When Steve Dallas, a womanizing local weatherman, hears that his off-the-grid best friend Ben Baker has lost his estranged father, the two return to Ben's childhood home. Once there, they discover Ben has inherited the family fortune, and the ill-equipped duo must battle Ben's formidable sister and deal with his father's gorgeous 25-year old widow.
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Reviews
Good story, Not enough for a whole film
In truth, there is barely enough story here to make a film.
This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.
Exactly the movie you think it is, but not the movie you want it to be.
So much of this movie was horrendous. Owen Wilson's character Steve, our protagonist, is an unlikeable peeping-tom whose cliche playboy persona is so tired I almost fell asleep every time he was on screen. His character arc is meant to be about him growing up and learning responsibility. But, these changes are only motivated by the desire to have sex with his best friend's step-mom, Angela. His subsequent tantrum that she sleeps with his friend and not him reminded me of a child screaming "that's MY toy!" on the playground. Steve is certainly no Don Draper. Amy Poehler's character is portrayed as a total stick in the mud, even though her dad's just died and she's going through hormone treatments and her behaviours were pretty understandable. Who wouldn't be mad that their step-mom showed up to their father's funeral in a see-through dress? Who wouldn't be pissed that their dad left their sibling WAY more money and assets in the will? Who in their right mind would want their brother's high as the stratosphere, dead-beat friend interjecting in private discussions about her father's will? Suuuuuch a buzzkill. The real treat of this movie though is Angela, the aforementioned step-mother. She is meant to be seen as this earthy, loving woman who heals the men around her. But she only seems to do this with sex. And baking pies. Maybe Matthew Weiner should stick to directing shows about the 60s cause that time is a lot more in tune with his views on women. Owen Wilson yells at her toward the end of the movie that she has no responsibilities and just gets everything she wants because she's hot. This line is meant to be taken as super mean and uncalled for-but it's true. Maybe I'm a prude, but banging your step-son SHOULD be frowned upon. More than that, the idea that having sex with his stepmom would help Ben's mental-health is absurd. And, the suggestion that once you start to take medication you can instantly get better and change your whole outlook and lifestyle is ridiculous. And, in almost every scene something weird and unrealistic happened that pulled me out of the story. Examples: A prostitute calls and leaves a voicemail to confirm an appointment just like the dentist. Owen Wilson, a 50 year old man gets caught spying on his 20 something neighbour changing and she smiles and waves at him instead of calling the cops on this perv. Ben bites a child's cookie and the mother isn't weirded out. This movie failed to make me care about a single character, failed to make me laugh a single time, failed to adequately use Jenna Fischer, and failed to leave any kind of impact other than disappointment.
It was something different, if you are fed up with the same old, the same old storylines keep repeating in all the Hollywood films. That made me keep watching it. Never was boring, but definitely should have been better in the overall story section. Because it looks more a cinematic than the real. Especially Owen Wilson character. Only fools let him near them as whatever happened in the film. But that's quite perfected since Zach's role was close to one.This is about two friends, one works in a new channel and the other one a hippie. When one of their rich father dies, they return to the hometown, that's going to change their fortune forever. But within siblings, a conflict arises and in the following events told how everything unfolds. I liked the cast. It was a wonderful combination. It was a comedy, though not a hard hitting one, neither a message film. Just a timepass film. For once watching, it is not a bad at all.6/10
Thing is, this is not comedy, definitely not a classic romance story. The message it delivers is a hint of a more deep line. The false reality of things we are teach to want... Sure the story has a couple problems whit internal integrity and coherence, but the characters feel real !! real people... not some cartoon sister craving for the gold or a "hippie" against the system. Its truly remarkable the work the actors did to (at least in my case)make me forget it was a Hollywood movie. And i believe that the same thing i found so amazing is why is underrated. Its really not commercial. Most of todays indie films are gross commercials productions (all comedies sure are), the only thing that changes is the public, a more refined public or a less one. Doesn't matter... Profit does. "Are you here" doesn't try to be more that what it is.. and that is refreshingP.S The physical change of Galifianakis is comparable to that of Christian Bale in "the machinist"
I'm a little surprised at all the harsh negative ratings here. I thought this movie was rather charming and absolutely funny and worth the watch. It's not a knee-slapper. It's not Wedding Crashers 2 or The Hangover. It is a little darker at times, but only in the context of how we all experience struggle in life. Owen Wilson assumes his usual character type 40+ year old party man who doesn't take life too seriously. Both Owen Wilson and Zak Galifnakis seem to be going through a similar life struggle of identity. I think the character development was intentionally kept vague so that you were always kept guessing what their characters were running away from. I really enjoyed it. It was a great lesson on life, friendship and growth.