hyped garbage

a film so unique, intoxicating and bizarre that it not only demands another viewing, but is also forgivable as a satirical comedy where the jokes eventually take the back seat.

There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.

An old-fashioned movie made with new-fashioned finesse.

Fred Ward and Michael Gross are the only two stars who returned for this direct-to-video sequel six years after the original. While the loss of Kevin Bacon is definatly felt the film does a nice job of explaining his absence. Ward still is good comic relief but Chris Gartin is rather annoying as Grady. Gross takes a bigger role and gets some good lines in as well, despite the fact it not quite being his series yet. The film still uses a majority of practical effects over CGI even though they are limited but still enjoyable. The new Shrieker creatures are nice as well.

As a straight-to-video sequel, this one isn't half bad. What we have here is a sequel to the film TREMORS, which in itself was a modern B-movie classic with plenty of throwbacks to the monster movies of the '50s. It was great fun. Now, obviously, this sequel can't live up to the reputation of its predecessor, but there is still plenty of humour to be had from the banter between the characters.The film opens on very shaky ground with Ward and Gartin killing off dozens of the original threatening worms within a matter of minutes. There is some stupid comedy filler and this section makes a mockery of the original creatures, which used to be extremely hard to kill. In fact, these scenes are rather pointless. Thankfully, though, Michael Gross turns up and takes a lot of the attention away from newcomer Gartin (thankfully), and halfway through the film new monsters appear. This was a very good idea in my opinion, as otherwise it would have been a straight re-run of the original TREMORS.The new creatures are a mix of CGI and traditional model work. They look wonderful, little stumpy creatures on two legs with huge mouths. The CGI shown here actually works, despite the obviously low budget; it makes a refreshing change from the usual junk we see in the cinemas. On top of these excellent creature designs, we also have Michael Gross, who supplies a lot of the (funny) comic relief as an over-the-top gun specialist. Kevin Bacon's presence is sorely missed, and Gartin is an abominable replacement, but it's nice to have Fred Ward back with us as the rugged hero. Helen Shaver is instantly forgettable.There's a nicely high level of goo on offer here, as the 12-certificate is pushed to the extreme. Legs are chomped on and there are even a couple of severed arms, inspired no doubt by a similar scene in JURASSIC PARK. The creatures themselves die very easily so there's plenty of scope for some explosions, where orange slime goes flying everywhere. The budget stretches to an impressive explosion at the end as well, when two and a half tons of explosives go up in smoke, all at once. Worth catching if you're a fan of the original, this is a harmless, entertaining, and light slice of action.

For a direct-to-video sequel to a successful cinematic monster movie this is great.Although somewhat less polished than the original, Fred Ward is back performing as Earl Bassett which couldn't possibly be bad, Michael Gross is back as Burt Gummer, the monsters are back and as convincing as ever, and there's a new addition to the monsters which was successfully carried out with a good design, interesting idea and a lot of fun puppets.The destruction in this film is monumental but at no point does it go too far. It certainly doesn't slow down.I would say if the film were just a bit more polished it would be on the same level as Tremors, but if Tremors is a 10, this is a 9.

When an army of Graboids - giant, carnivorous underground worms - threaten the Petromaya oil refinery in Mexico, its owners call on Earl Bassett (Fred Ward), who once helped kill four of the creatures in Perfection, Nevada.TV Guide wrote, "This movie is a rarity among direct-to-video sequels, one that's not only worthy of its theatrical predecessor but suggests that it too, belongs on the big screen... Despite the significantly lower budget, the monsters remain entirely convincing." This is spot on. Although the 1990s were full of countless horror sequels, most were garbage. This one, despite the low budget, offers a high-quality film with creative new (and good looking) monsters.Anyone who liked the first film definitely needs to see the second.