Wealthy American, Jervis Pendleton has a chance encounter at a French orphanage with a cheerful 18-year-old resident, and anonymously pays for her education at a New England college. She writes letters to her mysterious benefactor regularly, but he never writes back. Several years later, he visits her at school, while still concealing his identity, and—despite their large age difference—they soon fall in love.
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Reviews
Waste of time
Through painfully honest and emotional moments, the movie becomes irresistibly relatable
The acting is good, and the firecracker script has some excellent ideas.
The best films of this genre always show a path and provide a takeaway for being a better person.
I remember seeing "Daddy Long Legs" way more years ago that I want to admit. I remember liking it very much. I sort of wish that I had kept it as a fond memory.It's not that I hated the film. I was disappointed in it. The 56 year old Astaire and the 24 year old Leslie Caron, though dancing well together, were just a tad creepy. These forced April-December romances ... kind of ugh ! A BIG plot hole for me that I could not get around was that Daddy insisted that Julie write him a weekly letter and then for three years never read a single one of them ? What the heck was that ? The supporting cast of Fred Clark, Thelma Ritter and Larry Keaton carried the show for me. All interesting characters.I never fast forward a Fred Astaire film until now. The dance sequences were too long and not engaging... for me. Judging from other reviews, I am in the minority here.It might be worth a re-watch but maybe better to keep the memories unless you know you absolutely loved it.BTW, Thanks to the IMDb pages I now know that the story was originally a novel and that it was filmed previously in 1919 (Mary Pickford), 1931 (Janet Gaynor) and (1935) Shirley Temple's "Curly Top". One of Astaire's songs ( the Texas one) was actually sung by Tony The Tiger ! Thanks for the info IMDb. The trivia section rules once more.
Fred Astaire proved he still had what it takes to command the screen in a musical with 1955's Daddy Long Legs.Astaire plays Jervis Pendleton III, a millionaire vacationing in France who meets an 18-year old girl in an orphanage (Leslie Caron) who longs to go to college in America. Enchanted with the girl, Pendleton decides to finance the girl's college education without her knowledge. The girl only knows Pendleton as Daddy Long Legs and unbeknownst to Pendleton, his assistant (Fred Clark) has been corresponding with the girl by letter under the guise of Pendleton and Pendleton panics when the girl insists upon a face to face meeting.The basic idea of this musical is very good. The idea of helping a young girl get an education and keeping it a secret and it is so nice seeing Caron's Julie adjusting to and loving college life, but the film takes a weird turn when Pendleton and Julie finally do meet and he is immediately attracted to her. Astaire and Caron do dance well together, but Astaire is WAY too old to play a romantic interest to Caron and it gave the whole on screen relationship a very incestuous feel that made me squirm.Fred Clark and Thelma Ritter do provide some laughs and as I said before, there is some great dancing, including a dream ballet, but Astaire and Caron as a romantic couple just didn't work for me and cast a pall over the entire film.
For a book so popular it spanned (at least) four movie adaptations over the last century and countless plays, musicals and anime series - it's a shame that the most famous adaption was SO adapted it barely resembled the original. Where the original book is witty and funny and sweet - because the leading lady is AMAZING - this version is just sweet and icky based on a may-December (or should I say, may-next-December) romance. Yes, the original book is slightly romantic, but only at the end. And the book focuses on so many societal and political issues such as the suffrage movement and equality and the class rank, that it's modern for it's time and remarkably intelligent. This 1955 adaptation - true to the anti-feminist 50s ideals - completely ignored all that and made Judy (er.. Julie) into this sexy French maiden with a geriatric playboy beau. Gross. And they accused the book of being dodgy?If you don't compare it to the book and look at it on it's own, it has it's merits. But as a huge fan of the book, I can't help but feel that this is an insult to the author Jean Webster herself. I love Fred Astaire, but I don't like the film makers' clichéd and backward views on a classic female story. Imagine if they adapted Anne of Green Gables or Pride and Prejudice* into something like this? There'd be an outrage! Well, I'm part of the outrage for Daddy Long Legs. READ THE BOOK Y'ALL Judy is Lizzie Bennet meets Anne Shirley meets Sybil Crawley. And she's actually funny.*Bride and Prejudice... no comment.
One of the better late Fred Astaire musicals, since his advancing years are made part of the plot, and his non-conformist role suits his aloof and chilly persona. He probably was never more charming than the Prom scene in this film -- first ruefully contemplating his own irrelevance among the college-age studs, and then out-dancing them all in the "Sluefoot" number. Too bad his partner is the chunky and gauche Leslie Caron, who ruins the big romantic dance by waddling through it in a bouffant skirt. (In the 1935 farce "In Person," Ginger Rogers wore a disguise consisting of buck teeth, glasses and a horsehair wig, and managed to look just like Caron.) Thanks to DVD you can fast-forward through the gawdawful dream ballet -- every other musical after "Oklahoma" had to have one, it seems, and this is one of the worst.