People are voting emotionally.

Fresh and Exciting

It was OK. I don't see why everyone loves it so much. It wasn't very smart or deep or well-directed.

One of the worst ways to make a cult movie is to set out to make a cult movie.

While not as great as City of God, City of Men is a good movie in its own right which's rare because usually sequels are terrible in some way or form. It's more of a spiritual sequel as none of the characters from the previous movie appear. Certain scenes lag on while others move the action and story. The acting's great, the story's gripping and the music captures the mood and feel of Brazil. I'd suggest you see for yourself.

I've been mesmerized by the TV Show City of God and it was clear that i must see the movie that would end it. Well, i haven't been disappointed.Within the surroundings we've seen in the TV show, there is a lot of going on. Laranjinha, Acerola and their friends are growing up. Madrugadão has everything under control, or so he thinks as the appetite of some of his gang members grows.A lot of unexpected things will occur, but favela will witness silently as they all come and go. In a way this is a logical ending of the TV show. Some characters strive to exit favela and some succeed while others merely exit their lives.

I loved City of God it was a classic and when i first heard this was coming out i was overjoyed. but when i finally saw it i felt it needed more spice to it if you know what i mean. the gang violence was too quick for me i wanted to see more violence i guess you can say and the end with the 2 friends just walking away and leaving town. i guess i wanted a bit more of a dramatic ending than that but all in all a good film. I enjoyed the characters, and the cinematography was awesome. the storyline is very well done as well i guess if there was just a bit more violence or at least just to prolong their quick violent scenes i would have enjoyed it a hell of a lot more. all in all a 7.9 out of 10 if you enjoyed city of god or if you like gang films and you don't mind subtitles this is the movie for you.

This sepia-sunbleached feature derives from, and features the same main characters as, the eponymous 2002-2005 Brazilian TV series about (mostly) boys in the "favela" hill ghettos above Rio for which Morelli did some of the writing and directing. The series, starring Darlan Cunha as Laranjinha (Wallace) and Douglas Silva as Acerola (Ace) --growing up from year to year and episode to episode--sort of grew out of the Fernando Meirelles/Kátia Lund film, 'City of God,' which in turn was based on Paulo Lins' tumultuous and partly autobiographical novel about three decades in the slums and the involvement of youth as dealers, assassins, and victims. Actually the Ace/Wallace characters as young teenagers, always played by Silva and Cunha, predate 'City of God' by two years; they appeared in a short film called 'Palace II' in 2000. The history of these films and stories is as intricate as the world they depict. Douglas Silva was the prepubescent tough in 'City of God' known by he moniker Dadinho--Lil' Dice.'City of Men' is warmer and more intimate than the original film. 'City of God' has been both admired for its virtuosity--it's full of tours de force of visual violence and equally brilliant feats of rapid storytelling--and condemned as reveling too much in blood and gore, making teenage killers who terrorize neighborhoods into little glamor boys. That's quite true. It's unfortunately also true that in the ghettos of Rio as of other places such as the USA, young gun-toting drug dealers are the sexy local pop stars. Maybe the earlier film fails to take a sufficiently clear moral stand, or too much reflects the viewpoints of the young favela males it depicts. Nonetheless it's exhilarating film-making. Paradoxically, it also has a more positive arc than 'City of Men,' because its hero works his way out of the slums and into mainstream Rio de Janeiro to become a photojournalist. In 'City of Men,' nothing like that happens. Instead, there is a difficult reconciliation between the two boys, on the brink of eighteen, despite a stunning revelation about their lost fathers, and one of the fathers comes back into the picture and, reluctantly at first, chooses to be a warm presence in the life of his son. Both of the boys endure moments of terrible loneliness and isolation, which reveal how isolating the world of shifting and dangerous loyalties and hills fought for and lost is for a boy who in the first place lacks parents. But the focus is on the reconciliations.In the TV series, the boys are in school. They face difficulties even showing up, and only one of them, Ace (Silva) really hits the books (he's also fascinated by guns of all kinds). Laranjinha is closer to turning into a young hood.Thugh the new movie 'City of Men' is less specific than the TV series (judging by the DVD collections of episodes that I've seen) and suffers a bit by comparison with either it or 'City of God,' the vibrancy of the life on offer in all these films is still unmistakable, as well as the attractiveness of the young actors, the warmth of the world evoked--and vernacular swiftness that of the filming and editing, which somehow is both relaxing and unnerving.Wallace/Laranjinha is trying to find out who his real father is; he doesn't want "unknown" to be on the place for "father" on his papers. Acerola knows his father is dead, and he wants to know what happened. He's faced with the local problem from the other side. His wife Cris (Camila Monteiro) keeps leaving their toddler son Clayton (Vinicius Oliveira) with him to take care of. He doesn't want to accept the responsibility. But if he reneges on it, he'll leave Clayton in the same place he and Wallace are in. Ace abandons Clayton on the beach early on when Madrugadão (Midnight, Jonathan Haagensen), the gang leader of the hill where they live, risks assassination to descend on a super-hot day for a swim in the ocean. He also turns some flashy cartwheels and shows off his spectacular pecs. Madrugadão, like Wallace (i.e. Darlan Cunha), is handsome and charismatic. Ace is so childish he forgets his own son; but he rushes back and finds him. And when Cris gets a job in the wealthier city of São Paulo, Ace, with great difficulty, forces himself to take on the responsibility of raising Clayton.Wallace (perhaps a bit too easily) finds his father, a bearded man named Heraldo (Rodrigo dos Santos), who has just gotten out of prison after serving fifteen years of a twenty-year sentence--for murder. Heraldo's beard cannot conceal the fact that he is not very mature. He hasn't shouldered the responsibilities of being a man. But he also carries the weight of suffering and gratitude.When rival gang leader Fasto (Eduardo "BR" Piranha) takes over Midnight's territory on Dead End Hill, a new gang war breaks out right in the middle of Ace and Wallace's journey of self-discovery.'City of Men' is a more tender, individual and grownup story than 'City of God'; from what I've seen of the TV series it grows out of, it's less specific and less witty. It works as a kind of antidote to the amorality one feels in 'City of God,' and its warmth is touching. Nor is it visually ineffective, or its sense of the milieu less rich--except. Except that it quite lacks the momentum and adrenaline-rush brilliance of 'City of God's' virtuoso film-making and editing, or the rich range of minor characters the latter has. It is a little bit meandering, and its fast jump-cut slides from scene to scene sometimes seem out of place. As the AV Club reviewer says, much has been gained in this new film, but much has been lost as well. Still 'City of Men' is well worth watching.