert that his son doesn't want the plant built to benefit mankind. In fact, he is the son of the Devil and his reasons for wanting the nuclear power plant completed is so he can carry out the Devil's work and use the plant to destroy all of mankind! It has to be said that this really isn't a good film. It rips off The Omen so much it's almost painful, and the rest of the movie is a complete mess. However, I can't completely condemn this movie as aside from the numerous plot issues, it's a lot of fun to watch and there always plenty of stuff going on. The Omen became infamous for its gory and inventive death scenes, and while the ones here may not be all that inventive - they're plenty gory and serve in adding to the fun. The only big actor in the film is Kirk Douglas. This can hardly be considered the classic actor's best work (not that I'm a big fan of most of his stuff), but somehow he manages to stay fairly credible despite the fact that the dialogue in this film is choppy at best, and it cant be easy to act well when you're working with actors that are less than brilliant. There's not a lot in this movie that will make you think, but that's not necessarily a bad thing. It all boils down to the sort of conclusion you can expect, but it's good fun getting there and overall I'd give this Omen rip off a thumbs up.

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Jonathon Dabell
1978/04/26

Holocaust 2000 represents two things. It is the director's attempt to cash in on the huge success of The Omen. It is also Kirk Douglas's attempt to get a wider, younger audience back on his side by flirting with the horror genre.The film is a mess, with Douglas playing the unsuspecting father whose business plans for a thermonuclear plant in the Middle East are enormously unpopular. His son, Simon Ward (a real Michael Caine lookalike in this film), is his closest ally when it comes to trying to build the plant, but what Douglas hasn't figured out is that his son is the embodiment of the AntiChrist, and that he only wants it built so that he can destroy mankind. Various people get killed (especially anyone who stands in the way of the plot) before Douglas figures it all out, but by then everyone thinks he is mad and he can't stop the completion of the plant. However, he does manage to escape and thus lives to fight another day.The film never pushes the audience out of their comfort zone. It poses no thought provoking questions, no ominous atmosphere, and no originality. The performances are surprisingly good considering that the material is so poor. A couple of the killings are well filmed, especially the colonel who is beheaded by a helicopter rotor blade, but some of them are a bit unconvincing. The film's one sex scene is quite erotic (surprisingly so considering the age gap between Douglas and his co-star Agostina Belli) but that hardly makes it worth watching. All in all, this is a missed opportunity.

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