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After hiding a murderer, a Catholic priest is forced into self-exile and decides to embark on a pilgrimage through the Mexican countryside.
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Reviews
best movie i've ever seen.
Best movie ever!
Although I seem to have had higher expectations than I thought, the movie is super entertaining.
The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.
a Christian film. at first sigh. A speech about faith, goodness, charity, sacrifice, innocence. illustration for Imitatio Cristi. only problem - it is a Bunuel film. and this fact is present at each step. the images from Goya, the darkness of Romano-Catholic priests, the fall of Emaus way, the cruelty as basic ingredient. so, it is not a Crist portrait but only the testimony about vain fight against world. Rabal character may be another prince Mishkin. a new lamb in a small circle. because, for its director, the film remains only ticket for return in Spain. a form of E pur si muove. nothing else. the virtues of father Nazarin are only drawn flowers. and if it remains a Christian film, it is public merit.it is touching and strange. one of a great director works. and beautiful occasion for Francisco Rabal to do an admirable role.
Luis Bunuel's "Nazarin" will always be remembered as a great film because it is absolutely honest in its presentation of comical assault on religion.It is one of those outstanding films which must be shown to all people especially young children in order to familiarize them with the notions of good and bad,sacred and evil.The toughest question asked by "Nazarin" is about the strengths and weaknesses of organized religion.It has been tackled by involving numerous ordinary people who are not at all above petty affairs in their mundane lives especially sins.Bunuel scores tremendously by showing us that various questions related to class differences deserve frank,honest and reliable answers. Nazarin appears credible as it has been made in a light,comical vein.This is the sole reason why it can be said that the story of an ordinary priest appears absolutely true to life to all audiences.It is amazing how Bunuel approaches quest for true love issue in his film. This black & white gem was shot marvelously by Gabriel Figueroa,one of Luis Bunuel's favorite cameraman.Film critic Lalit Rao saw "Nazarin" at Trivandrum,India during 13th International Film Festival of Kerala 2009."Nazarin" was introduced by eminent Indian cinema personality Mr.P.K.Nair as part of a special package called "50 years ago".This is a film which should be with any discerning DVD collector.
Nazarin is some kind of saint,he wants to live in life exactly how Christ taught man to do.But it's too late:now the Catholic Church is in the hands of a wealthy bourgeoisie,the bishops live in luxury and don't give a damn about the poor and the sick.That's why our hero can't follow the way his hierarchy asks him to follow.So he divests himself of everything,and on his way to purity,he's joined by some kind of Mary Magdelene and a woman who's attracted by him sexually (the scene between this girl and her fiancé is telling).In Spain (it was the late fifties),they thought Nazarin was a Christian movie!Knowing Luis Bunuel,it was downright incongruous:all his work is anticlerical to a fault.Comparing Nazarin and his "holy women" to Jesus is a nonsense.On Nazarin's way,only brambles and couch grass grow.His attempt at helping working men on the road is a failure,he's chased out as a strike-breaker.All his words amount to nothing.At the end of the journey,he's arrested and offered a pineapple by a woman(Bunuelian sexual symbol). Thanks to "Nazarin" ,Bunuel was allowed to return to Spain (where the censors had not got a clue ) and to direct "Viridiana".
A priest attempts to live as close to the word of God but gets shafted for it by the peasants, the church and the authorities. Only a prostitute and a woman in search of love follow his steps. It has a powerful message but delivered in a tame way because of the politics of the time.
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