While he is about to rehearse Samuel Beckett's Waiting for Godot in the theater, Stefano Accorsi suddenly finds himself in the dark, empty theater, the doors locked, the collaborators disappeared. What happens? He doesn't have time to understand that the scenery changes again: Stefano is now on the stage set up together with Colin Firth, in stage clothes, to recite the beginning of the opera. Until the spell is broken: we are back to the present, Stefano is in the animated theater of people. He smiles. Whatever happened, the theater is alive, stronger than any closure.
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Reviews
People are voting emotionally.
It's funny watching the elements come together in this complicated scam. On one hand, the set-up isn't quite as complex as it seems, but there's an easy sense of fun in every exchange.
A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.
The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.