Jennifer Eight
November. 06,1992 RJohn Berlin, a big-city cop from LA moves to a small-town police force and immediately finds himself investigating a murder. Using theories rejected by his colleagues, Berlin meets a young blind woman named Helena, whom he is attracted to. Meanwhile, a serial killer is on the loose—and only John knows it.
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Reviews
The greatest movie ever made..!
It's a good bad... and worth a popcorn matinée. While it's easy to lament what could have been...
There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.
Exactly the movie you think it is, but not the movie you want it to be.
Bruce Robinson's "Jennifer 8" isn't a great movie but worth seeing. While it does follow the detective-suspects-pattern-in-murders-and-has-to-protect-someone formula, Andy Garcia's and Uma Thurman's performances give the movie its strength. Obviously it's towards the end that the movie really gets going, but even up to that point there's some clever stuff. For the life of me I cannot figure out why any person would define as masterpieces the creepy "Home Alone", the obnoxious "Everyone Says I Love You", the vacuous "Eyes Wide Shut" and the pointless "Man on the Moon" when "Jennifer 8" actually has an interesting plot. Not the best movie ever made, but still one that I recommend. Good performances also come from Lance Henriksen, Kathy Baker and John Malkovich.
This movie is on the level of 1970s "TV movies," which were hastily thrown together weekly made-for-TV films written by hack screenwriters with hack directors and hack production values. It's surprising that Andy Garcia (in his hot days) and Uma Thurman are in this middling drama. I'm guessing the majority of the film's funding went to their salaries, because i cant find anything else the money might have been spent on. Certainly not on plot or characterization. If you haven't figured out who is the murderer after he's on screen for 20 seconds, then you should just OD yourself because there is no hope for you. Today's TV procedural dramas are 100 times better than this film. But damn, Andy was hot back then.
Director Bruce Robinson got robbed! Would have been nice if the film company put into their budget advertising. This movie has it all folks.First, the cast. Excellent. Several budding stars in the making. Lance Hendriksen is just fabulous. Like any great film actor there is little time to develop a character so casting must be spot on. Lance is believable from the first seconds of the opening scene. Sets the tone of his character Freddy Ross. Uma is great. Her eyes are eerie. She plays this role with softness and depth. All the characters are well thought out. Graham Beckel is just a scary dude. We don't know his name, but he plays the bad guy perfectly. Those eyes! All the supporting cast hit the bulls-eye like watching Seinfeld...memorable from the get-go.Secondly, the atmosphere. Blind girl in a school for the blind in the cold mountains--rain and snow. What more could you ask for? Thirdly, the first little nugget. Christopher Young. The soundtrack is amazing. Haunting. Beautiful. When I first saw this movie I actually searched to buy the soundtrack. I never do this. It's that good! Lastly, the gold nugget. This is a movie with a twist of an ending. Remember, it is 1992. This was not done to my recall at the time. Rent this, buy this movie and watch with close friends late at night when it rains. Trust me! A great movie for male-female company. OK...the actor I never saw before had one core scene and just for this it is worth watching. Enter the brilliance of Mr. John Malkovich! We have all seen many movies where FBI agent interrogates suspect. But Malkovich takes extremely well written dialogue and it comes alive off the page. He should have won something for this performance. What I thought was just another actor for a pivotal scene made the move. His nuances, tone, pace, timing...just being Malkovich is acting at the highest level. This should have been another scene in the movie and he now becomes a main character stealing the scenes. Incredible performance.Watch this movie. There are so many little details that are engaging. The time clock that speaks freaks you out. The empty light sockets. The sound of the mattress in the house. On and on...
The prime character in 'Jennifer Eight' is blind but everyone in the film might as well be blind, deaf and mute to be able to miss the obvious indications that lead right to the killer from the moment that individual is on screen. Everyone seems to look the other way to avoid the person who turns out to be the killer maybe because the movie still has an hour or so to pad out, the time that it becomes crystal clear to the audience who that person is.The movie stars Andy Garcia as a cop with a movie cop name – John Berlin. He goes to investigate a murder, which leads to him digging through the trash to find body parts. He finds a woman's severed hand and after an analysis turns up that the woman was blind because the fingertips have worn down from reading Braille and that the hand spent some time in a freezer.He is soon on the trail of a killer who stalks blind women because several blind women have been killed in the area with that same M.O. Garcia interviews Helena (Uma Thurman), the woman's roomy who is herself blind. She and the cop fall in love not because of a mutual attraction rather because they are a man and a woman thrown together in a movie in which her life will eventually be in danger and he will have to save the woman he loves.Thurman is usually the luminous element to any movie but here her character is so pitiful that she doesn't need protection so much as she just needs a big old hug. The movie might want you to have sympathy for her but it doesn't back out when opportunity arises to have her slip nude into a bathtub while the killer skulks around her apartment.'Jennifer Eight' almost counts down the minutes to the next inevitable move. The movie is set up in a series of unbelievably predictable vignette so familiar to this genre. The movie is one part thriller, one part love story, one part police procedural written by people who obviously believe that you can't have one without the other.