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Max
Oz
The daily lives of prisoners in Emerald City, an experimental unit of the Oswald Maximum Security Prison where ingroups - Muslims, Latinos, Italians, Aryans - stick close to their mutual friends and terrorize their mutual enemies.
Close to Home
Close to Home is an American crime drama television series co-produced by Warner Bros. Television and Jerry Bruckheimer Television for CBS.
Darkroom
Darkroom is an American television thriller series which ABC transmitted from November 27, 1981 to January 15, 1982. It was an anthology horror/thriller series, similar in style to Rod Serling's Night Gallery. Each 60-minute episode featured two or more stories of varying length with a new story and a new cast, but each of the episode wraparound segments was hosted by James Coburn. Among the performers who appeared on the series were Steve Allen, Esther Rolle, Lawrence Hilton-Jacobs, David Carradine, Billy Crystal, and June Lockhart.
Max
A Haunting
These are the true stories of the innocent and the unimaginable. Based on true events, A Haunting dramatises some of the scariest stories, revealing a world in which tragedy, suicide and murder have left psychic impressions so powerful that innocent people become forced to deal with them decades later. Through mesmerizing first-person accounts, the mystery and origin of each haunting is powerfully revealed and leaves a lingering sense that life—and death—are much stronger then anyone could have possibly imagined.
Hallmark Hall of Fame
Hallmark Hall of Fame is an anthology program on American television, sponsored by Hallmark Cards, a Kansas City based greeting card company. The longest-running primetime series in the history of television, it has a historically long run, beginning during 1951 and continuing into 2013. From 1954 onward, all of its productions have been shown in color, although color television video productions were extremely rare in 1954. Many television movies have been shown on the program since its debut, though the program began with live telecasts of dramas and then changed to videotaped productions before finally changing to filmed ones.
The series has received eighty Emmy Awards, twenty-four Christopher Awards, eleven Peabody Awards, nine Golden Globes, and four Humanitas Prizes. Once a common practice in American television, it is the last remaining television program such that the title includes the name of the sponsor. Unlike other long-running TV series still on the air, it differs in that it broadcasts only occasionally and not on a weekly broadcast programming schedule.
Comedy Playhouse
Comedy Playhouse is a long-running British anthology series of one-off unrelated sitcoms that aired for 120 episodes from 1961 to 1975. Many episodes later graduated to their own series, including Steptoe and Son, Till Death Us Do Part, All Gas and Gaiters, The Liver Birds, Are You Being Served? and Last of the Summer Wine, which is the world's longest running sitcom, having run from January 1973 to August 2010.
Murder One
Theodore 'Teddy' Hoffman is a highly-regarded defense attorney in a prestigious Los Angeles law firm. Having successfully defended the wealthy but suspicious Richard Cross in a much-publicised murder trial, he is now involved in the defense of Neil Avedon, a famous young actor who has been suffering from severe drug and alcohol problems - and has been charged with the murder for which Cross was acquitted.
Wild Palms
A man uncovers a dangerous web of schemes and deceit when he accepts the presidency of a TV company.
Robson Arms
Robson Arms follows the lives of the tenants in a once-grand low-rise in Vancouver's eclectic West End. The building is home to an unlikely collection of characters who live under one roof, yet occupy different worlds. One thing is certain, you'll never see your neighbours the same way again.
Freevee
Monsters
Monsters is a syndicated horror anthology series which originally ran from 1988 to 1991 and reran on the Sci-Fi Channel during the 1990s. As of 2011, Monsters airs on NBC Universal's horror/suspense-themed cable channel Chiller in sporadic weekday marathons.
In a similar vein to Tales from the Darkside, Monsters shared the same producer, and in some ways succeeded the show. It differed in some respects nonetheless. While Tales sometimes dabbled in stories of science fiction and fantasy, this series was more strictly horror. As the name implies, each episode of Monsters featured a different monster which the story concerned, from the animatronic puppet of a fictional children's television program to mutated, weapon-wielding lab rats.
Similar to Tales, however, the stories in Monsters were rarely very straightforward action plots and often contained some ironic twist in which a character's conceit or greed would do him in, often with gruesome results. Adding to this was a sense of comedy often lost on horror productions which might in some instances lighten the audience's mood but in many cases added to the overall eeriness of the production.
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