Save your money for something good and enjoyable

Fresh and Exciting

The joyful confection is coated in a sparkly gloss, bright enough to gleam from the darkest, most cynical corners.

Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.

Steven Spielberg and George Lucas laughed all the way to the bank recycling elements from old '30s serials with Raiders of the Lost Ark (1981), while maverick director Robert Rodriguez has shown how hyper-stylised comic-book action, shot almost entirely on a 'digital backlot', can be a success with Sin City (2005).Writer/director Kerry Conran, on the other hand… A retro-futuristic, pulp comic-book science fiction adventure set during an alternate late-1930s, Conran's Sky Captain and the World of Tomorrow can't be faulted for trying: it has giant robots, miniature elephants, ray guns, weird aircraft with flapping wings, planes that can turn into submarines, hovering aircraft carriers, a trip to the legendary paradise of Shangri La, a clean-cut hero, a pretty heroine, a scientific genius sidekick, and more cool art deco production design than you can shake a Bakelite radio at. It SHOULD have been a blast…Unfortunately, despite boasting such promising ingredients, the film proves to be a disappointing dud. Much of the film's lack of success can be put down to its glut of unconvincing CGI: as innovative as it was to construct all sets digitally, it's impossible to believe for a second that the performers are anywhere other than in a film studio, acting in front of a blue screen, which makes it hard to connect with the action. The film also suffers badly from poor casting (Jude Law, as Sky Captain, is a bland hero, Gwyneth Paltrow is a bland blonde, and Angelina Jolie is wasted in a forgettable supporting role), while the whole is definitely much less than the sum of its parts, the unengaging and messy plot a load of hackneyed old tosh about missing scientists and a mad megalomaniac bent on world domination.B for effort, but D- for attainment. That's 3/10 in IMDb terms.

There are films that are at once throwbacks to another age while also looking forward to the future. 2005's Sky Captain And The World Of Tomorrow was just such as film. As its title may suggest, the film called back to the adventure serials of the 1930s and 1940s. Yet the way the film was made showed a potential way ahead for filmmakers. The results, while not perhaps as well appreciated at the time, continue to make for interesting viewing more than a decade later.The best (and really only) way to look at the film is something of a throwback to an era gone by. Set in an alternate and more technologically advanced 1939, the film plays with many of the tropes and clichés found from the serials of the era. There's the dashing action hero in the form of the titular "Sky Captain" Joe Sullivan (Jude Law) and plucky female reporter Polly Perkins (Gwyneth Paltrow) in the lead roles. In aesthetic terms, the film draws much from the era as well from its costumes to World War II era aircraft such as Sky Captain's P-40 to the more science fiction and fantastical elements including mechanical monsters. Elsewhere, there's a number of Easter eggs hidden within the film as well including references to Orson Welles' infamous War Of The Worlds radio broadcast and the 1933 King Kong. For those who are fans of the era, the film is a feast.Indeed the film on the whole is a visual feast. Not only does it back strong use of the diesel punk aesthetics, the filmmakers went to great lengths to give the film the feel of being from another era with its choice of lighting and camera angles that are suggestive of the era. Beyond that, the film is notable for another reason. Shot largely against blue screen, the film was one of the first to make use of the so-called "digital backlot" and the film is heavily reliant on CGI as a result. Most of the time it works though there are a handful of shots where the CGI and live action elements fail to believably work together though those moments are few and far between. It seems ironic that a film set much in an idealized and fantastical version of the past would be so reliant on computers to bring its "world of tomorrow" to life but it's something that makes the film standout.The film is truly visionary, something that can't be said very often. Even after the passing of a decade, I'm hard pressed to think of another film like it. Kerry Conran does a magnificent job as director, especially a first time director, in orchestrating all of the various elements together in a single cohesive whole. For Conran's film combines actors, costumes, props, special effects and Edward Shearmur's heroic score to create a film that pulls from the past yet creates something exciting and fresh. That's no mean feat in this day and age.For all of that though, the film is not without its weaknesses. Drawing heavily on those adventure serials for its inspiration, Sky Captain And The World Of Tomorrow also falls foul of some of its clichés. The characters are all drawn in the most vague and cardboard of terms though its due to the credit of Law, Paltrow, Michael Gambon and Angleina Jolie that they bring them to life as well as they do. That vagueness goes right to the plot as well which, in true serial style, is little more than a series of set pieces tied together with mini-cliffhangers to keep the audience's attention while not making much logical sense. For a film that transcends the low budget nature of many of those serials to present a visually stunning feast, it seems a shame that the script couldn't do that as well.On the whole though, Sky Captain And The World Of Tomorrow is well worth watching. It combines together thrills of a bygone age with the visuals of that age and 21st century CGI to create a work that remains unique but also groundbreaking. Despite some flaws, it's a two hour action/adventure feast sure to please fans. Plus, perhaps, it might find the audience that missed it a decade ago and can enjoy it for what it is.

Inspired by my recent viewing of 'The Rocketeer', I decided to revisit this retrofuturistic bit of dieselpunk as filtered through the lens of the 1939 World's Fair. It gets off to a really fun start, but it quickly trades giant robots and ray guns for a dull mystery story and lots of bickering couple stuff that drags on for a tad too long. But then Angelina Jolie shows up, and so too do more giant robots, and things pick back up a bit. Unfortunately it never quite regains its momentum, and all the early awesome is squandered, leaving a technically impressive, but somewhat hollow film.

Simply awful, what has started as a very promising movie with some nice new sic-fi ideas ended up as one of those Cheeseburger/Cowboy movies, full of clichés and non-logical events, dialog (oh specially that one, it simply can't get worse) and even story, that can't be considered Sci-Fi, it is a cheeseburger rubbish.The super cowboy who is super self confident and super brave and super "in control" who is also supposed to be super funny is - again - saving the world, of course while saving his own girl who is also super confident, super smart, super funny, and she is fighting entire armies without even breaking her high heals shoes !!! amazing ... keep on that Hollywood ... another 1 out of 10 movie, just because zero is not available.