Shaggy and Scooby-Doo and friends must return 13 ghosts which they inadvertently released to a magical chest. Together with Daphne and Scrappy-Doo, along with newcomer Flim-Flam, they travel the world facing the ghosts that must be returned to the chest.

With his secret identity now revealed to the world, Ben Tennyson continues to fight evil as a superhero with the help of the newly acquired Ultimatrix.

All Grown Up! is an animated television series created by Arlene Klasky and Gábor Csupó for Nickelodeon. After the success of All Growed Up, the Rugrats 10th anniversary special, Nickelodeon commissioned All Grown Up! as a spin-off series based on the episode. The series ran from April 12, 2003 to August 17, 2008, and currently airs in reruns on Nickelodeon and Nicktoons. The show aired in reruns on The N from August 18, 2003 until November 12, 2005, it was dropped from the channel on February 2006, but then returned in April 2007 until June 25, 2009, then on July 7, 2009, All Grown Up! was dropped from The N again. The show's premise is that the characters of the Rugrats are ten years older. Tommy, Dil, Chuckie, Phil, Lil, Kimi, Angelica and Susie now have to deal with teen and pre-teen issues and situations. It was the first Nicktoon spin-off receiving positive review among critics, and developed a cult following after its run.

Tarn (Cherry) is a pretty lady who is a swindler. She and her mother are in a lot of debts because of her mother’s gambling, so she decides to drug a man and steal a ring from him.The ring is an heirloom, it belongs to Phubadee (Great), a playboy and heir to a great fortune. Because of Tarn, Phubadee was attacked and loses his memory. Tarn then lies to him that she is his wife because she wants to swindle 10 million from him in order to repay her creditors. When Tarn moves in with Phu, she meets with his grandfather as well as his distant relative Naek. Neak is not pleased with Tarn because he wants Phu to marry May (Selina), his daughter. Both Naek and his son Ae are eying Phu’s inheritance. Napha, also a distant relative of Phu’s grandfather, doesn’t like Tarn either. But Parami, Napha’s daughter, seems to be the only one who is friendly to Tarn. Tarn especially dislikes Bunthan (Ace) who’s the gardener that was hired around the same time as when Phu and Tarn moved in. She doesn’t like him because he keeps trying to approach and get close to Phu, as if they knew each other before. The thing is, Phubadee doesn’t remember Bunthan because of his memory loss. The two of them are friends and Bunthan is actually the real Phubadee while Phu, the one with memory loss, is Thawin. Bunthan has asked Thawin to act as Phubadee in order to investigate and find out the people who murdered his uncle and who had threatened to kill him. He is very worried that Thawin doesn’t remember him. All the more so as there had been several murder attempts on Thawin and Tarn, and as people in the house keep dying one after another. Inspector Somyut is investigating those murders but it turns out that he’s an accomplice working with the murderers.

The New Scooby and Scrappy Doo Show is the sixth incarnation of the Hanna-Barbera Saturday morning cartoon Scooby-Doo. It premiered on September 10, 1983, and ran for one season on ABC as a half-hour program made up of two eleven-minute short cartoons. The show is a return to the mystery solving format and reintroduces Daphne after a four-year absence. The plots of each episode feature her, Shaggy, Scooby-Doo, and Scrappy-Doo solving supernatural mysteries under the cover of being reporters for a teen magazine.

Papa and Boy is an animated comedy about the fraught relationship between a father and his always questioning son. They live in a world inhabited only by fathers and sons and despite caring deeply for each other, they are locked in a world historical conflict that precedes their own lives. The world of Papa and Boy is built upon The Fatherson System, a socio-economic system that allows fathers to command and control boys under the threat of punishment. The show is an absurd comedy about the cruel and terrible systems of power we inherit from our parents. Through Papa and Boy, we can see how absurd and morally bankrupt capitalism is and the way it deprives everyone involved of their humanity. Ultimately, the satirical core of Papa and Boy is making fun of the assumption that human hierarchies and capitalism are natural, justified, and immovable.