Moon 44

February. 15,1990      R
Rating:
5
Trailer Synopsis Cast

Year 2038: The mineral resources of the earth are drained, in space there are fights for the last deposits on other planets and satellites. This is the situation when one of the bigger mining corporations has lost all but one mineral moons and many of their fully automatic mining robots are disappearing on their flight home. Since nobody else wants the job, they send prisoners to defend the mining station. Among them undercover agent Stone, who shall clear the whereabouts of the expensive robots. In an atmosphere of corruption, fear and hatred he gets between the fronts of rivaling groups.

Michael Paré as  Felix Stone
Lisa Eichhorn as  Terry Morgan
Dean Devlin as  Tyler
Brian Thompson as  Jake O'Neal
Malcolm McDowell as  Major Lee
Leon Rippy as  Master Sergeant Sykes
Jochen Nickel as  Scooter Bailey
Mehmet Yilmaz as  Marc
David Williamson as  Lt. Gallagher
Michael Antoniou as  Taxi-Crane Pilot

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Reviews

Matrixston
1990/02/15

Wow! Such a good movie.

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Cebalord
1990/02/16

Very best movie i ever watch

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InformationRap
1990/02/17

This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.

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Taha Avalos
1990/02/18

The best films of this genre always show a path and provide a takeaway for being a better person.

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charlieoso
1990/02/19

By 2038 companies have taken over the universe and wars rage over mining areas in outer space. Michael Pare stars as Internal Affairs agent Felix Stone who is sent undercover as a prisoner to Moon 44 to investigate missing shuttles. This movie does try to steal a page or two from Ridley Scott in both Blade Runner and Alien for its look, but with a capable cast and feeling engaged in the story makes this one worth my time. Also starring Stephen Geoffreys as the drug-selling, drug-induced Cookie and Malcolm McDowell as Major Lee who is running Moon 44.

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Frank Markland
1990/02/20

Michael Pare stars as a soldier who infiltrates a group of prisoners used as pilots to find out who has been stealing shuttles and soon uncovers that the people in charge there are looking to destroy the base. Michael Pare to me has always been hit or miss so while I quite enjoyed the amusing antics of such stupid (yet fun) movies like Instant Justice and World Gone Wild, I was expecting a level of magical dumbness that would make one gleeful of it's absurdities. Turns out though that Moon 44 is a piece of dreary trash. The movie just moves with no conviction and the story is so hopelessly lethargic we just wait for the conclusion. Among the cast are Michael Pare, Malcom McDowell and Brian Thompson all look bored with the material. I of course identified with them because I myself was also bored with the material.* out of 4-(Bad)

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cyberia23
1990/02/21

Moon 44 is a bad start for director Roland Emmerich and nobody-actor turned producer Dean Devlin (who later team up with one another to make the blockbusters: Stargate, Independence Day and Godzilla).The plot of this movie is really weak... It's 2036, and Earth's resources are gone. Mankind is now out in space mining moons somewhere for resources. However, it seems that even the big ol' universe doesn't have enough resources to sustain us greedy, and wasteful humans. The supercorps that run the mining operations have to literally battle each other for the goods. To defend it's last territory, Moon 44, one company resorts to hire convicts to pilot helicopters (helicopters? on a moon?) yes, helicopters, to protect their mining robots from theft, even though the ships are stolen IN SPACE while their on transit to Earth. Makes a whole lotta sense doesn't it? Since no reputable pilot wants the suicide job of defending the base, the convicts are given the opportunity to do the job for a reduced sentence.One convict is actually an undercover cop (Michael Paré) and his job is to infiltrate the mining complex and expose a traitor who is reprogramming the robot ships to never make it back to Earth. Because everyone involved is a potential suspect, it makes the cop's job more difficult. The movie is filled to the brim, with bad acting, lame dialogue, dry characters, cheesy special effects (even for a 1990 film it looked more like something from 1980) and there is even some homoeroticism thrown in for good measure. Avoid Moon 44 at all cost, and stick to Emmerich's blockbuster hits.

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lorenzo212
1990/02/22

Surprise, surprise, as old pal Gomer Pyle used to holler when he found out something surprisingly pleasant - and Moon 44 is all that and more.Perhaps just the first teaming of Roland Emmerich and Dean Devlin makes this worthy enough to watch. Devlin though, has no producing credits here, he plays future computer nerd Terry, the main assistant to the film's hero, Michael Pare. But Emmerich and Devlin must have hit it off and they marched on to several space themed epics.And while there is some film history emerging, the film is a great treat. It's made sweet and tasty by an interesting story of greed on a grand scale involving planets and resources, with some subtle commentary on prison abuse.There are comic book bad guys, and Runyonesque inhabitants, but this is some mining planet in some BFE solar system, and it needs a little character color to counter the bleak, dark existence portrayed on Moon 44.The story continually moves forward and will hold you to the screen for the entire length. The sets are great and used well. And the acting. For the story, fantastic.Michael Pare, always with that bitter frown frozen to his face, is perfect as a disdainful and resentful undercover agent working with convicts. Where is he now? We could use his hero style on today's screen.The surprise is Dean Devlin as the aforementioned computer nerd of the outer solar systems. He plays the role with sarcasm and dry wit to a tee, perfect for a nerd in the universe.All the supporting cast is perfect, and another surprise is the score, it hits and fits, and I can't see how anyone wouldn't like this one on a late night. And just for fun, see how many cast you can find who played in later Emmerich/Devlin films. Enjoy.

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