The Iron Giant
August. 06,1999 PGIn the small town of Rockwell, Maine in October 1957, a giant metal machine befriends a nine-year-old boy and ultimately finds its humanity by unselfishly saving people from their own fears and prejudices.
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Reviews
Brilliant and touching
Absolutely the worst movie.
A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.
The joyful confection is coated in a sparkly gloss, bright enough to gleam from the darkest, most cynical corners.
The first time I saw this, I was only six years old, but I remember it so vividly. It was one of the earliest movies I saw in a theater. We came in a few minutes late, during the diner scene when Hogarth is trying to convince his mom to let him keep a pet squirrel. I remember Mansley getting his face squished in the door was one of the funniest things ever. I remember memorizing the scene of him pestering Hogarth with constant questions, after he rents the empty room in his house. The exchange of Mansley asking "Where ya going, champ, chief, slugger? Where ya going? Where ya going?" and Hogarth screeching back, "I'm going out!!!!" is something my siblings and I still quote to this day. But mainly I remember being absolutely flabbergasted when the Giant sacrifices himself to save Hogarth and the town. Growing up in a a Christian household, going to church twice a week, a story that ended with someone giving up their life for everyone else, was, well...biblical. I remember sitting in the theater and having the thought, "He gave up his life so all those people could live", running through my brain over and over. I couldn't comprehend it. I was too shocked to cry. Watching it for the first time as an adult? I sobbed. The tears started when the Giant realizes he can fly, and Hogarth gleefully tells him, "Try holding out your arms in front of you, like Superman!" and they didn't stop because I knew what was coming. When I was a six year old child I was too young to understand the themes of xenophobia, patriotism, choosing a different path than the one given to you, etc. All I knew was that the Iron Giant "gave up this life so those people could live." Superman, indeed.
I was quite young when I saw him for the first time and I have to admit I was thrilled from the first second. I was very young when I saw the movie for the first time and I have to admit that I probably did not understand half of it. Because some things simply fly over the heads of the youth that's why it's so much fun to watch such films again a few years later when you can enjoy them again with a completely different look, but it was still presented interesting enough that he aroused the interest of one. (PS: For a change we have a movie without a villain but just people with different opinions and views) I'm pretty impressed with love, music and animation. I do not think it's too bad that we have too much 3D animation movies but most movies and I mean films in general are bland and they're just too different. This topic already looks like a lost art because such films are no longer made these days. If you made a live-action movie out of it then only Steven Spielberg would have the talent and experience to get close to this result. With a "PG-13"? I'm not 100% sure because we know that Spielberg can also press on the violence Tube, when I think of the scenes in which the robot goes rampage, I wonder if Spielberg would hold back nowadays.Brad Bird is just an artist and a genius. Not only do we have a movie with a realistic kids character that is not a bit annoying, but we have real family drama but not the embarrassing way of today's reality TV of all Kardashian scrap, proper social criticism but the message of the movie is not going to be that extreme beaten whit a Sledgehammer so that it is the movie enjoyment in the way. And I was fascinated as a little boy by the mother (Annie Hugher). As a child, I have seen very few animated films because I find them just too childish, uninteresting and too good. Besides, the constant musical numbers just annoyed me. Thankfully, this movie has none of this * and I love it *. (Of course not every movie needs sex, violence and cussing but not every movie has to be like a fairy tale)I have never had to cry at a movie, but this is one of the few movies where not much is missing to open my locks.However, my heart always is.This is one of the smartest movies I've ever seen in my life. Unfortunately, he is a dying race, both in terms of style and genre, one more reason to keep the movie in his honor and show it to as many people as possible.I thank you for your criticism and your super interesting videos quieter more often videos about movies from the nostalgia department I'm curious what other people say about it and if maybe there is not one or the other movie of which I have not heard.
With the story's setting in 1957, my best takeaway from the film was the nostalgia associated with the era's fascination with the threat of an atomic attack and it's attendant duck n' cover drills and underground shelters. The movie itself had the feel of one of those 1950's Warner Brothers cartoons and one of the principal characters, Dean the scrap metal guy, was even called a beatnik at one point. The kid Hogarth (I agree with Kent Mansley, who names their kid Hogarth?) enjoys Superman and sci-fi comic books and there's even a Maypo TV commercial thrown in for good measure. Yessiree, those were the good old days.What's not so 1950-ish though is the representation of a family with no male figurehead, that's a decidedly modern day construct that probably began some time during the Eighties and continues today with all sorts of dysfunctional families. There's also the ever present anti-gun sentiment presented throughout, both subliminal and overt. I was kind of enjoying the picture until the liberal propaganda took on a get in-your-face message the way it did. Not to mention the portrayal of the FBI guy as a villain, though I'm sure there are some agents who would be as gung-ho as Mansley. But chloroforming the kid was taking it a step too far.So with the competing forces at work here, I thought the picture just minimally passes the fun quotient. The Iron Giant itself had almost a creepy kind of ambience compared to most of the cutesy kind of characters you generally have in these animated features. At least he rises to the occasion to save the day for the citizens of Rockwell, that was a plus. But every time the Iron Giant ate something made of metal, and I know it's only a cartoon, I had to wonder - how does that work?
The Iron Giant came out in 1999 in the midst of a troubling promotional campaign that made the film suffer at the theatrical box office, only for critics to immediately fall in love with the film resulting in audiences discovering it once it came out on home video; and it quickly became a success story for the ages.Nearly two decades on and this film has aged wonderfully well. It's a heartwarming and tear-jerking adventure that still holds a special place in my heart as being an animated film that has the potency of a live-action film and showing that animation doesn't need to adhere to the Disney formula of songs, animals and princesses. Brad Bird gives an experience akin to that of a Hayao Miyazaki film. The Iron Giant is a golden piece of Warner Brothers Animation goodness that has all the care and attention to detail comparable to the works of Chuck Jones and Bob Clampett.Putting it shortly, The Iron Giant is an all-time favorite of mine as it is for many animation aficionados the world over; and it's as necessary as movies like Back to the Future and The Star Wars Trilogy. 5/5 stars.