It is early afternoon when Teresa returns from shopping. On the elevator she meets Marco, the son of the tenant upstairs, a good boy who she has known since he was a child. They talk nonsense, as often happens in the elevator. But a few minutes later Marco rings Teresa's doorbell and forcefully enters her house. He says it's just a hindrance. But then why is he carrying a gun?
Reviews
If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.
In truth, there is barely enough story here to make a film.
I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.
This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.
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