Dangerous Beauty

February. 20,1998      R
Rating:
7.1
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Trailer Synopsis Cast

Veronica is brilliant, gifted and beautiful, but the handsome aristocrat she loves, Marco Venier, cannot marry her because she is penniless and of questionable family. So Veronica's mother, Paola, teaches her to become a courtesan, one of the exotic companions favored by the richest and most powerful Venetian men. Veronica courageously uses her charms to change destiny -- and to give herself a chance at true love.

Catherine McCormack as  Veronica Franco
Rufus Sewell as  Marco Venier
Oliver Platt as  Maffio Venier
Fred Ward as  Domenico Venier
Naomi Watts as  Giulia De Lezze
Jacqueline Bisset as  Paola Franco
Moira Kelly as  Beatrice Venier
Jeroen Krabbé as  Pietro Venier
Joanna Cassidy as  Laura Venier
Melina Kanakaredes as  Livia

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Reviews

Platicsco
1998/02/20

Good story, Not enough for a whole film

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StyleSk8r
1998/02/21

At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

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Kaydan Christian
1998/02/22

A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

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Staci Frederick
1998/02/23

Blistering performances.

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begob
1998/02/24

A star crossed lover in Reformation Venice has no choice but to become a courtesan, but when the moralists fix her in their sights who will come to her defence? A helluva story struggling to burst out of this production. We're consciously in Shakespeare territory, with some witty exchanges between the lovers and their peers, delivered in metrical dialogue. The lovers' dilemma is presented with aching charm, and the sets and costumes give lavish support to a story that is well performed. But it doesn't work.While the cinematography is skillful, the tone is too bright and flat, leaving the feel of a TV production. The erotic scenes are tastefully dull, and the music swells through every moment with lush romanticism, punctuated by impish montages. As the story proceeds the number of scenes with the script direction ALL LAUGH increases, and the motivations of the characters fall flat. The final showdown is childishly embarrassing. No idea where they went wrong, although I suspect the director/producer is to blame.Overall: Oil is to water as fairy tale is to tragedy.

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Armand
1998/02/25

the grace is its basic virtue. the inspired manner to translate the spirit of a period in inspired form and to define the dispute between two institutions, symbols of different science to understand life.it is a drama who use, with great talent, the humor and the light of costumes, acting, sensuality and literature. but the splendid ingredient remains Venice. because it is a story of a city and its force, seduction art, dark side. the second interesting thing is the performance of Catherine McCormack who does a rare role for the admirable talent to explore each of its possibility. portrait of a society, it is not exactly historical. maybe for the precious balance between an easy story and a touching drama. for the courage to not be part of only genre. and, sure, for the end.

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TheAnimalMother
1998/02/26

I'm somewhat surprised to see this film rated so highly after watching it. I shall warn you that the film is neither as sexy as it may seem, nor is it nearly as well told as some may lead you to believe. The story here is definitely an interesting one, and even a fairly important one; However the execution leaves a lot to be desired.The film claims to be a true story, which much of it likely is, but it is not told in an authentic way whatsoever, and that is my biggest dislike of the film. Few of the scenes seem like they are something that would have gone down quite the way the film tells us they did. It's just too far from reality. I'm not totally against films being unreal, or fantastical; But to me it just doesn't work well when you claim that you are telling a true story, but then most of the film is filled with scenes that don't really feel like they are portraying real characters and situations. This film feels more like a cartoon version of Venice circa the late 1500's, early 1600's. Nothing really fits quite right in this film despite the good story, and even at times despite some good dialogue. There are better versions of Fanny Hill out there that are comparable to this, and certainly more believable.I'm sure this is one of those rare case of where a film about a prostitute is actually more appealing to women, then to men. Like another well known film of this sort, Pretty Woman, the film mixes prostitution with romance, which to me is not a problem at all if it's pulled off well. Unfortunately it just isn't pulled off that well in this case. Pretty Woman is easily a better film in my view, at least it has some good laughs and some fun and engaging characters, which this film for the most part does not.My rating 4.5/10

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bela_bombastic
1998/02/27

Before watching the movie, I decided to watch it based on the title and the subject matter. I thought that this movie would have something to do with sex and lust and perhaps even depravity. I was completely annoyed that this turned out to be a cheesy romantic comedy along the lines of any Meg Ryan or Julia Roberts movie, but perhaps even more annoying because it is so deceptive.I was hoping for a movie like Quills--a look into the lives of historic figures who were indulging in things that were looked down upon in those strict times. I thought it was boring and bland and ridiculous. The poetry duels were perhaps the lamest parts, because the poetry they came up with was stupid. The courtesan's relationship with Oliver Platt's character was absolutely ridiculous; why does he dislike her and what the hell is the point in showing this anyway? Oh, and the music! I don't think there was one moment where there was no cheesy music playing to compliment the cheesy dialogue and plot. I really feel cheated and I want the time back that was wasted.

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