Set in 1960s Sydney, this is the story of an Australian gangster whose booming business, buoyed by the influx of U.S. soldiers in town for R&R during their tours in Vietnam, attracts the attention of first the Chicago mafia, and then their East Coast competitors.
Similar titles
Reviews
Such a frustrating disappointment
Save your money for something good and enjoyable
It's an amazing and heartbreaking story.
Through painfully honest and emotional moments, the movie becomes irresistibly relatable
This film was not a block buster by any means. However, it is a very clever film and the acting really pulls it together. Bryan Brown is respectable as the leading role and he is helped out greatly by his supporting cast, mainly John Goodman. Goodman's trademark has almost always been the soft big guy type, and he proves in this film that he has playing those type of characters down to a science. Sam Neill plays the crooked cop, a part that seemed to fit him, but his character is dry and does not receive much screen time. The film starts slow, but after it gets going, enough of a storyline comes forth to keep most interested. The climax and is not what I hoped for but the conclusion of the film will leave most feeling satisfied and it does a good job putting everything together.
Truly, when will we Australians ever stop wanting to sell this "ocker" cliche thing to the world? I think the world 'gets it already' right? It's like the writer got himself a copy of an "Aussie slang cliche" guide and applied EVERY slang cliche in the book in almost alphabetical order! I mean what's that all about? Even words that haven't been used since the 40's. I am 46 years old and I have lived the sixties and seventies in Australia. People JUST DIDN'T TALK LIKE THAT! Sure we would use the occasional slang phrase or two, but nothing like the amount coming out of Bryan Brown's mouth.Then the acting...Bryan Brown's character truly couldn't scare a chicken. He was trying to play the 'tough guy' instead he looked and acted more like an fast-talking and obnoxious ol'drunk! His scene in the gym was sad. He couldn't punch his way through a wet paper bag. His expression was'nt tough and menacing, rather one of frustration nad bitterness..The opening 'Vietnam scene was hilarious! Vietnam? more like Dubbo! Its squeeky clean cinematography made it look like a cheap ad for Pizza Hut. In fact most of the movie was shot like a television commercial with all it's cliche characteristics. The car chase was so badly shot. I'm sorry but cars racing at 15-20 kmph don't exactly put me at the edge of my seat. I've seen better car action on bumper car rinks.Sam Neil at his worst can't be good for his career. Tough corrupt cop? Right.John Goodman and offsider just as bad. Cardboard characters with zero dimension.Newcomer Sam Worthington needs a few years in acting school he DOES have an excuse.Toni Colette was ridiculous as Brown's wife. I must admit that did surprise me as I have always been impressed with her.The opening scene featuring Brown and crew with sledgehammers should have been alot more intense. They looked like a bunch of feeble old women as they smashed their way around the club. Half of them couldn't pick up the damn hammers. No impact whatsoever. Overall besides being one of the silliest movies in Aussie Film history, this film lacked substance, story, dimension and direction.A most embarrasing and weak attempt at an Autralian 'Gangster movie'.
This film is so violent. In the opening sequence the amount of violence is too extreme with so little integrity. David Caesar seems to like films where everyone is threatened and seems to think its fine to use meaningless violence as entertainment. It also portrays Australians as complete idiots.
This may need subtitles for those unaccustomed to the strong Aussie accent and slang. Dirty Deeds is a fabulous representation of inner city Sydney, and many other Australian cities, of this time. This is an excellent representation of Australian Gangsters/Mobsters of the era, the level of corruption and prevalence. The feeling about the Yanks by Aussies is still in play today. The casting was superb with John Goodman a fabulous treat, an exceptional actor as always. It was raw with the richness of camera technique with some shots oozing smell and sound. This is a truly unique piece of Australian Film. To be enjoyed over and over again, it will be timeless.