Rear Window

September. 01,1954      PG
Rating:
8.5
Trailer Synopsis Cast

A wheelchair-bound photographer spies on his neighbors from his apartment window and becomes convinced one of them has committed murder.

James Stewart as  L.B. 'Jeff' Jefferies
Grace Kelly as  Lisa Fremont
Wendell Corey as  Det. Lt. Thomas J. Doyle
Thelma Ritter as  Stella
Raymond Burr as  Lars Thorwald
Judith Evelyn as  Miss Lonelyhearts
Ross Bagdasarian as  Songwriter
Georgine Darcy as  Miss Torso
Sara Berner as  Woman on Fire Escape
Frank Cady as  Man on Fire Escape

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Reviews

Lawbolisted
1954/09/01

Powerful

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Tayloriona
1954/09/02

Although I seem to have had higher expectations than I thought, the movie is super entertaining.

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Dana
1954/09/03

An old-fashioned movie made with new-fashioned finesse.

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Billy Ollie
1954/09/04

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

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adonis98-743-186503
1954/09/05

A wheelchair-bound photographer spies on his neighbors from his apartment window and becomes convinced one of them has committed murder. Rear Window was definitely what i wanted it to be and what i hoped it was going to contain and trust me this film has a nice style, terrific cinematography with Hitchcock showcasing every day life in it's purest form but it's also quite intense with a very good atmosphere and it's definitely a great movie even tho it's not perfect and it does have it's fair and share amount of flaws as a whole. (8.5/10)

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chaz-76862
1954/09/06

Wow, this movie was just great.Everything about it was just flawless. The pacing and the story kept me on the edge of my seat for the whole run time. I felt invested in the story and was interested about where it would go next. The acting was superb and helped pushed this film along. I also particularly liked how it didn't tell us everything from the beginning and we had to figure the mystery out along with the actors.In one sentence: "one of the best films ever made".

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awm-77697
1954/09/07

Rear window is such a unique and interesting movie. It is one that almost stands alone in its plot and camera angles and things of that sort. During the first twenty to thirty minutes of this movie it was almost extremely boring and I kept constantly asking myself the same question over and over again, which is "are they really going to keep the camera in this one room for the whole movie?" I kept on telling myself that the camera would probably move sometime soon and they would change scenery sometime soon, but that time just never came. Throughout the film it took sometime for me to actually accept the new movie style that Hitchcock portrays in this film. During this film I went through almost 3 different stages of interest. The first stage consisted mostly of confusion and trying to figure out what was going on as they were introducing the different characters and scenarios. It was a very new movie feel for me so it took time to get used to. The second phase for me was unfortunately boredom, as I couldn't really engage into what was being played out in the different apartments. It wasn't until the end of the movie, about the time when the dog is found dead with its neck snapped that I really started to enjoy and became engaged in the film. The ending was very engaging and was extremely well done. It created an excellent sense of tension and suspense that I think engages every single viewer. During the whole process of watching the movie I can't really say I enjoyed it at all but once I looked back on it and realized the different cinematic elements and styles I came to appreciate it and understand it more. I definitely have a strong bias here because I was born into a generation of such great quality cameras and such good editing and animation. For this reason it can be really hard for me to engage in older movies of this style. Nonetheless this movie was very interesting to look back on and see how Hitchcock portrayed the characters in such an interesting way. It was so different and cool to basically see people as non-actors but just as every day people. You really get a sense of this when the movie is portraying someone in their everyday life without them supposedly knowing that they are being watched. You see the pureness of every shot. This film really enacts a different feeling in the viewer, as it is something were really not used to seeing. Overall I cant really say that I enjoyed this movie to much as I found it slightly boring and un-engaging. There are many great cinematic elements that make it very different and interesting. The whole stationary camera sense was just two different for me and I was able to really appreciate and enjoy the movie very much.

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imd-07441
1954/09/08

'Rear Window' is a prime example of taking a simple idea and making it a masterpiece. The film manages to appeal to a broad range of our emotions including suspense, romance, and excitement thanks to the creative yet simple way it is filmed and directed. Right away the film begins by familiarizing the viewers with the scene where most of the story takes place, by showing us the busy view outside of Jefferies rear window. Each neighbor has an interesting and unique personality that makes it really feel like any of them could be the the main subject of the story. They're all cleverly named to match their personalities and it makes it very easy for the viewer to associate themselves with them by name almost immediately. For a film that has such a small set, it makes the best of it by really making all of the other apartments come to life with their own unique quirks and lifestyles that we get to see through the lense of Jefferies rear window. The first act of the film mostly focuses on the life of all the neighbors and the relationship between Lisa and Jefferies. By doing this the viewer really becomes comfortable and familiar with all of the characters to the point of understanding them and their feelings. It is an interesting love story between Jefferies and Lisa. Lisa is in love with Jeff, and Jeff seems to think that she is too good and too perfect to be with a guy like her. I think this is a wonderful way to introduce the viewers to the main characters of the story and make them feel involved in the outcome of their situation. It is right when it seems like there is much more to come between Jeff and Lisa that the story seems to have a sudden dramatic shift in tone, to more of a crime mystery film that is filled with suspense. It is in this portion of the movie where the way it is filmed really makes the viewer feel connected to the story. Jeff, who has been sitting in his window watching his neighbors lives very closely begins to notice something is out of place one night when he spots Mr. Thorwald leaving his apartment a few times very late at night. Since almost all of what the viewers have seen is through the eyes of Jefferies, we are inclined to also have the same biases and train of thought as him as well. So any conclusions he makes, it is easy for us to agree with him.The film does a great job of having the viewer question if Jefferies is right or not when in introduces the character Detective Doyle. This is the first time we get to see someones opinion on the possible crime that isn't from our narrowed perspective we get from Jefferies. To me this was when it started to become more and more apparent that everything we had been learning about Thorwald and the criminal picture Jefferies had been painting of him could have been wrong. I think this forced perspective we are given is one of the most beautiful elements of the film and it all leads up to the end where we are in Jefferies apartment listening for footsteps outside the door, fearing for our lives. As viewers we become almost one with Jefferies, so we feel the same rushes of emotion as him as well. This perspective is what allowed Alfred Hitchcock to take a beautifully simple story, but use the power of a film camera to really make it a wonderful story with a cast of beautifully individual characters and stories as seen through the eyes of our main character.

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