Although young and beautiful, schoolteacher Anne Gladden fears a dull future. She finally decides to take a walk on the wild side, splurging on some fashionable new clothes and setting off to find adventure. Her new confidence inspires her to flirt with complete strangers. When a gangster pays unwanted attention to her, she ditches him and flees in his car, unaware that there's a corpse in the trunk. Determined to recover his stolen vehicle and its incriminating cargo the thug begins a desperate search. The oblivious Anne, comes to the aid of a handsome young man stranded alongside the road. Romance blooms, but after the shocking discovery of a body in the trunk, the duo decide they have to return the car. The bickering lovebirds head back to the city, trailed by both the angry gangster and the cops, who suspect the young couple of murder.
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Very very predictable, including the post credit scene !!!
To me, this movie is perfection.
Strong and Moving!
The tone of this movie is interesting -- the stakes are both dramatic and high, but it's balanced with a lot of fun, tongue and cheek dialogue.
Middling B comedy about a schoolteacher (Heather Angel) who undergoes a makeover which leads to wacky adventures involving gangsters, a corpse in a stolen car, and a man (John 'Dusty' King) she picks up off the side of the road. Never as funny as it desperately wants to be. In fact, it has some boring stretches. Angel and King bring little to the table, leaving the supporting players like Tom Dugan, William B. Davidson, and Constance Collier to pick up the slack. They do an admirable job of that, which helps make this at least watchable. Not a great film by any stretch but worth a look if you're in the mood for a quickie comedy with a few (but only a few) laughs.
Half a Sinner is an engaging little programmer. Less than one hour long. But never a dull moment. The tale of a bored young teacher played by Heather Angel who one day decides to break out of her boredom and go on an adventure and see some life before it's too late. On the way she gets inadvertently involved with a bunch of crooks and a dead body in a car. She also meets the man of her dreams. The story is a bit fantastic. But very entertaining and everybody plays there part well.Heather Angel, playing the heroine of the show is a delight. She belonged to an age when Hollywood was literally swarming in talent. Many of them didn't get as far as they might have done due to how competitive the whole thing was. And probably Heather Angel deserved a better career than she actually had. This film is worth seeing for its entertainment value and I can definitely recommend it.
This movie has a number of things going for it, not the least of which is the fact that while it is not stingy on production values, it runs less than an hour. It's also one of a mere half-dozen features directed by super-prolific comedy shorts director, Al Christie. The ingratiating star, Heather Angel, acquits herself well, and there's no doubting the sincerity of a large support cast including John "Dusty" King, Constance Collier, Clem Bevans and Walter Catlett. Based on a reasonably amusing story by Dalton Trumbo, the screenplay certainly strains credulity, but it has enough amusing twists to keep us on our toes, and it never runs out of puff. Admittedly, Heather Angel makes an ideal distraction, but the other players prop up the screenplay admirably too. And for all its lack of pretentiousness, the thin story also breezes along at a praiseworthy pace, despite a plot housed with plentiful people, plus a playfully pleasant precociousness that makes DVD viewing a fervent pleasure.
Comedy noir would seem to be a contradiction in terms, but there are in fact movies in this vein that deserve serious attention, particularly The Ladykillers (1951). A much lesser entry, however, is Universal's 1940 release, Half a Sinner, in which a none-too-flatteringly photographed and costumed Heather Angel is pursued not only by comic cops and comic crooks but by smiling bland man, John King. The second last of over 400 films (many of them shorts) directed by comedy giant, Al Christie, this Trouble with Harry/Midnight Manhunt effort is somewhat repetitious but pleasant enough to talk during and even come late for. The players do what they can with their something-borrowed (cf. the overcoat device in Manhattan Melodrama), something-thin material, but only Clem Bevans, Tom Dugan, William B. Davidson and ever-reliable Constance Collier really shine.