Too much of everything

So much average

This story has more twists and turns than a second-rate soap opera.

This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

"Sommer '04" or "Sommer '04 an der Schlei" is a German 90-minute movie from 2006, so this one had its 10th anniversary last year. The director is Stefan Krohmer and the screenplay is by Daniel Nocke and both are prolific small screen filmmakers, so here we have the rare occasion of seeing a big screen film by these two that have worked together on quite a few occasions. The main reason for this film being somewhat known is probably lead actress Martina Gedeck and this movie here is actually from the very same year when she starred in her most known work "Das Leben der Anderen", so great year for her, even if this summer movie did not really contribute too much to that. It is all about the relationships in here. People falling in and out of love and there is also a bit of a Lolita aspect to the film. The latter is also the crucial aspect here in how well you will like this movie. I personally wasn't impressed by Svea Lohde unfortunately. She occasionally acts in a solid manner from the physical performance, but other than that I think she wasn't memorable at all and a better casting decision could have helped the film a lot. Seeliger is also relatively forgettable I think and Davor's character does not get half the screen time and elaboration he deserved. And not just the one he deserved, but also the one Gedeck's character deserved as she is so close to him. As for the crucial scene in the last third of the movie on the boat, well.. it's personal taste how much you like it and how much it makes sense to you. For me, it was all a bit for the sake of it to be honest. And eventually, after Seeliger's character basically ditched Gedeck's already, then we see at the end that they are a couple a long time after and apparently also happy? Oh well this does not fit at all in terms of what we saw earlier. I think Gedeck is a pretty solid actress, but this film here just has too many weaknesses overall for her to make up for it and besides, she is not that memorable either and has given several superior performances in her career. This 1.5-hour movie is not a failure by any means, but you see from start to finish how it reeks of unfulfilled ambition, but it comes so short with every impact it is trying to make. I give it a thumbs-down. Not recommended.

This is one of the streaming movies available on Netflix. It is under the general category of "coming of age" but it isn't that at all. German with English subtitles.A family is spending the summer in a sparse cottage near a large lake, and their usual daytime pastime is to go sailing. There is a mother, a father and a 15 year old son. In addition the 12 year old girlfriend of the boy is staying with them, while her parents are somewhere vacationing in Mexico. It seems strange that there is no contact with the absent parents, and there is no way to contact them.Quite by coincidence the group meets a man, who also sails, and who lives alone nearby. The man brings home the 12 year old girl, and soon the family caring for her begins to distrust the man's motives. What is a 40-something man doing spending time alone with a 12 year girl? Later in the movie it gets more complicated when the man declares he is in love with the young girl. Martina Gedeck, 40-something, is the mother, Miriam Franz. Peter Davor is her husband, André. Lucas Kotaranin is their teen son, Nils. Svea Lohde, who really was 12 or 13 during filming, is the girl, Livia.The man who takes a liking to Livia is Robert Seeliger as Bill, who by his own admission had many, many women while he was in the USA, but now only had honorable intentions towards Livia. This movie has some interesting elements, but overall not a particularly good or satisfying movie.SPOILERS: During one of the sailing days, Miriam insists that she and Livia would sail together, while the others sailed in another boat. She wanted to talk to her, ask her to stay away from Bill, right after Bill had told Miriam his feelings for Livia. This happened while Miriam and Bill also were having an affair, meeting at his place some afternoons. But while sailing Livia accidentally hit her head on the side of the boat when they were switching sail directions, and a few minutes later she had to lie down, and went to sleep. A coma actually, because soon we were seeing them plan a funeral. A year or two later Miriam and Bill had gotten together and met Livia's parents who brought a letter Livia had written that summer, she had recognized Miriam and Bill would be a better couple, and it was her intent to try to bring them together.

A thing that I have recently noticed more and more is how well the acting in the newer German cinema is. In "Sommer '04" by director Stefan Krohmer and writer Daniel Nocke it is definitely Martina Gedeck who stands out. Her character Miriam is very self-confident, but still natural and believable. Her decisions often seem volatile, which not only applies for her, but also for the other female main character Livia (played by young talent Svea Lohde). Livia is the center of the story that unveils and when she eventually dies (very surprisingly), I definitely was stunned by the triviality that it happened with. The only thing not believable was the ending. Maybe screenwriter Daniel Nocke felt the need to add a big final twist to his otherwise very good script, but it did more harm than it did good. But this is outweighed by the strong sides of this film. All characters are very realistic, and although I didn't really sympathize with anyone of them, it seemed to me as if I knew every one of them.

The time of adolescence is always a troubling one for parents, and the worry may be just as great for those in loco parentis and dealing with exceptionally intelligent but precocious young teenagers.Miriam and Andre are a well-educated middle class family on holiday at the Baltic coast with their 15 year old son, Niels, and his 12 year old girlfriend, Livia. All four of them are good at handling boats, which plays a big part in the story. Although both children are coping with their hormones and attitudes towards sex to varying degrees, Miriam feels especially protective towards Livia, whose openness can easily be mistaken for flirtatiousness. Livia strikes up a friendship with an older man, Bill, after going sailing with him. He seems responsible and respectable, but Miriam is concerned when Livia announces she is staying over at his house. Her initial doubts seem unfounded, but then she finds herself in an unexpected triangle, competing with the young girl for Bill's affections.From gentle, idyllic beginnings, Summer '04 builds into edge-of-the-seat tension as we are concerned first for Livia, then watching in fascination as Miriam is drawn into an impossible scenario. Bill's attempts to maintain his distance are balanced like a knife edge, and a seemingly minor accident at sea throws everything into confusion. To top it off, a surprisingly beautiful and very touching ending humbles us with the unexpected depth of insight of one of the characters.Summer '04 hits the mark with actors that perform as if there is no camera there, lush countryside that makes you want to put your feet up, gripping action as the two women struggle to handle the boat, and a refreshing absence of background music. Simmering sexual tensions rounded off with heartbreaking tenderness make it a tour de force for all lovers of European cinema.The sudden switches between breakneck action and slow, languorous camera-work could be off-putting to mainstream audiences, but there is plenty of thought provoking stuff in Summer '04 for those who can be bothered.