The Age of Commercialism

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

The first of many, many CARRY ON films and one of the best in terms of production values, CARRY ON SERGEANT follows the pranks and pitfalls of a group of raw soldiers being put through their paces by a retiring officer. For anyone who knows this genre, the story writes itself from there.Although this film has an excellent cast - one of the best of the entire series - and a sheen of quality that the later films were sadly lacking, it's fair to say that it isn't one of the funniest. Much of the character humour is subtle and there are few laugh-out-loud moments, although there are highlights as always. One of these is Kenneth Connor, who, although saddled with an irritating character, makes the best of things with his squeaky-voiced antics.William Hartnell and Bob Monkhouse both make one-off appearances in this series and submit decent work, although you do feel that they're in another film entirely. Kenneth Williams gets a chance to show off his acting chops in a non-hammy turn while Charles Hawtrey bags more of the limelight than usual (and the film's better for it). With the fire extinguisher and training ground pratfalls this is often a gently amusing escapade, albeit one you won't remember much about afterwards.

When this film was made it is a safe bet that nobody thought it would start a long running series of films; the Carry On films may not have been the greatest ever made, in fact some were terrible, but they are certainly a British institution. Made in 1958 'Carry on Sergeant' isn't non-stop smut like some of the later films; instead it is genuinely laugh out loud funny! The film follows the training of the unfortunately named Able Platoon; a group of National Servicemen who for the most part don't seem like army material; Pvt. Strong is a hypochondriac, Pvt. Golightly is… well he is Charles Hawtrey and Pvt. Brown has failed the course several times already. They are trained by soon-to-be-retired Sergeant Grimshawe who is determined to win the award for the best platoon. As one would expect their training does not go well; bayonet training and the assault course going particularly badly… of course by the end the platoon have come together and it is just a question as to how well they can do in their final tests. Besides their training there is a sub-plot involving one of the conscripts who was called up on his wedding day and his trying to get some time with his new bride who has followed him to the camp and got a job in the Naafi.When I sat down to watch this I thought it may have dated somewhat but actually it seemed surprisingly fresh and I laughed far more than I expected; it was certainly a lot funnier than many of the later instalments to the series. The cast included several actors who would go on to become regular members of the Carry On team including the excellent Kenneth Williams who played Pvt. Bailey; probably the most competent of the platoon, Kenneth Connor who played the hypochondriac Strong and Hattie Jacques who played the camp doctor. If you have enjoyed other early Carry On films I'd recommend this as it was surprisingly good… don't be put off by later rubbish like 'Carry on England'.

Another early outing for the 'Carry On' franchise featuring most of the familiar gang. Although there's the usual dose of sexual innuendo - hardly to surprise in a military movie - the descent into toilet humour has yet to appear. Most of the jokes are of a military prescription, with a group of disparate conscripts drafted-in for national service. William Hartnell gives a believable turn as a sergeant hoping to pass-out his best-drilled company of soldiers prior to imminent retirement, only to find himself confronted by the misfits from hell.The two Kenneths are in full flight, Williams as the campy hauteur that he plays to perfection, whilst Connor gags-up as a lovelorn hypochondriac. Bob Monkhouse features as a man conscripted on his wedding day. There's good old Hattie Jacques as authoritarian medic, and also - unusually - Dora Bryan working in the NAAFI. Some of the humour will be lost on a modern audience because of the passage of time since its release, especially the military jokes, as most people today have no experience of the armed forces beyond the abstract medium of news bulletins. However, the continuing appeal of 'Dad's Army' suggests that there is still an interest in vintage military bullshine.It's definitely one of the funnier 'Carry On's'.The franchise was pretty much a busted flush by 1965.

One of the early batch of black and white Carry Ons which were so much better than the later, smuttier ones which seem to have become THE carry-ons. If you like this, you'll like Nurse, Cabby, Spying and Regardless. So what happened to British humour? Well, back then we had something called "censorship", and an official censor who went through the scripts crossing out anything risqué. This meant that writers and comedians had to be pretty ingenious and somehow the jokes were much funnier as a result. When everything became possible we were reduced to the single entendre. Anyway, back to the plot - I'd forgotten how hilarious Capt. Potts is, with his formulae for everything. Bob Monkhouse is good. I never get Kenneth Connor but he's not too irritating here, perhaps because he has an actual character to play instead of being let loose to gibber at will. Many of the cast were probably in the British army. I know that Private Williams, K. was in the army in Burma so no wonder his drill looks quite professional. He is sending up his own character here - he was a self-educated and highly intelligent man who liked to show off. He's also playing an overbearing middle class character, whereas he was - as his fans knew - a London boy whose Dad was a barber in Kings Cross.