The Phantom of the Opera at the Royal Albert Hall
October. 02,2011 NRA disfigured musical genius, hidden away in the Paris Opera House, terrorises the opera company for the unwitting benefit of a young protégée whom he trains and loves. The 25th anniversary of the first public performance of Phantom of the Opera was celebrated with a grand performance at the Royal Albert Hall in London.
Similar titles
You May Also Like
Reviews
Wonderful Movie
People are voting emotionally.
Blistering performances.
Through painfully honest and emotional moments, the movie becomes irresistibly relatable
I have always grown up with the Phantom close by thanks to the love of this title coming from both my mother and grandmother. From watching the Movie over and over again with my mother to seeing it live with my family i had always come to cherish this title, which drew my to this 25th Anniversary. As I watched in awe i began to remember all of the love that that i had felt threw the years and all of the strength this gave my threw my hard times. To see such a play brought glorious tears to my eyes, and here is why. (Spoilers)First and foremost the Phantom. Going in I wasn't sure what to expect, I had always held a special place in my heart for Butlers Phantom (2007) and I was amazed by the live one which i had seen. But I must say, Ramin Karimloo shines and took my breath away. I truly could see the pain at the end when Christine leaves him and he is left alone in the dungeon with nothing but his monkey, voice, and tears. I was amazed by the notes he hit and the tone this man set that differed from the mood Butlers Phantom had always set in my mind, Simply Amazing. Second the Rest of the cast was amazing as they blended together. From Christines fear and confusion that is so well shown to Raouls love for her that blew me away. And compared to other adaptions, I truly did love the comedic look the managers of the Opera gave off. From scene to scene I was constantly lifted off my seat by the beauty that every singer gives. Lastly the costumes and music brought the entire thing together in one perfect set piece. From the production of Hannibal to Masquerade i was constantly amazed by the bright costumes and light to dark mood that it gave off allowing the viewers to see just how amazing or terrible it was becoming. And i especially liked the Phantoms outfit and makeup threw out from the hat he wore to help hide his face better to his Masquerade costume with the moving skull jaw. And don't get me started on how wonderful the music was, setting the mood and bringing the tone from bright and happy to horribly sad in a mere few seconds.All in all this was an amazing show with little to no error. From start to finish i was constantly enjoying the fun the actors had playing there parts and the sheer emotion each actor put into their characters. I give this a 10/10 for an amazing experience.
Having never had the opportunity to see PHANTOM OF THE OPERA live in the West End, I settled on the next best thing; this DVD release of the show's 25th anniversary special, which took place in front of a huge audience at the Royal Albert Hall. It's a vivid, spectacular show full of the requisite sumptuous sets, costumes and damn good singing, and offers pretty much everything you could wish for from a musical.As this is a filmed performance of a live musical, you have to remember it's not quite the same as being there. The cameramen focus on certain parts of the action in close up and miss out other sections; it's as if you're viewing the show through the funnel of somebody else's interest. Sometimes, the bigger picture is lost in favour of a moment of detail. On the plus side, you get to watch the show from the comfort of your own home, so it's all a question of weighing up the positives and the negatives.The singers all give very good performances, particularly Karimloo and Boggess as Phantom and Christine respectively – there's no faulting them. This production includes an encore featuring appearances by Andrew Lloyd Webber and the original Phantom and Christine, Michael Crawford and Sarah Brightman. Values in terms of costumes, effects and scenery are strong, with the only disappointment the lack of the crashing chandelier set-piece; apparently, the effect couldn't be staged within the constraints of the Royal Albert Hall. Never mind – there's enough excellence elsewhere that it isn't missed too much.
I have loved "The Phantom of the Opera" for many years and listen to the soundtrack album with Michael Crawford and Sarah Brightman almost religiously. I began watching this with great worry, remembering how underwhelmed and disappointed I felt with the 2004 film adaptation. Imagine my delight when I discovered this even better than the original cast!Ramin Karimloo and Sierra Bogges are both incredible actors and singers and are absolute magic together, as well as individually. Ramin has the passion and soul the Phantom needs and Sierra has the voice of an angel and makes feel every note she sings.For years, I have had to put up with people telling me that Joel Schumacher's utterly redundant 2004 adaptation was actually brilliant; or that they cannot afford to see the real show. Well, the 25th anniversary concert exposes the 2004 adaptation for the diabolical mess that it is, with it's far superior singing, acting and set. And the fact that it is available on DVD means the 2004 film can shoved into the deep hole it belongs in. Simply perfect, there is no excuse to miss this. Watch it and let it's music caress your soul.
Finally a full staging of my favourite musical and the second longest running one in the U.K is here for the first time on DVD. This live production filmed straight from the iconic Royal Albert Hall in London, which was broadcasted to cinemas and theatres around the world and celebrates 25 years of the Andrew Lloyd-Webber musical, is nothing short of a lavish treat for the eyes and ears, with amazing performances and acting from the cast, including all the songs that fans of the show will know and remember.The 25th Anniversary production stars the amazingly talented Iranian born Canadian Ramin Karimloo as the Phantom and American Broadway star Sierra Boggess as Christine Daae, with a great supporting performance from Hadley Fraser as Christine's love interest Raoul. Karimloo and Boggess incidentally are no strangers to the characters, having played them previously in the London production of the sequel to this show 'Love Never Dies'. Their chemistry on stage is perfect as are their performances. Ramin is terrific as the Phantom and injects emotion and passion into the show playing the phantom as essentially a victim, with a voice that at times can be vengeful and deadly, yet soft and vulnerable at others. His delivery of the 'insolent boy' line near the beginning strikes fear right around the Albert Hall. I would even go as far to say that he is the best Phantom that I've watched so far, having previously experienced others on stage live and unfortunately the terrible 2004 movie version starring Gerard Butler. His acting is great without being over the top, and you really feel for the character. Sierra Bogges is also amazing displaying sensitivity, vulnerability and sexuality all throughout the show. Her performance of 'past of the point no return' being a particular highlight. The two leads work very well together and make the show believable. There are also good supporting performances too. Hadley Fraser's Raoul is dynamic and energetic without becoming too irritating and makes quite a good match against the Phantom in the battle for Christine's heart. Wendy Ferguson and Wynne (Go Compare) Evans are very funny as the diva Carlotta and Piangi, the two Italian opera supremos who are the subjects of Phantom's rage and eventually driven to obedience. Equally as funny and memorable are the opera house managers Firmin and Andre, played brilliantly by Barry James and Gareth Snook, who camp it up and provide some additional comedy. The staging and scenery is spectacular, with the doomed chandelier hanging above the audience and the on stage sets, especially the bridge leading to the Phantom's lair, featuring prominently. Due to the venue they had to make a very slight change to the chandelier scene at the end of the first part of the show, but it isn't a big deal and still has a great impact in my opinion. The show is pretty much identical to that of the theatre version that one may see in London's West End or anywhere else it may be on. Some lines were changed ever so slightly but nothing noticeable or significant. The performances throughout will leave you astounded and definitely not disappointed. In fact there are simply no scenes or performances that can be criticised. If you are a fan of the show you will love this and not be disappointed. As in usual 'anniversary style', like the Les Miserables 25th concert, they bring back all the old Phantom's and stars who have performed over the years in various productions. Including Michael Crawford and Sarah Brightman. Andrew Lloyd-Webber also makes a speech about the show and it's legacy. So now finally you can watch the show like you were in the theatre itself whenever you want. One advantage this production has over seeing it live is that you get to see all the facial expressions and emotions up close, thereby really getting a feel for the show almost like a movie in some parts (but definitely much better than the actual movie).